1894 Résultats
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Exhibition catalogue that accompanies a new project by the artist Eugènia Balcells on some perceptive aspects of energy: light and colour.
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Exhibition catalogue that accompanies a new project by the artist Eugènia Balcells on some perceptive aspects of energy: light and colour.
Titre:
Eugènia Balcells, frequencies
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Exhibition catalogue that accompanies a new project by the artist Eugènia Balcells on some perceptive aspects of energy: light and colour.
Eugènia Balcells, frequencies
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Exhibition catalogue that accompanies a new project by the artist Eugènia Balcells on some perceptive aspects of energy: light and colour.
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livres
livres
Publication:
janvier 2010
janvier 2010
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livres
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself,(...)
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself,(...)
Titre:
Céline Condorelli: support structures
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself, this manual is an attempt to restore attention to one of the neglected, yet crucial modes through which we apprehend and shape the world. Support structures is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of support structures alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts , which form the theoretical backbone of the publication. The collection of contributions offers different possibilities for engaging in this unchartered territory, from propositions to projects, existing systems to ones invented for specific creative processes. Support structures offers support through potential methodologies, inspirations and activations for practice, and addresses important questions for art and architecture practices on forms of display, organization, articulation, appropriation, autonomy, and temporariness, and the manifestations of blindness towards them.
Céline Condorelli: support structures
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself, this manual is an attempt to restore attention to one of the neglected, yet crucial modes through which we apprehend and shape the world. Support structures is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of support structures alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts , which form the theoretical backbone of the publication. The collection of contributions offers different possibilities for engaging in this unchartered territory, from propositions to projects, existing systems to ones invented for specific creative processes. Support structures offers support through potential methodologies, inspirations and activations for practice, and addresses important questions for art and architecture practices on forms of display, organization, articulation, appropriation, autonomy, and temporariness, and the manifestations of blindness towards them.
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livres
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Publication:
octobre 2009
octobre 2009
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livres
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Created in conjunction with Icelandic artist Tumi Magnússon, Swiss artist Roman Signer's close friend and frequent traveling companion, the book mixes personal snapshots with anecdotes, reminiscences, and humorous observations about travel, the natural world, the differences between Switzerland and Iceland, and—as with any conversation between artists—the difficulties of(...)
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Created in conjunction with Icelandic artist Tumi Magnússon, Swiss artist Roman Signer's close friend and frequent traveling companion, the book mixes personal snapshots with anecdotes, reminiscences, and humorous observations about travel, the natural world, the differences between Switzerland and Iceland, and—as with any conversation between artists—the difficulties of(...)
Titre:
When you travel in Iceland you see a lot of water
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Created in conjunction with Icelandic artist Tumi Magnússon, Swiss artist Roman Signer's close friend and frequent traveling companion, the book mixes personal snapshots with anecdotes, reminiscences, and humorous observations about travel, the natural world, the differences between Switzerland and Iceland, and—as with any conversation between artists—the difficulties of making art, no matter where one calls home. When You Travel in Iceland You See a Lot of Water is thus a travel book unlike any other, one whose authors simultaneously invite you along on a journey and extend a hand in friendship.
When you travel in Iceland you see a lot of water
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Created in conjunction with Icelandic artist Tumi Magnússon, Swiss artist Roman Signer's close friend and frequent traveling companion, the book mixes personal snapshots with anecdotes, reminiscences, and humorous observations about travel, the natural world, the differences between Switzerland and Iceland, and—as with any conversation between artists—the difficulties of making art, no matter where one calls home. When You Travel in Iceland You See a Lot of Water is thus a travel book unlike any other, one whose authors simultaneously invite you along on a journey and extend a hand in friendship.
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livres
livres
Publication:
mai 2010
mai 2010
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livres
livres
Titre:
Ed Ruscha's Los Angeles
Ed Ruscha's Los Angeles
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Ed Ruscha was born in Nebraska and raised in Oklahoma, but he belongs to Los Angeles in a way few other artists do. Since the 1960s, Ruscha's iconic images of the cityscape and culture of L.A.—freeway gas stations, parking lots, palm trees, motels, swimming pools, and billboards—have both reflected and shaped popular perceptions of Hollywood and the city that surrounds(...)
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Ed Ruscha was born in Nebraska and raised in Oklahoma, but he belongs to Los Angeles in a way few other artists do. Since the 1960s, Ruscha's iconic images of the cityscape and culture of L.A.—freeway gas stations, parking lots, palm trees, motels, swimming pools, and billboards—have both reflected and shaped popular perceptions of Hollywood and the city that surrounds(...)
Titre:
Ed Ruscha's Los Angeles
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Ed Ruscha was born in Nebraska and raised in Oklahoma, but he belongs to Los Angeles in a way few other artists do. Since the 1960s, Ruscha's iconic images of the cityscape and culture of L.A.—freeway gas stations, parking lots, palm trees, motels, swimming pools, and billboards—have both reflected and shaped popular perceptions of Hollywood and the city that surrounds it. In Ed Ruscha's Los Angeles, Alexandra Schwartz views Ruscha's groundbreaking early work as a window onto the radically shifting cultural and political landscape in which it was produced.
Ed Ruscha's Los Angeles
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Ed Ruscha was born in Nebraska and raised in Oklahoma, but he belongs to Los Angeles in a way few other artists do. Since the 1960s, Ruscha's iconic images of the cityscape and culture of L.A.—freeway gas stations, parking lots, palm trees, motels, swimming pools, and billboards—have both reflected and shaped popular perceptions of Hollywood and the city that surrounds it. In Ed Ruscha's Los Angeles, Alexandra Schwartz views Ruscha's groundbreaking early work as a window onto the radically shifting cultural and political landscape in which it was produced.
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livres
livres
Publication:
avril 2010
avril 2010
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Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional(...)
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Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional(...)
Titre:
Situation aesthetics: the work of Michael Asher
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Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives. Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades.
Situation aesthetics: the work of Michael Asher
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Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives. Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades.
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livres
livres
Publication:
février 2010
février 2010
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livres
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$14.95
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With a body of work that encompasses video, installation, drawing, sculpture, printmaking, photography, and neon, and that spans from the 1960s to the present day, Bruce Nauman is one of the most innovative artists of his generation. Through Michele Lamanna’s stunning series of photographs, commissioned by the Philadelphia Museum of Art, this publication captures the(...)
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With a body of work that encompasses video, installation, drawing, sculpture, printmaking, photography, and neon, and that spans from the 1960s to the present day, Bruce Nauman is one of the most innovative artists of his generation. Through Michele Lamanna’s stunning series of photographs, commissioned by the Philadelphia Museum of Art, this publication captures the(...)
Titre:
Bruce Nauman: topological gardens, installation views
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With a body of work that encompasses video, installation, drawing, sculpture, printmaking, photography, and neon, and that spans from the 1960s to the present day, Bruce Nauman is one of the most innovative artists of his generation. Through Michele Lamanna’s stunning series of photographs, commissioned by the Philadelphia Museum of Art, this publication captures the visitor’s experience of encountering Nauman’s work and coincides with the American premiere of the artist’s newest works—Days and Giorni—in Philadelphia.
Bruce Nauman: topological gardens, installation views
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With a body of work that encompasses video, installation, drawing, sculpture, printmaking, photography, and neon, and that spans from the 1960s to the present day, Bruce Nauman is one of the most innovative artists of his generation. Through Michele Lamanna’s stunning series of photographs, commissioned by the Philadelphia Museum of Art, this publication captures the visitor’s experience of encountering Nauman’s work and coincides with the American premiere of the artist’s newest works—Days and Giorni—in Philadelphia.
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livres
livres
Publication:
mars 2010
mars 2010
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$69.99
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Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic(...)
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Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic(...)
Titre:
Marcel Duchamp : étant données
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Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp’s provocative and challenging tableau-construction.
Marcel Duchamp : étant données
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Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp’s provocative and challenging tableau-construction.
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livres
livres
Publication:
septembre 2009
septembre 2009
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livres
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$72.00
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Résumé:
Transforming words into icons and images into wide-screen epics, Ed Ruscha has wholly reconceived the terms of painting for our era. Tagged variously as a Conceptualist, Pop artist or latter-day Surrealist, Ruscha flouts category, or rather incorporates all categories, always surprising and experimenting with both subject and method. His paintings are steeped in our(...)
$72.00
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Résumé:
Transforming words into icons and images into wide-screen epics, Ed Ruscha has wholly reconceived the terms of painting for our era. Tagged variously as a Conceptualist, Pop artist or latter-day Surrealist, Ruscha flouts category, or rather incorporates all categories, always surprising and experimenting with both subject and method. His paintings are steeped in our(...)
Publication:
février 2010
février 2010
Titre:
Ed Ruscha: fifty years of painting
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$72.00
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Transforming words into icons and images into wide-screen epics, Ed Ruscha has wholly reconceived the terms of painting for our era. Tagged variously as a Conceptualist, Pop artist or latter-day Surrealist, Ruscha flouts category, or rather incorporates all categories, always surprising and experimenting with both subject and method. His paintings are steeped in our times: cinema, advertising, logos, late capitalism and the twists and turns of postwar art have all informed his iconography since the early 1960s, arriving on the cool surfaces of his canvases with magnetic detachment. Ruscha eschews process and focuses exclusively on the final product: “the means to the end has always been secondary in my art,” he has said. Ruscha has also reinvented the use of words in art, finding disquieting ways to invest language with a weird, throbbing, ambient static, never aspiring to what he calls “word gestures,” since “each word is an excursion unto itself.” Fifty Years of Painting focuses on Ruscha's majestic oeuvre of paintings. A magnificent publication, it comes housed in a slipcase that sports the artist's classic painting “Standard Station” (1966), and, alongside fantastic reproductions, it contains a preface by novelist James Ellroy, essays by Ralph Rugoff, Alexandra Schwartz and Ulrich Wilmes, a text by novelist Bruce Wagner, an interview with the artist by Kristine McKenna, an illustrated chronology and an exhibition history. Ed Ruscha (born 1937) has made pioneering work in the media of painting, printmaking, drawing, bookmaking, photography and film since 1958.
Ed Ruscha: fifty years of painting
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$72.00
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Résumé:
Transforming words into icons and images into wide-screen epics, Ed Ruscha has wholly reconceived the terms of painting for our era. Tagged variously as a Conceptualist, Pop artist or latter-day Surrealist, Ruscha flouts category, or rather incorporates all categories, always surprising and experimenting with both subject and method. His paintings are steeped in our times: cinema, advertising, logos, late capitalism and the twists and turns of postwar art have all informed his iconography since the early 1960s, arriving on the cool surfaces of his canvases with magnetic detachment. Ruscha eschews process and focuses exclusively on the final product: “the means to the end has always been secondary in my art,” he has said. Ruscha has also reinvented the use of words in art, finding disquieting ways to invest language with a weird, throbbing, ambient static, never aspiring to what he calls “word gestures,” since “each word is an excursion unto itself.” Fifty Years of Painting focuses on Ruscha's majestic oeuvre of paintings. A magnificent publication, it comes housed in a slipcase that sports the artist's classic painting “Standard Station” (1966), and, alongside fantastic reproductions, it contains a preface by novelist James Ellroy, essays by Ralph Rugoff, Alexandra Schwartz and Ulrich Wilmes, a text by novelist Bruce Wagner, an interview with the artist by Kristine McKenna, an illustrated chronology and an exhibition history. Ed Ruscha (born 1937) has made pioneering work in the media of painting, printmaking, drawing, bookmaking, photography and film since 1958.
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livres
livres
Publication:
février 2010
février 2010
Classification:
livres
livres
Titre:
Luc Tuymans
Luc Tuymans
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Résumé:
Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical(...)
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical(...)
Publication:
octobre 2009
octobre 2009
Titre:
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials.
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials.
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livres
livres
Publication:
octobre 2009
octobre 2009
Classification:
livres
livres
Titre:
Sterling Ruby
Sterling Ruby
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$66.00
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Résumé:
Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
$66.00
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Résumé:
Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
Titre:
Sterling Ruby
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$66.00
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Sterling Ruby
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$66.00
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Classification:
livres
livres
Publication:
août 2009
août 2009
