Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in(...)
Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in the genre of artist’s books. Nonetheless, from the start Kaprow produced what he described as “activity booklets”--publications intended to function as tools to help people understand and experience such performances. He likened these booklets to “musical scores”: vehicles of opportunity rather than documents of past events. But the graphic layout of his books, the originality of their structure, the literary character of their texts and their aesthetic quality as objects elevates them from ostensibly practical scores to primary examples of first-generation book art.
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
Louise Bourgeois : artists's portfolio
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and(...)
Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and energy. This volume reproduces her treatment of the four seasons, inspired by the weather cycles of Rio, where winter registers as a change in mood rather than in temperature.
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"Invalid Format" is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles and Berlin. The book, designed in collaboration with Project Projects, translates into print work that originally appeared in other forms. This inaugural volume of "Invalid Format" includes artist projects(...)
Invalid format: an anthology of triple canopy, volume 1
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"Invalid Format" is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles and Berlin. The book, designed in collaboration with Project Projects, translates into print work that originally appeared in other forms. This inaugural volume of "Invalid Format" includes artist projects and literary work published in the first year of Triple Canopy's existence, documentation of public programs, and a sampling of foundational correspondence.
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely(...)
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely celebrated “Bird’s Nest” Beijing National Stadium, a collaboration between Ai and the Swiss architecture firm Herzog & de Meuron that was constructed for the 2008 Olympic Games. Another feature is a new work based on a project titled “Ordos 10” for which Ai invited 100 young architectural firms worldwide to design single-family houses for Ordos City in Inner Mongolia. An essay in the catalogue examines the role of architecture in relation to Ai’s political activities, an issue of particular relevance since his arrest and conditional release in 2011.
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
Bill Bollinger: Water is Life and Like Art it Finds its own Level
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
Richard Long: Berlin circle
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Richard Long is one of the leading protagonists of Land Art. Berlin Circle records the eponymous piece, a circle of stone installed by the artist for the opening of the Hamburger Bahnhof in 1996, as well as five other floor works and a large site-specific wall painting in mud.
Richard Long: Berlin circle
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Richard Long is one of the leading protagonists of Land Art. Berlin Circle records the eponymous piece, a circle of stone installed by the artist for the opening of the Hamburger Bahnhof in 1996, as well as five other floor works and a large site-specific wall painting in mud.
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This catalogue presents a broad selection of Fred Sandback's works on paper, drawings and prints, providing impressive evidence of how seamlessly Sandback transferred the techniques of lithography, etching and woodcuts into the aesthetics of his time and traces the development of his sculptures in these media.
février 2012
Fred Sandback: drawing spaces
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This catalogue presents a broad selection of Fred Sandback's works on paper, drawings and prints, providing impressive evidence of how seamlessly Sandback transferred the techniques of lithography, etching and woodcuts into the aesthetics of his time and traces the development of his sculptures in these media.
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A practitioner of Relational Aesthetics, Italian artist Giuseppe Stampone (born 1972) pursues a participatory network model for creativity, recruiting not only large groups of people but also the internet to generate text-based and sculptural works for public spaces. Global Education looks at his various projects.
Guiseppe Stampone : global education
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A practitioner of Relational Aesthetics, Italian artist Giuseppe Stampone (born 1972) pursues a participatory network model for creativity, recruiting not only large groups of people but also the internet to generate text-based and sculptural works for public spaces. Global Education looks at his various projects.
Alan Glass
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The debut exhibition of the Canadian-born Surrealist artist Alan Glass (born 1932) was organized by André Breton and Benjamin Péret. Glass settled in Mexico in 1962, developing relationships with local and émigré artists such as Leonora Carrington, Manuel Felguérez and Pedro Friedberg. This volume offers the first survey of his Cornell-like “art object” boxes and his drawings.
Alan Glass
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The debut exhibition of the Canadian-born Surrealist artist Alan Glass (born 1932) was organized by André Breton and Benjamin Péret. Glass settled in Mexico in 1962, developing relationships with local and émigré artists such as Leonora Carrington, Manuel Felguérez and Pedro Friedberg. This volume offers the first survey of his Cornell-like “art object” boxes and his drawings.