$21.00
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Sheds: nails, timber, felt, slatte, stone and rust
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
$24.95
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
janvier 1900, Chicago
Sleeping beauty: a one-artist dictionary
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
octobre 2008, Montréal, Kingston
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
livres
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
octobre 2004, Montréal
Nor : Idées du nord / ideas of north
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
livres
octobre 2004, Montréal
New canvas
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both(...)
New canvas
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both Gordon’s final works and the process that leads to the end result, by emphasizing on the different layers that compose his photographs.
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
juin 2023
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia(...)
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia Shortt, Candice Hopkins, and Buffy Sainte-Marie. ''For Zitkála-Šá'' is supplemented by texts by each artist and a contextualizing essay by Chacon.
Queuejumping
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in(...)
Queuejumping
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick, quiddity, and quotidian, and from millions of years of organic decay to contemplating contemporary art, dive into the origins of hegemonic forces, what is lost by winning, and what can be gained by stepping out of line.
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.