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Catalogue d'exposition au centre d'art contemporain de Malaga.
novembre 2008, Malaga
Rodney Graham: a glass of beer
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Catalogue d'exposition au centre d'art contemporain de Malaga.
Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an(...)
Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an encyclopedia (volume 1: stars & stripes aka 'new york garbage flag profile' / ISBN 978-3-865880-94-9)
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg,(...)
Michalis Pichler working drawing and other visible things on paper not neccesarily meant to be viewed.
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg, Stefan Schuster, Andreas Siekmann, Evgenia Tsalagrada, Xerox*, Haegue Yang, Adam Zaretsky * “found” material The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA. The last two words "As Art" have been omitted from the title. put together by Michalis Pichler
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's(...)
juin 2008, San Francisco
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's residency, with illustrations of the new commissions for the Wattis Institute. Designed by Stripe/Jon Sueda.
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
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Based on Sedá's work for Documenta 12, this book documents a complex and long-term project realized in Nova Lisen, Brno, Czech Republic, where the artist lives. In the guise of a kind of "mail art," Sedá put in contact the inhabitants of a housing project undergoing renovation, breaking down the conventions of addressing an audience in the art context, as well as(...)
For every dog a different master
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Based on Sedá's work for Documenta 12, this book documents a complex and long-term project realized in Nova Lisen, Brno, Czech Republic, where the artist lives. In the guise of a kind of "mail art," Sedá put in contact the inhabitants of a housing project undergoing renovation, breaking down the conventions of addressing an audience in the art context, as well as stimulating exchanges and relations between the involuntarily participants. Fifth volume of the "Tranzit" series edited by Vít Havránek and focusing on Central and Eastern European artists. Text in English /Czech
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Cette publication rassemble trois études sur la vie de Reverdin, sur les enjeux esthétiques de ses dessins et des gravures réalisées à partir d'eux. La qualité des reproductions permet de rendre compte de la technique de gravure de la “roulette”. Au-delà de sa carrière d'enseignant, Reverdin apparaît comme un véritable auteur ayant donné ses lettres de noblesse à l'art de(...)
juin 2008, Zürich
Gravures classiques d'après François-Gédéon Reverdin : quand la copie devient modèle
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Cette publication rassemble trois études sur la vie de Reverdin, sur les enjeux esthétiques de ses dessins et des gravures réalisées à partir d'eux. La qualité des reproductions permet de rendre compte de la technique de gravure de la “roulette”. Au-delà de sa carrière d'enseignant, Reverdin apparaît comme un véritable auteur ayant donné ses lettres de noblesse à l'art de la copie et de l'interprétation.
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Since the mid-1990s, Henrik Olesen (*1967 Denmark, lives and works in Berlin) has used media such as collage, sculpture, and minimalistic spatial intervention to investigate the social construction of identity and its historiography. Through the appropriation of source images and contextual shifts not dissimilar to the method invented by Aby Warburg for his "Mnemosyne(...)
Henrik Olesen: some faggy gestures
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Since the mid-1990s, Henrik Olesen (*1967 Denmark, lives and works in Berlin) has used media such as collage, sculpture, and minimalistic spatial intervention to investigate the social construction of identity and its historiography. Through the appropriation of source images and contextual shifts not dissimilar to the method invented by Aby Warburg for his "Mnemosyne Atlas," Olesen probes the associations between homosexuality and its criminalization in the past, as well as in the present. His archival work sheds light on the enduring existence of spaces for Others, and inscribes homosexual subculture once more into the history of art and culture.
Aglaia Konrad: desert cities
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This publication is part of a series of artist' books and conceptual art publications, edited, compiled and selected by Christoph Keller. Neither an architectural nor a documentary photographer, Aglaia Konrad focuses a direct gaze on cities like Cairo, Alexandria and Anwar el Sadat, capturing applications of “Modernist” principles in desert architecture. Her photographs(...)
juin 2008, Zürich
Aglaia Konrad: desert cities
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This publication is part of a series of artist' books and conceptual art publications, edited, compiled and selected by Christoph Keller. Neither an architectural nor a documentary photographer, Aglaia Konrad focuses a direct gaze on cities like Cairo, Alexandria and Anwar el Sadat, capturing applications of “Modernist” principles in desert architecture. Her photographs spotlight an improbable dialogue between imported models and vernacular elements, constructions and sites, desert and communities, modernity and tradition.