1879 Résultats
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Titre:
Bad couples
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure.(...)
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure.(...)
Titre:
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure. The aim is to create psychedelic melancholia. I try to keep a balance between the crudely drawn and the more soft stuff, like being on an abandoned traffic island surrounded by lush vegetation." Nicola Pecoraro Published on the occasion of the exhibition "Bad Couples" at fette's gallery, Los Angeles. May 30th – July 5th, 2008
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure. The aim is to create psychedelic melancholia. I try to keep a balance between the crudely drawn and the more soft stuff, like being on an abandoned traffic island surrounded by lush vegetation." Nicola Pecoraro Published on the occasion of the exhibition "Bad Couples" at fette's gallery, Los Angeles. May 30th – July 5th, 2008
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livres
Publication:
janvier 2008, Zürich
janvier 2008, Zürich
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livres
Titre:
Lucifer rising
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
Titre:
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
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livres
livres
Publication:
janvier 2008, Zürich
janvier 2008, Zürich
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livres
Titre:
2001
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
Titre:
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
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livres
livres
Publication:
janvier 2002, Zürich
janvier 2002, Zürich
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Titre:
Gordon Matta-Clark: sms contemporanea
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Gordon Matta-Clark: sms contemporanea
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
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livres
livres
Publication:
juin 2008
juin 2008
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$19.95
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj(...)
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj(...)
Titre:
Kitaj: the architects Colin St John Wilson and MJ Long
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj experimented with technique in search of a renewed artistic vision, arriving at an awkwardness of composition reminiscent of Manet and a colouration inspired by van Gogh. Kitaj: The Architects collects the diary entries of his subjects through each sitting session, from the first preliminary sketches to the final delivery of the painting in late 1981. Providing a revealing insight into Kitaj’s artistic method, Colin St John Wilson and his wife MJ Long’s observations capture the creative process through the explorations of initial ideas, happy accidents, compositional struggles and dissatisfactions, to the finished artefact.
Kitaj: the architects Colin St John Wilson and MJ Long
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj experimented with technique in search of a renewed artistic vision, arriving at an awkwardness of composition reminiscent of Manet and a colouration inspired by van Gogh. Kitaj: The Architects collects the diary entries of his subjects through each sitting session, from the first preliminary sketches to the final delivery of the painting in late 1981. Providing a revealing insight into Kitaj’s artistic method, Colin St John Wilson and his wife MJ Long’s observations capture the creative process through the explorations of initial ideas, happy accidents, compositional struggles and dissatisfactions, to the finished artefact.
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livres
Publication:
février 2008, London
février 2008, London
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear(...)
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear(...)
Publication:
août 2008, New York, New Haven, London
août 2008, New York, New Haven, London
Titre:
Paul McCarthy central symmetrical rotation movement
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971).
Paul McCarthy central symmetrical rotation movement
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971).
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août 2008, New York, New Haven, London
août 2008, New York, New Haven, London
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
Publication:
octobre 2008, Los Angeles, Cambridge, London
octobre 2008, Los Angeles, Cambridge, London
Titre:
Martin Kippenberger: the problem perspective
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
Martin Kippenberger: the problem perspective
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
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livres
livres
Publication:
octobre 2008, Los Angeles, Cambridge, London
octobre 2008, Los Angeles, Cambridge, London
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livres
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
Publication:
novembre 2008, Cambridge, London
novembre 2008, Cambridge, London
Titre:
Franz West work 1972-2008: to build a house you start with the roof
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
Franz West work 1972-2008: to build a house you start with the roof
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
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livres
Publication:
novembre 2008, Cambridge, London
novembre 2008, Cambridge, London
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work(...)
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work(...)
Publication:
septembre 2008, Boston
septembre 2008, Boston
Titre:
Anish Kapoor : past, present, future
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal - as in his famous Cloud Gate (2004) in Chicago's Millennium Park. The works in Anish Kapoor include such striking works as Past, Present, Future (2006), 1000 Names (1979-1980) and When I Am Pregnant (1992). Includes an interview with the artist by Nicholas Baume. Copublished with the Institute of Contemporary Art, Boston
Anish Kapoor : past, present, future
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal - as in his famous Cloud Gate (2004) in Chicago's Millennium Park. The works in Anish Kapoor include such striking works as Past, Present, Future (2006), 1000 Names (1979-1980) and When I Am Pregnant (1992). Includes an interview with the artist by Nicholas Baume. Copublished with the Institute of Contemporary Art, Boston
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livres
livres
Publication:
septembre 2008, Boston
septembre 2008, Boston
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livres
livres
Titre:
World art studies
World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the(...)
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the(...)
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World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the phenomenon of art through a broader cultural, global and temporal perspective, bringing together a uniquely exhaustive range of perspectives on art and borrowing approaches from the study of neuroscience, evolutionary biology, anthropology and geography as models--alongside more conventional art historical perspectives. In musicology or linguistics, using such diverse viewpoints for reflection and research is considered part of the normal process. In that spirit, this volume goes beyond abstract models, using case studies to demonstrate and examine specific methods of investigation.
World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the phenomenon of art through a broader cultural, global and temporal perspective, bringing together a uniquely exhaustive range of perspectives on art and borrowing approaches from the study of neuroscience, evolutionary biology, anthropology and geography as models--alongside more conventional art historical perspectives. In musicology or linguistics, using such diverse viewpoints for reflection and research is considered part of the normal process. In that spirit, this volume goes beyond abstract models, using case studies to demonstrate and examine specific methods of investigation.
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livres
livres
Publication:
juin 2008, Amsterdam
juin 2008, Amsterdam
