Ed Templeton: 87 drawings
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The images in "Ed Templeton: 87 drawings" cover a span of over thirty years, from 1990 to 2021, and deliver a remarkable retrospective of the artist’s intimate drawing style. Templeton examines the studied ennui of adolescents and young adults, capturing his subjects’ specific personalities while documenting the visual identity born of the distinctive skating and surfing(...)
Ed Templeton: 87 drawings
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The images in "Ed Templeton: 87 drawings" cover a span of over thirty years, from 1990 to 2021, and deliver a remarkable retrospective of the artist’s intimate drawing style. Templeton examines the studied ennui of adolescents and young adults, capturing his subjects’ specific personalities while documenting the visual identity born of the distinctive skating and surfing culture that originated in Southern California. He knows this culture well, growing up there before becoming a professional (and World Champion) skateboarder, contemporary artist, and photographer. His subjects are often drawn as portraits, their faces shown with a striking detail that contrasts with the simple lines of their bodies. Though they project a cool indifference, they are celebrated by the artist, whose fondness for them both recognizes and commends their subversive style. As Kim Hastreiter notes in the preface, his "secret ingredient is empathy." The collection also includes more personal drawings. There are eight of his wife and collaborator, Deanna; a self-portrait; and a drawing of them together. Fourteen of the drawings are on vintage hotel stationery, further anchoring the drawings in place, if not time. His grandfather collected much of the stationery; Templeton’s use of it adds a connective thread to both Southern California culture and his own life. Raised by his grandparents, Templeton credits his grandmother with exposing him to the art that would "enrich his life immensely," and closes the book with a portrait of her at the end of her life. "87 drawings" is printed on natural textured art paper, and bound in cloth with a tipped-in reproduction and original silkscreen design by the artist. The first printing is limited to 2,000 copies.
Yoshitomo Nara
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Yoshitomo Nara rose to prominence in the mid-1990s, a star in a generation of avant-garde Japanese artists associated with the neo-Pop ‘Superflat' movement. This book, made in close collaboration with Nara himself, explores more than three decades of his work - and is the first truly authoritative monograph on the artist in more than a decade. Written by art historian(...)
Yoshitomo Nara
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Yoshitomo Nara rose to prominence in the mid-1990s, a star in a generation of avant-garde Japanese artists associated with the neo-Pop ‘Superflat' movement. This book, made in close collaboration with Nara himself, explores more than three decades of his work - and is the first truly authoritative monograph on the artist in more than a decade. Written by art historian Yeewan Koon and featuring texts by Nara himself, it includes his most recent work in painting, drawing, sculpture, and ceramics.
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Née en 1911 à Paris, installée à New York depuis 1938 et jusqu'à sa mort en 2010, Louise Bourgeois a créé en plus de 60 ans un univers protéiforme qui, échappant à tous les « -ismes » du XXe siècle, est à la fois ancré dans une expérience personnelle singulière et ouvert sur l'histoire et l'histoire de l'art, exprimant la complexité et la permanence du désir à partir(...)
Louise Bourgeois : Les fleurs
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Née en 1911 à Paris, installée à New York depuis 1938 et jusqu'à sa mort en 2010, Louise Bourgeois a créé en plus de 60 ans un univers protéiforme qui, échappant à tous les « -ismes » du XXe siècle, est à la fois ancré dans une expérience personnelle singulière et ouvert sur l'histoire et l'histoire de l'art, exprimant la complexité et la permanence du désir à partir d'événements récurrents. Son œuvre, marquée par un vif intérêt pour la psychologie, sonde les émotions humaines : l'amour, la dépendance, la sexualité, le rejet, la jalousie et l'abandon.
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Bernhardt’s boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colors and lines bleed and pool together, revealing Bernhardt’s brisk and improvisational process. Monumental in size, subject(...)
décembre 2023
Katherine Bernhardt: Why is a mushroom growing in my shower?
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Bernhardt’s boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colors and lines bleed and pool together, revealing Bernhardt’s brisk and improvisational process. Monumental in size, subject matter, and vibrancy, her works demand attention. Expanding on the exhibition at David Zwirner, London, in 2022, this catalogue includes additional paintings and works on paper in which Bernhardt develops her ongoing body of work. With many details of paintings, this significant publication gives the artist’s work ample space to play. Suzanne Hudson’s essay considers Bernhardt’s work from an art-historical perspective and explores the artist’s work and life.
Richard Serra: 2022
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Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, to which he has used since 1971—Serra’s drawings convey(...)
Richard Serra: 2022
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Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, to which he has used since 1971—Serra’s drawings convey a strong sense of optical weight, acutely similar to the physical presence of his sculptures. 2022, the artist’s largest single forged round to date, investigates properties of weight and scale.
$70.00
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A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.
décembre 2023
Yayoi Kusama: The Dutch years 1960–70
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A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste(...)
juin 2023
Françoise Sullivan : Une ligne imaginaire
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste et son corpus des années 1970. Tel un récit qui s’incarne dans les lieux où a vécu Sullivan, en particulier l’Italie, l’ouvrage s’intéresse particulièrement à son travail lié à l’art conceptuel et ancré dans la photographie, le film et les actions performatives. »
$49.00
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
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Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In ''Fluxus Administration'', critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s(...)
Fluxus administration: George Maciuna and the art of paperwork
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Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In ''Fluxus Administration'', critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy.
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban(...)
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban landscapes to intimate domestic spaces defined by soft textile walls. The resulting spaces defy conventional classification. This comprehensive survey encompasses renowned projects including the recently completed Taipei Performing Arts Center; the Kunsthal Rotterdam; Biblioteca degli Alberi in Milan, a park spanning almost ten hectares; and LocHal Library in Tilburg, a vast factory repurposed using an architecture of semi-translucent curtains. It also presents revelatory unrealised projects and explores the studio’s many collaborations, including the rich body of work produced with OMA since the late 1980s.