1894 Résultats
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Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and(...)
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Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and(...)
Titre:
Thomas Demand / Hans Ulrich Obrist : the conversation series 10
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Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and rules of operation, the reconstruction and reverberation of history, work processes, studio realities and significant exhibitions of recent years. This wide-ranging conversation, modestly illustrated with black-and-white images, is as intelligent as it is revealing, giving the reader an unprecedented glimpse into the minds of two of the most brilliant players on the international art scene. Demand lives between Berlin and New York, where a retrospective of his work was shown at The Museum of Modern Art in 2005. Hans Ulrich Obrist is the Co-Director of the Musee d'Art Moderne de la Ville de Paris, as well as the Serpentine Gallery, London, where he lives and works.
Thomas Demand / Hans Ulrich Obrist : the conversation series 10
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Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and rules of operation, the reconstruction and reverberation of history, work processes, studio realities and significant exhibitions of recent years. This wide-ranging conversation, modestly illustrated with black-and-white images, is as intelligent as it is revealing, giving the reader an unprecedented glimpse into the minds of two of the most brilliant players on the international art scene. Demand lives between Berlin and New York, where a retrospective of his work was shown at The Museum of Modern Art in 2005. Hans Ulrich Obrist is the Co-Director of the Musee d'Art Moderne de la Ville de Paris, as well as the Serpentine Gallery, London, where he lives and works.
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livres
Publication:
juillet 2007, Köln
juillet 2007, Köln
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livres
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$24.00
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"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a(...)
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"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a(...)
Publication:
juillet 2007, Cologne
juillet 2007, Cologne
Titre:
Yona Friedman / Hans Ulrich Obrist : the conversation series 7
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"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known for his 1958 manifesto, L'Architecture mobile, Friedman's ideas have remained influential. His work was featured at the 2002 Documenta.
Yona Friedman / Hans Ulrich Obrist : the conversation series 7
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"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known for his 1958 manifesto, L'Architecture mobile, Friedman's ideas have remained influential. His work was featured at the 2002 Documenta.
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livres
livres
Publication:
juillet 2007, Cologne
juillet 2007, Cologne
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livres
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$60.00
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Should today’s paintings or installations be idyllic, suggesting a perfect world? What does it mean when they do this? An idyll, which must always be read as a contrast to actual circumstances, is more than just a deceptive image. Does it perhaps have a regulating or even normative character? This publication presents a selection of works on the theme, divided into(...)
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Should today’s paintings or installations be idyllic, suggesting a perfect world? What does it mean when they do this? An idyll, which must always be read as a contrast to actual circumstances, is more than just a deceptive image. Does it perhaps have a regulating or even normative character? This publication presents a selection of works on the theme, divided into(...)
Titre:
Idyll : illusion and delusion
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Should today’s paintings or installations be idyllic, suggesting a perfect world? What does it mean when they do this? An idyll, which must always be read as a contrast to actual circumstances, is more than just a deceptive image. Does it perhaps have a regulating or even normative character? This publication presents a selection of works on the theme, divided into four sections focusing on the landscape, urban, private, and utopian variants of the idyll, which explore the issues surrounding its timeliness and present radicalization. There is always something more hidden in the individual works than a fleeting glance might first allow us to suppose. Artists featured (selection): Franz Ackermann, Alexander Braun, David Claerbout, Mark Dion, Rowena Dring, Valéry Favre, Lothar Götz, Beate Gütschow, Tom Hunter, Danni Jakob, Stefan Kürten, Peter Land, Jonathan Monk, Sarah Morris, Olaf Nicolai, Jorge Pardo, Daniel Roth, Glen Rubsamen, Yehudit Sasportas, Stefan Sehler, Qui Shi-hua, Diana Thater, Gert & Uwe Tobias, Franceso Vezzoli, Pae White
Idyll : illusion and delusion
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Should today’s paintings or installations be idyllic, suggesting a perfect world? What does it mean when they do this? An idyll, which must always be read as a contrast to actual circumstances, is more than just a deceptive image. Does it perhaps have a regulating or even normative character? This publication presents a selection of works on the theme, divided into four sections focusing on the landscape, urban, private, and utopian variants of the idyll, which explore the issues surrounding its timeliness and present radicalization. There is always something more hidden in the individual works than a fleeting glance might first allow us to suppose. Artists featured (selection): Franz Ackermann, Alexander Braun, David Claerbout, Mark Dion, Rowena Dring, Valéry Favre, Lothar Götz, Beate Gütschow, Tom Hunter, Danni Jakob, Stefan Kürten, Peter Land, Jonathan Monk, Sarah Morris, Olaf Nicolai, Jorge Pardo, Daniel Roth, Glen Rubsamen, Yehudit Sasportas, Stefan Sehler, Qui Shi-hua, Diana Thater, Gert & Uwe Tobias, Franceso Vezzoli, Pae White
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livres
livres
Publication:
juillet 2007, Ostfildern
juillet 2007, Ostfildern
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livres
livres
Titre:
Doris Salcedo
Doris Salcedo
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Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its(...)
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Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its(...)
Publication:
janvier 2000, London
janvier 2000, London
Titre:
Doris Salcedo
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Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its cause. In Atrabiliaros (1991-6) abandoned shoes of "disappeared" Colombian people, half-concealed behind membranes of animal fibre, become ghost-like symbols of mourning. In Salcedo's ongoing untitled works, wooden furnishings, worn by long use and filled with concrete, mutely evoke the lives they once served. American art critic Nancy Princenthal surveys Salcedo's work in terms of the universal themes it evokes, contextualized in discussion of contemporary scultural practice. New York-based poet and curator Carlos Basualdo discusses with the artist her formative influences, which range from the art of precedecessors such as Joseph Beuys to the writings of philosophers and poets. German literary critic Andreas Huyssen focuses on Salcedo's sculpture Unland: The Orphan's Tunic (1997). For the "Arist's Choice", Salcedo has selected two texts: an extract from "Otherwise than being" (1974) by philosopher Emmanuel Levinas, and poems by Paul Celan. The Doris Salcedo's observations on the human condition and its reflection in the work of poets, novelists and thinkers are discussed in conversation with art historian Charles Merewether.
Doris Salcedo
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Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its cause. In Atrabiliaros (1991-6) abandoned shoes of "disappeared" Colombian people, half-concealed behind membranes of animal fibre, become ghost-like symbols of mourning. In Salcedo's ongoing untitled works, wooden furnishings, worn by long use and filled with concrete, mutely evoke the lives they once served. American art critic Nancy Princenthal surveys Salcedo's work in terms of the universal themes it evokes, contextualized in discussion of contemporary scultural practice. New York-based poet and curator Carlos Basualdo discusses with the artist her formative influences, which range from the art of precedecessors such as Joseph Beuys to the writings of philosophers and poets. German literary critic Andreas Huyssen focuses on Salcedo's sculpture Unland: The Orphan's Tunic (1997). For the "Arist's Choice", Salcedo has selected two texts: an extract from "Otherwise than being" (1974) by philosopher Emmanuel Levinas, and poems by Paul Celan. The Doris Salcedo's observations on the human condition and its reflection in the work of poets, novelists and thinkers are discussed in conversation with art historian Charles Merewether.
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livres
livres
Publication:
janvier 2000, London
janvier 2000, London
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livres
livres
Titre:
Louise Bourgeois
Louise Bourgeois
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One of the century's most distinguished artists, Louise Bourgeois is an utterly unique figure. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist art, and yet she remains distinct from all(...)
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One of the century's most distinguished artists, Louise Bourgeois is an utterly unique figure. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist art, and yet she remains distinct from all(...)
Publication:
mai 2003, London
mai 2003, London
Titre:
Louise Bourgeois
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One of the century's most distinguished artists, Louise Bourgeois is an utterly unique figure. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist art, and yet she remains distinct from all of them. An extraordinarily influential sculptor, she has worked, often experimentally, with materials varying from alabaster, plaster, latex, bronze and marble. Bourgeois is equally admired for her intimate drawings, often combining fragments of text, and her highly personal writings, which often address her long and complex life story. With the backdrop of a conflicted and sexually complicated family upbringing, her struggles as an artist in a world reserved for men, as well as her experiences as a mother, the subject of her work is as broad as the materials in which she expresses them. Critic Paulo Herkenhoff (with Thyra Goodeve) has been in discussion with Bourgeois for many years. Topics in their interview range from her troubled relationship with her father, to men's fashions, to her recollections of Marcel Duchamp, whom she knew personally. Critic and curator Robert Storr's survey chronicles the unique trajectory of Bourgeois' work and life from a highly personal point of view. In his «Focus», critic Allan Schwartzman concentrates on Cell (You Better Grow Up) (1993), an intense cage-like space. For her «Artist's Choice» Bourgeois has selected extracts from the novel Bonjour Tristesse (1954) by Francoise Sagan, whose story about a young girl's response to her father's amorous relationships parallels to some degree the artist's own childhood experiences. The artist's writings include an early text, 'The Puritan', from 1947, alongside discussions of her own work, autobiographical writings and artist's projects.
Louise Bourgeois
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One of the century's most distinguished artists, Louise Bourgeois is an utterly unique figure. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist art, and yet she remains distinct from all of them. An extraordinarily influential sculptor, she has worked, often experimentally, with materials varying from alabaster, plaster, latex, bronze and marble. Bourgeois is equally admired for her intimate drawings, often combining fragments of text, and her highly personal writings, which often address her long and complex life story. With the backdrop of a conflicted and sexually complicated family upbringing, her struggles as an artist in a world reserved for men, as well as her experiences as a mother, the subject of her work is as broad as the materials in which she expresses them. Critic Paulo Herkenhoff (with Thyra Goodeve) has been in discussion with Bourgeois for many years. Topics in their interview range from her troubled relationship with her father, to men's fashions, to her recollections of Marcel Duchamp, whom she knew personally. Critic and curator Robert Storr's survey chronicles the unique trajectory of Bourgeois' work and life from a highly personal point of view. In his «Focus», critic Allan Schwartzman concentrates on Cell (You Better Grow Up) (1993), an intense cage-like space. For her «Artist's Choice» Bourgeois has selected extracts from the novel Bonjour Tristesse (1954) by Francoise Sagan, whose story about a young girl's response to her father's amorous relationships parallels to some degree the artist's own childhood experiences. The artist's writings include an early text, 'The Puritan', from 1947, alongside discussions of her own work, autobiographical writings and artist's projects.
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livres
livres
Publication:
mai 2003, London
mai 2003, London
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livres
livres
Titre:
Mamma Andersson
Mamma Andersson
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The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled(...)
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The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled(...)
Publication:
mai 2007, Göttingen / London
mai 2007, Göttingen / London
Titre:
Mamma Andersson
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The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled with elements from myths, films and dreams, the absurd and the realistic, in the same picture. Her early works feature children in vast landscapes, echoing her own childhood in northern Sweden. The figures are set, each separately, in forests, by lakes, in the countryside. This rural setting later gives way to the interiors of the art world – cluttered framers’ workshops, libraries and elegant salons with finely ornamented objects. More recently, these rooms have opened up towards new worlds, where dream and reality seem to be careening. Whatever motifs she paints, the atmosphere appears to be fairly constant: a form of serenity in between finding and forgetting. The titles underline the ambiguity, explaining nothing but running parallel with the paintings.
Mamma Andersson
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The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled with elements from myths, films and dreams, the absurd and the realistic, in the same picture. Her early works feature children in vast landscapes, echoing her own childhood in northern Sweden. The figures are set, each separately, in forests, by lakes, in the countryside. This rural setting later gives way to the interiors of the art world – cluttered framers’ workshops, libraries and elegant salons with finely ornamented objects. More recently, these rooms have opened up towards new worlds, where dream and reality seem to be careening. Whatever motifs she paints, the atmosphere appears to be fairly constant: a form of serenity in between finding and forgetting. The titles underline the ambiguity, explaining nothing but running parallel with the paintings.
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livres
livres
Publication:
mai 2007, Göttingen / London
mai 2007, Göttingen / London
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livres
livres
Titre:
New canvas
New canvas
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both(...)
$96.00
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both(...)
Titre:
New canvas
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$96.00
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both Gordon’s final works and the process that leads to the end result, by emphasizing on the different layers that compose his photographs.
New canvas
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$96.00
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both Gordon’s final works and the process that leads to the end result, by emphasizing on the different layers that compose his photographs.
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livres
livres
Publication:
septembre 2022
septembre 2022
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livres
livres
Titre:
Gego: Measuring infinity
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
$91.00
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
Publication:
juin 2023
juin 2023
Titre:
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
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livres
livres
Publication:
juin 2023
juin 2023
Classification:
livres
livres
Titre:
For Zitkála-Šá
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia(...)
$55.00
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Résumé:
Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia(...)
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For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia Shortt, Candice Hopkins, and Buffy Sainte-Marie. ''For Zitkála-Šá'' is supplemented by texts by each artist and a contextualizing essay by Chacon.
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia Shortt, Candice Hopkins, and Buffy Sainte-Marie. ''For Zitkála-Šá'' is supplemented by texts by each artist and a contextualizing essay by Chacon.
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livres
livres
Publication:
janvier 2022
janvier 2022
Classification:
livres
livres
Titre:
Queuejumping
Queuejumping
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in(...)
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in(...)
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Queuejumping
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick, quiddity, and quotidian, and from millions of years of organic decay to contemplating contemporary art, dive into the origins of hegemonic forces, what is lost by winning, and what can be gained by stepping out of line.
Queuejumping
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(disponible en magasin)
Résumé:
Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick, quiddity, and quotidian, and from millions of years of organic decay to contemplating contemporary art, dive into the origins of hegemonic forces, what is lost by winning, and what can be gained by stepping out of line.
Classification:
livres
livres
Publication:
janvier 2022
janvier 2022
