1894 Résultats
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This book presents a new chapter in a series of installations that different visual artists and architects from around the world created in Mies van der Rohe's emblematic building. The Chinese artist Ai Weiwei filled the pavilion's pools with two typical items that are part of our daily lives, but are completely at odds with an architectural construction: the water in the(...)
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This book presents a new chapter in a series of installations that different visual artists and architects from around the world created in Mies van der Rohe's emblematic building. The Chinese artist Ai Weiwei filled the pavilion's pools with two typical items that are part of our daily lives, but are completely at odds with an architectural construction: the water in the(...)
Titre:
Ai Wei Wei: With milk, find something everybody can use
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This book presents a new chapter in a series of installations that different visual artists and architects from around the world created in Mies van der Rohe's emblematic building. The Chinese artist Ai Weiwei filled the pavilion's pools with two typical items that are part of our daily lives, but are completely at odds with an architectural construction: the water in the pools, one exterior and the other interior is replaced, respectively, with milk and coffee.
Ai Wei Wei: With milk, find something everybody can use
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This book presents a new chapter in a series of installations that different visual artists and architects from around the world created in Mies van der Rohe's emblematic building. The Chinese artist Ai Weiwei filled the pavilion's pools with two typical items that are part of our daily lives, but are completely at odds with an architectural construction: the water in the pools, one exterior and the other interior is replaced, respectively, with milk and coffee.
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livres
livres
Publication:
novembre 2010
novembre 2010
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livres
livres
Titre:
A NOT B
A NOT B
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Book with recent photographic work by Uta Eisenreich, focussing on the shortcomings of our cognitive tool-kit. A NOT B walks us along the fine line between common sense and uncommon nonsense in a realm reminiscent of pre-school books, assessment tests and optical illusions. Uta Eisenreich is fascinated by the attempt to establish order within an inconsistent reality that(...)
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Book with recent photographic work by Uta Eisenreich, focussing on the shortcomings of our cognitive tool-kit. A NOT B walks us along the fine line between common sense and uncommon nonsense in a realm reminiscent of pre-school books, assessment tests and optical illusions. Uta Eisenreich is fascinated by the attempt to establish order within an inconsistent reality that(...)
Titre:
A NOT B
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Book with recent photographic work by Uta Eisenreich, focussing on the shortcomings of our cognitive tool-kit. A NOT B walks us along the fine line between common sense and uncommon nonsense in a realm reminiscent of pre-school books, assessment tests and optical illusions. Uta Eisenreich is fascinated by the attempt to establish order within an inconsistent reality that constantly exceeds the borders of comprehension. She photographs ever-changing combinations of elementary objects arranged by basic methods of classification. From one image to the next, the meaning of things keeps transforming. A web of clues and associations is spun, triggering the viewer to discern underlying patterns and make sense of the illusory correlations of a-logical connections. Design by Julia Born.
A NOT B
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Book with recent photographic work by Uta Eisenreich, focussing on the shortcomings of our cognitive tool-kit. A NOT B walks us along the fine line between common sense and uncommon nonsense in a realm reminiscent of pre-school books, assessment tests and optical illusions. Uta Eisenreich is fascinated by the attempt to establish order within an inconsistent reality that constantly exceeds the borders of comprehension. She photographs ever-changing combinations of elementary objects arranged by basic methods of classification. From one image to the next, the meaning of things keeps transforming. A web of clues and associations is spun, triggering the viewer to discern underlying patterns and make sense of the illusory correlations of a-logical connections. Design by Julia Born.
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livres
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Publication:
novembre 2010
novembre 2010
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
Titre:
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
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livres
livres
Publication:
décembre 2010
décembre 2010
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livres
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Jacques Villeglé prélève sur les murs parisiens, depuis la fin des années 1940, les affiches lacérées par des mains anonymes, et les expose après les avoir simplement marouflées sur toile. Revendiquant la position du flâneur, il laisse émerger du chaos urbain les beautés cachées dans les épaisseurs de papier déchiré, à travers un corpus foisonnant et d'une étonnante(...)
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Jacques Villeglé prélève sur les murs parisiens, depuis la fin des années 1940, les affiches lacérées par des mains anonymes, et les expose après les avoir simplement marouflées sur toile. Revendiquant la position du flâneur, il laisse émerger du chaos urbain les beautés cachées dans les épaisseurs de papier déchiré, à travers un corpus foisonnant et d'une étonnante(...)
Titre:
Jacques Villéglé: La comédie urbaines
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Jacques Villeglé prélève sur les murs parisiens, depuis la fin des années 1940, les affiches lacérées par des mains anonymes, et les expose après les avoir simplement marouflées sur toile. Revendiquant la position du flâneur, il laisse émerger du chaos urbain les beautés cachées dans les épaisseurs de papier déchiré, à travers un corpus foisonnant et d'une étonnante richesse formelle, depuis l'éclatement typographique et les grandes compositions abstraites colorées des débuts jusqu'aux récentes juxtapositions rythmiques issues d'affiches de concerts. Son Alphabet socio-politique, réalisé à partir d'un vocabulaire de lettres détournées telles qu'on peut les trouver dans les graffitis, procède de la même entreprise d'appropriation. L'œuvre de Villeglé est un formidable sismographe de nos "réalités collectives" telles qu'elles sont distillées par l'espace urbain dont l'histoire nous est restituée à travers celle, singulière, de ses murs. Elle révèle combien notre regard est conditionné par cet environnement visuel quotidien, et réactive notre mémoire de façon critique, mais aussi ludique.
Jacques Villéglé: La comédie urbaines
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Jacques Villeglé prélève sur les murs parisiens, depuis la fin des années 1940, les affiches lacérées par des mains anonymes, et les expose après les avoir simplement marouflées sur toile. Revendiquant la position du flâneur, il laisse émerger du chaos urbain les beautés cachées dans les épaisseurs de papier déchiré, à travers un corpus foisonnant et d'une étonnante richesse formelle, depuis l'éclatement typographique et les grandes compositions abstraites colorées des débuts jusqu'aux récentes juxtapositions rythmiques issues d'affiches de concerts. Son Alphabet socio-politique, réalisé à partir d'un vocabulaire de lettres détournées telles qu'on peut les trouver dans les graffitis, procède de la même entreprise d'appropriation. L'œuvre de Villeglé est un formidable sismographe de nos "réalités collectives" telles qu'elles sont distillées par l'espace urbain dont l'histoire nous est restituée à travers celle, singulière, de ses murs. Elle révèle combien notre regard est conditionné par cet environnement visuel quotidien, et réactive notre mémoire de façon critique, mais aussi ludique.
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livres
livres
Publication:
septembre 2008
septembre 2008
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Controversial artist Wim Delvoye achieved international fame with his tattooed pigs, his cloaca machines, his love letter made from potato peelings, gas bottles with Delft blue motives and a number of artworks that are often determined as being provocative and ironic. He has exhibited all over hte world, including New York, Paris, Beijing, Milan, Tel Aviv and Montreal.
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Controversial artist Wim Delvoye achieved international fame with his tattooed pigs, his cloaca machines, his love letter made from potato peelings, gas bottles with Delft blue motives and a number of artworks that are often determined as being provocative and ironic. He has exhibited all over hte world, including New York, Paris, Beijing, Milan, Tel Aviv and Montreal.
Titre:
Wim Delvoye: knockin on heaven's door
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Controversial artist Wim Delvoye achieved international fame with his tattooed pigs, his cloaca machines, his love letter made from potato peelings, gas bottles with Delft blue motives and a number of artworks that are often determined as being provocative and ironic. He has exhibited all over hte world, including New York, Paris, Beijing, Milan, Tel Aviv and Montreal.
Wim Delvoye: knockin on heaven's door
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Controversial artist Wim Delvoye achieved international fame with his tattooed pigs, his cloaca machines, his love letter made from potato peelings, gas bottles with Delft blue motives and a number of artworks that are often determined as being provocative and ironic. He has exhibited all over hte world, including New York, Paris, Beijing, Milan, Tel Aviv and Montreal.
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livres
livres
Publication:
janvier 2011
janvier 2011
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livres
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Beginning in the 1960s, Louise Bourgeois used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions,(...)
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Beginning in the 1960s, Louise Bourgeois used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions,(...)
Titre:
Louise Bourgeois: The fabric works
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Beginning in the 1960s, Louise Bourgeois used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions, constituting a repertoire of interweaves. This set of images is collected here in its entirety for the first time.
Louise Bourgeois: The fabric works
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Beginning in the 1960s, Louise Bourgeois used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions, constituting a repertoire of interweaves. This set of images is collected here in its entirety for the first time.
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livres
livres
Publication:
mars 2011
mars 2011
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music(...)
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music(...)
Titre:
This could become a gimick (sic) or an honest articulation of the workings of the mind
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music and literature. Her works, often hand drawn, are executed with a vulnerability and fluency of composition that affirms the volume's title. This anthology offers a selection of the artist's writings from 1997 to 2006.
This could become a gimick (sic) or an honest articulation of the workings of the mind
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Artist and writer Frances Stark (born 1967) addresses the doubts and anxieties of creative labor, in self-portraits that she elaborates into cross-disciplinary explorations of language as both subject matter and material. The digressive style that typifies her writing is echoed in the experience of her installations, in which themes emerge across citations from pop music and literature. Her works, often hand drawn, are executed with a vulnerability and fluency of composition that affirms the volume's title. This anthology offers a selection of the artist's writings from 1997 to 2006.
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livres
livres
Publication:
février 2011
février 2011
Classification:
livres
livres
Titre:
Food-water-life
Food-water-life
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Since founding Studio Orta in 1993, the Paris-based husband-and-wife team of Lucy and Jorge Orta has produced an extensive body of work that addresses universal concerns about community, shelter, migration, and sustainable development. Beyond merely addressing these issues artistically, their work suggests solutions by modeling fresh approaches to social dilemmas. Their(...)
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Since founding Studio Orta in 1993, the Paris-based husband-and-wife team of Lucy and Jorge Orta has produced an extensive body of work that addresses universal concerns about community, shelter, migration, and sustainable development. Beyond merely addressing these issues artistically, their work suggests solutions by modeling fresh approaches to social dilemmas. Their(...)
Titre:
Food-water-life
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Since founding Studio Orta in 1993, the Paris-based husband-and-wife team of Lucy and Jorge Orta has produced an extensive body of work that addresses universal concerns about community, shelter, migration, and sustainable development. Beyond merely addressing these issues artistically, their work suggests solutions by modeling fresh approaches to social dilemmas. Their often-playful projects incorporate elements of fashion, art, and architecture, which they combine with performances, multimedia events, and public debates. Featuring hundreds of drawings and photographs, Lucy + Jorge Orta: Food, Water, Life presents recent works that fall into the categories of food, water, and the environment. An interview by curator and critic Hou Hanru provides insight into the artists' processes and motivations.
Food-water-life
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Since founding Studio Orta in 1993, the Paris-based husband-and-wife team of Lucy and Jorge Orta has produced an extensive body of work that addresses universal concerns about community, shelter, migration, and sustainable development. Beyond merely addressing these issues artistically, their work suggests solutions by modeling fresh approaches to social dilemmas. Their often-playful projects incorporate elements of fashion, art, and architecture, which they combine with performances, multimedia events, and public debates. Featuring hundreds of drawings and photographs, Lucy + Jorge Orta: Food, Water, Life presents recent works that fall into the categories of food, water, and the environment. An interview by curator and critic Hou Hanru provides insight into the artists' processes and motivations.
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livres
livres
Publication:
mai 2011
mai 2011
Classification:
livres
livres
Titre:
Anish Kapoor
Anish Kapoor
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des(...)
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des(...)
Titre:
Anish Kapoor
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des maquettes et des diagrammes de ses projets les plus ambitieux. L'ouvrage offre également une chronologie complète et détaillée de la vie de l'artiste illustrée de photographies, d'esquisses et de documents, dont certains inédits.
Anish Kapoor
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des maquettes et des diagrammes de ses projets les plus ambitieux. L'ouvrage offre également une chronologie complète et détaillée de la vie de l'artiste illustrée de photographies, d'esquisses et de documents, dont certains inédits.
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livres
livres
Publication:
février 2011
février 2011
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livres
livres
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$45.00
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
Titre:
General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
