1894 Résultats
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment(...)
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment(...)
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janvier 1900, Vancouver / Glasgow
janvier 1900, Vancouver / Glasgow
Titre:
Martin Boyce : this place is dreaming
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment interior in which the artist describes and abstracts cultural and social environments. The catalogue includes Martin Boyce’s conversation with Douglas Coupland, and essays by Raymond MacDonald and Douglas Coupland.
Martin Boyce : this place is dreaming
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment interior in which the artist describes and abstracts cultural and social environments. The catalogue includes Martin Boyce’s conversation with Douglas Coupland, and essays by Raymond MacDonald and Douglas Coupland.
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janvier 1900, Vancouver / Glasgow
janvier 1900, Vancouver / Glasgow
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
Publication:
novembre 2005, Milan
novembre 2005, Milan
Titre:
Richard Greaves : anarchitecte / anarchitect
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
Richard Greaves : anarchitecte / anarchitect
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
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novembre 2005, Milan
novembre 2005, Milan
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
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septembre 2005, Chicago / New York
septembre 2005, Chicago / New York
Titre:
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
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livres
Publication:
septembre 2005, Chicago / New York
septembre 2005, Chicago / New York
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Titre:
Èdres
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et(...)
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et(...)
Publication:
août 2005, Montréal
août 2005, Montréal
Titre:
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et d’improbable - à la faveur d’un entendement inouï. èdres | dehors (DC): les six èdres enregistrés en six sites extérieurs à Montréal captés à la manière du cinéma-direct – six plans-séquences audio – six duos composés de quatre voix d’homme et d’une voix de femme – alternés avec six arêtes sonores. Avec la collaboration de l'artiste audio Stéphane Claude.
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et d’improbable - à la faveur d’un entendement inouï. èdres | dehors (DC): les six èdres enregistrés en six sites extérieurs à Montréal captés à la manière du cinéma-direct – six plans-séquences audio – six duos composés de quatre voix d’homme et d’une voix de femme – alternés avec six arêtes sonores. Avec la collaboration de l'artiste audio Stéphane Claude.
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août 2005, Montréal
août 2005, Montréal
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Yoko Ono: Grapefruit
Yoko Ono: Grapefruit
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Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life.
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Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life.
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Yoko Ono: Grapefruit
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Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life.
Yoko Ono: Grapefruit
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Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life.
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Publication:
octobre 2000
octobre 2000
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Cette publication a été produite dans le cadre de l'exposition "Collision monuments etcetera" présentée au Centre Culturel canadien du 7 février au 7 avril 2004.
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Cette publication a été produite dans le cadre de l'exposition "Collision monuments etcetera" présentée au Centre Culturel canadien du 7 février au 7 avril 2004.
Publication:
janvier 1900, Paris
janvier 1900, Paris
Titre:
Bernie Miller : collision monuments etc.
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Cette publication a été produite dans le cadre de l'exposition "Collision monuments etcetera" présentée au Centre Culturel canadien du 7 février au 7 avril 2004.
Bernie Miller : collision monuments etc.
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Cette publication a été produite dans le cadre de l'exposition "Collision monuments etcetera" présentée au Centre Culturel canadien du 7 février au 7 avril 2004.
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janvier 1900, Paris
janvier 1900, Paris
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Eric Glavin : radiant city
Eric Glavin : radiant city
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Eric Glavin's work explores mid-twentieth century architecture, particularly the commercialized urban environment. His computer-generated images look closely at social housing, schools and high-rises, objects that have helped shape the socio-economic infrastructure of the industrial city. Spiralbound.
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Eric Glavin's work explores mid-twentieth century architecture, particularly the commercialized urban environment. His computer-generated images look closely at social housing, schools and high-rises, objects that have helped shape the socio-economic infrastructure of the industrial city. Spiralbound.
Publication:
janvier 2005, Oakville
janvier 2005, Oakville
Titre:
Eric Glavin : radiant city
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Eric Glavin's work explores mid-twentieth century architecture, particularly the commercialized urban environment. His computer-generated images look closely at social housing, schools and high-rises, objects that have helped shape the socio-economic infrastructure of the industrial city. Spiralbound.
Eric Glavin : radiant city
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Eric Glavin's work explores mid-twentieth century architecture, particularly the commercialized urban environment. His computer-generated images look closely at social housing, schools and high-rises, objects that have helped shape the socio-economic infrastructure of the industrial city. Spiralbound.
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janvier 2005, Oakville
janvier 2005, Oakville
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This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of(...)
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This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of(...)
Publication:
janvier 2002, London
janvier 2002, London
Titre:
Richard Long : walking the line
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This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of Honshu in Japan. If walking has become Long's trademark, the path is a central image or archetype in his work. With his walks, Richard Long weaves a line through many traditions. Majestic museum pieces made from tons of rock are juxtaposed with dramatic mud works and with photographs recording ephemeral sculptures often made in remote landscapes. Most of the photographs were taken by the artist himself. The book includes Richard Long's own notes and writings, lists of solo and group exhibitions, prizes and awards, and a selected bibliography.
Richard Long : walking the line
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This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of Honshu in Japan. If walking has become Long's trademark, the path is a central image or archetype in his work. With his walks, Richard Long weaves a line through many traditions. Majestic museum pieces made from tons of rock are juxtaposed with dramatic mud works and with photographs recording ephemeral sculptures often made in remote landscapes. Most of the photographs were taken by the artist himself. The book includes Richard Long's own notes and writings, lists of solo and group exhibitions, prizes and awards, and a selected bibliography.
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Publication:
janvier 2002, London
janvier 2002, London
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the(...)
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the(...)
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
Titre:
Rachel Whiteread : walls, doors, floors and stairs
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the "house" transform the functional qualities of surrounding architecture into aura-filled works of art. They comprise early and new works, providing a useful overview of this aspect of Whiteread's notable career. Four essays by well-known critics illuminate the principles behind her work to go along with over 50 color illustrations.
Rachel Whiteread : walls, doors, floors and stairs
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the "house" transform the functional qualities of surrounding architecture into aura-filled works of art. They comprise early and new works, providing a useful overview of this aspect of Whiteread's notable career. Four essays by well-known critics illuminate the principles behind her work to go along with over 50 color illustrations.
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Publication:
janvier 1900, Cologne
janvier 1900, Cologne
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
Publication:
septembre 2005, Como
septembre 2005, Como
Titre:
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
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livres
livres
Publication:
septembre 2005, Como
septembre 2005, Como
