1920 Résultats
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings,(...)
$32.00
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Résumé:
This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings,(...)
Publication:
janvier 1900, Edinburg, Oxford
janvier 1900, Edinburg, Oxford
Titre:
Janet Cardiff & George Bures Miller: The house of books has no windows
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings, notes and ideas for works that either may or may not one day be made, the publication offers a range of routes into the Cardiff/Miller imagination.
Janet Cardiff & George Bures Miller: The house of books has no windows
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings, notes and ideas for works that either may or may not one day be made, the publication offers a range of routes into the Cardiff/Miller imagination.
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livres
Publication:
janvier 1900, Edinburg, Oxford
janvier 1900, Edinburg, Oxford
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livres
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Titre:
Sheds: nails, timber, felt, slatte, stone and rust
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$21.00
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Sheds: nails, timber, felt, slatte, stone and rust
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$21.00
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Résumé:
'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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livres
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
Titre:
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
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livres
livres
Publication:
novembre 2008, Paris
novembre 2008, Paris
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$40.00
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
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Résumé:
The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
Publication:
janvier 1900, Chicago
janvier 1900, Chicago
Titre:
Sleeping beauty: a one-artist dictionary
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
Sleeping beauty: a one-artist dictionary
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$40.00
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
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Publication:
janvier 1900, Chicago
janvier 1900, Chicago
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
Titre:
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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livres
Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
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$42.00
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
Publication:
octobre 2004, Montréal
octobre 2004, Montréal
Titre:
Nor : Idées du nord / ideas of north
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$42.00
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
Nor : Idées du nord / ideas of north
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
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Publication:
octobre 2004, Montréal
octobre 2004, Montréal
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$75.00
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
décembre 1999, Cambridge, Mass.
décembre 1999, Cambridge, Mass.
Titre:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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$75.00
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
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livres
livres
Publication:
décembre 1999, Cambridge, Mass.
décembre 1999, Cambridge, Mass.
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livres
Titre:
S.O.H. (states of humanity)
S.O.H. (states of humanity)
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"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
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"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
Publication:
août 1999, Amsterdam
août 1999, Amsterdam
Titre:
S.O.H. (states of humanity)
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$74.95
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Résumé:
"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
S.O.H. (states of humanity)
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$74.95
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"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
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Publication:
août 1999, Amsterdam
août 1999, Amsterdam
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$28.95
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Titre:
Looking up : Rachel Whiteread's water tower
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$28.95
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Looking up : Rachel Whiteread's water tower
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$28.95
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Résumé:
A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
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livres
livres
Publication:
septembre 1999, New York
septembre 1999, New York
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livres
livres
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$75.00
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This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
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Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
Titre:
The museum as muse : artists reflect
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$75.00
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Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
The museum as muse : artists reflect
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Prix:
$75.00
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Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
Classification:
livres
livres
Publication:
mars 1999, New York
mars 1999, New York
