$32.00
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Née en 1911 à Paris, installée à New York depuis 1938 et jusqu'à sa mort en 2010, Louise Bourgeois a créé en plus de 60 ans un univers protéiforme qui, échappant à tous les « -ismes » du XXe siècle, est à la fois ancré dans une expérience personnelle singulière et ouvert sur l'histoire et l'histoire de l'art, exprimant la complexité et la permanence du désir à partir(...)
Louise Bourgeois : Les fleurs
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Née en 1911 à Paris, installée à New York depuis 1938 et jusqu'à sa mort en 2010, Louise Bourgeois a créé en plus de 60 ans un univers protéiforme qui, échappant à tous les « -ismes » du XXe siècle, est à la fois ancré dans une expérience personnelle singulière et ouvert sur l'histoire et l'histoire de l'art, exprimant la complexité et la permanence du désir à partir d'événements récurrents. Son œuvre, marquée par un vif intérêt pour la psychologie, sonde les émotions humaines : l'amour, la dépendance, la sexualité, le rejet, la jalousie et l'abandon.
$105.00
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Bernhardt’s boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colors and lines bleed and pool together, revealing Bernhardt’s brisk and improvisational process. Monumental in size, subject(...)
décembre 2023
Katherine Bernhardt: Why is a mushroom growing in my shower?
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Bernhardt’s boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colors and lines bleed and pool together, revealing Bernhardt’s brisk and improvisational process. Monumental in size, subject matter, and vibrancy, her works demand attention. Expanding on the exhibition at David Zwirner, London, in 2022, this catalogue includes additional paintings and works on paper in which Bernhardt develops her ongoing body of work. With many details of paintings, this significant publication gives the artist’s work ample space to play. Suzanne Hudson’s essay considers Bernhardt’s work from an art-historical perspective and explores the artist’s work and life.
Richard Serra: 2022
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Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, to which he has used since 1971—Serra’s drawings convey(...)
Richard Serra: 2022
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$80.00
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Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, to which he has used since 1971—Serra’s drawings convey a strong sense of optical weight, acutely similar to the physical presence of his sculptures. 2022, the artist’s largest single forged round to date, investigates properties of weight and scale.
$70.00
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A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.
décembre 2023
Yayoi Kusama: The Dutch years 1960–70
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A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.
$45.00
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste(...)
juin 2023
Françoise Sullivan : Une ligne imaginaire
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste et son corpus des années 1970. Tel un récit qui s’incarne dans les lieux où a vécu Sullivan, en particulier l’Italie, l’ouvrage s’intéresse particulièrement à son travail lié à l’art conceptuel et ancré dans la photographie, le film et les actions performatives. »
$49.00
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
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Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In ''Fluxus Administration'', critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s(...)
Fluxus administration: George Maciuna and the art of paperwork
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Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In ''Fluxus Administration'', critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy.
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban(...)
Petra Blaisse: Art applied
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$125.00
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban landscapes to intimate domestic spaces defined by soft textile walls. The resulting spaces defy conventional classification. This comprehensive survey encompasses renowned projects including the recently completed Taipei Performing Arts Center; the Kunsthal Rotterdam; Biblioteca degli Alberi in Milan, a park spanning almost ten hectares; and LocHal Library in Tilburg, a vast factory repurposed using an architecture of semi-translucent curtains. It also presents revelatory unrealised projects and explores the studio’s many collaborations, including the rich body of work produced with OMA since the late 1980s.
$67.50
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he combination of pictorial motifs and words or sentences has long been a special feature of Ed Ruscha’s (born 1937) paintings. As he himself commented in an interview in 1989: "Words are pattern-like, and in their horizontality they answer my investigation into landscape ... they are almost not words--they are objects that become words." This attraction to combinations(...)
Ed Ruscha: Books and paintings
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he combination of pictorial motifs and words or sentences has long been a special feature of Ed Ruscha’s (born 1937) paintings. As he himself commented in an interview in 1989: "Words are pattern-like, and in their horizontality they answer my investigation into landscape ... they are almost not words--they are objects that become words." This attraction to combinations of word and image has naturally disposed Ruscha toward the book as an art form, and as both an object and subject in his paintings. This volume commemorates a bequest of paintings, photographs and books by Ruscha to the Museum Brandhorst in Munich, complementing their existing works.
Holzer-isms. Artists edition
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''Holzer-isms: Artist’s Edition'' presents a selection of artist Jenny Holzer’s ''Truisms'' (1977–79)—subtly subversive declarations such as ''ABUSE OF POWER COMES AS NO SURPRISE''—on six foldout posters designed by the artist. The stunning posters in ''Holzer-isms: Artist’s Edition'' come in a special cloth-covered, foil-stamped box, which also features a booklet(...)
Holzer-isms. Artists edition
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$82.00
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''Holzer-isms: Artist’s Edition'' presents a selection of artist Jenny Holzer’s ''Truisms'' (1977–79)—subtly subversive declarations such as ''ABUSE OF POWER COMES AS NO SURPRISE''—on six foldout posters designed by the artist. The stunning posters in ''Holzer-isms: Artist’s Edition'' come in a special cloth-covered, foil-stamped box, which also features a booklet containing an introduction to 'Truisms'', a biography of Holzer, and a brief chronology of her career.