1894 Résultats
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Titre:
Trace : William Kentridge
Trace : William Kentridge
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Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between(...)
$36.00
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Résumé:
Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between(...)
Publication:
février 2010
février 2010
Titre:
Trace : William Kentridge
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$36.00
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Résumé:
Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between past and present. The book also includes a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice.
Trace : William Kentridge
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$36.00
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Résumé:
Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between past and present. The book also includes a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice.
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livres
livres
Publication:
février 2010
février 2010
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livres
livres
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$54.00
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many(...)
$54.00
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many(...)
Titre:
Ellsworth Kelly: thumbing through the folder
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
Ellsworth Kelly: thumbing through the folder
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Résumé:
In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
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livres
livres
Publication:
février 2010
février 2010
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livres
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$72.00
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James Turrell is currently realizing his largest installation to date in the 18-by-30-meter hall at the Kunstmuseum Wolfsburg. This work resembles the Roden Crater project, inverted and rotated 90 degrees; it thus provides a foretaste of Turrell's still incomplete epic masterpiece. This illustrated publication documents and contextualizes the genesis of this ambitious work of art.
$72.00
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Résumé:
James Turrell is currently realizing his largest installation to date in the 18-by-30-meter hall at the Kunstmuseum Wolfsburg. This work resembles the Roden Crater project, inverted and rotated 90 degrees; it thus provides a foretaste of Turrell's still incomplete epic masterpiece. This illustrated publication documents and contextualizes the genesis of this ambitious work of art.
Titre:
James Turrell: the Wolfsburg project
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James Turrell is currently realizing his largest installation to date in the 18-by-30-meter hall at the Kunstmuseum Wolfsburg. This work resembles the Roden Crater project, inverted and rotated 90 degrees; it thus provides a foretaste of Turrell's still incomplete epic masterpiece. This illustrated publication documents and contextualizes the genesis of this ambitious work of art.
James Turrell: the Wolfsburg project
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$72.00
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Résumé:
James Turrell is currently realizing his largest installation to date in the 18-by-30-meter hall at the Kunstmuseum Wolfsburg. This work resembles the Roden Crater project, inverted and rotated 90 degrees; it thus provides a foretaste of Turrell's still incomplete epic masterpiece. This illustrated publication documents and contextualizes the genesis of this ambitious work of art.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
Prix:
$100.00
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Résumé:
This book sheds new light on the work of Henry Moore (1898–1986), recording contemporary architect Zaha Hadid's design of a display environment for the exhibition of Moore's sculptures and drawings. Hadid and Moore share a proclivity for fluid organic form, and for this project Hadid created curvaceous white linen walls and a giant horseshoe-shaped plinth. This volume(...)
$100.00
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Résumé:
This book sheds new light on the work of Henry Moore (1898–1986), recording contemporary architect Zaha Hadid's design of a display environment for the exhibition of Moore's sculptures and drawings. Hadid and Moore share a proclivity for fluid organic form, and for this project Hadid created curvaceous white linen walls and a giant horseshoe-shaped plinth. This volume(...)
Titre:
Henri Moore: Ideas for sculpture, a project with Zaha Hadid
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This book sheds new light on the work of Henry Moore (1898–1986), recording contemporary architect Zaha Hadid's design of a display environment for the exhibition of Moore's sculptures and drawings. Hadid and Moore share a proclivity for fluid organic form, and for this project Hadid created curvaceous white linen walls and a giant horseshoe-shaped plinth. This volume collects the documentation of this adventurous installation, presenting reproductions of sculptures and sketches by Moore alongside Mary Moore's detailed account of their conception.
Henri Moore: Ideas for sculpture, a project with Zaha Hadid
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$100.00
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Résumé:
This book sheds new light on the work of Henry Moore (1898–1986), recording contemporary architect Zaha Hadid's design of a display environment for the exhibition of Moore's sculptures and drawings. Hadid and Moore share a proclivity for fluid organic form, and for this project Hadid created curvaceous white linen walls and a giant horseshoe-shaped plinth. This volume collects the documentation of this adventurous installation, presenting reproductions of sculptures and sketches by Moore alongside Mary Moore's detailed account of their conception.
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livres
livres
Publication:
avril 2010
avril 2010
Classification:
livres
livres
Titre:
Michael Rakowitz: recent projects on Baghdad and Montreal, projets récents sur Bagdad et Montréal
Michael Rakowitz: recent projects on Baghdad and Montreal, projets récents sur Bagdad et Montréal
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An inspiring blend of sculpture, politics and gesture, the art of Michael Rakowitz (born 1973) makes a direct engagement with the larger dilemmas of the present, with ecological solutions and civic interventions. These include projects such as paraSITE, a series of inflatable plastic homeless shelters, each of which was tailored to the occupant's needs, and which was(...)
$30.00
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Résumé:
An inspiring blend of sculpture, politics and gesture, the art of Michael Rakowitz (born 1973) makes a direct engagement with the larger dilemmas of the present, with ecological solutions and civic interventions. These include projects such as paraSITE, a series of inflatable plastic homeless shelters, each of which was tailored to the occupant's needs, and which was(...)
Titre:
Michael Rakowitz: recent projects on Baghdad and Montreal, projets récents sur Bagdad et Montréal
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$30.00
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An inspiring blend of sculpture, politics and gesture, the art of Michael Rakowitz (born 1973) makes a direct engagement with the larger dilemmas of the present, with ecological solutions and civic interventions. These include projects such as paraSITE, a series of inflatable plastic homeless shelters, each of which was tailored to the occupant's needs, and which was designed to inflate by latching on to heat-exhaust ducts on the sides of buildings. In The invisible enemy should not exist—his most famous project to date—Rakowitz faithfully replicated the objects known to be missing or looted from the Iraqi National Museum during the U.S. invasion, using the cheap paper packaging of Middle Eastern import foods. This handsome volume surveys these and other recent projects.
Michael Rakowitz: recent projects on Baghdad and Montreal, projets récents sur Bagdad et Montréal
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$30.00
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Résumé:
An inspiring blend of sculpture, politics and gesture, the art of Michael Rakowitz (born 1973) makes a direct engagement with the larger dilemmas of the present, with ecological solutions and civic interventions. These include projects such as paraSITE, a series of inflatable plastic homeless shelters, each of which was tailored to the occupant's needs, and which was designed to inflate by latching on to heat-exhaust ducts on the sides of buildings. In The invisible enemy should not exist—his most famous project to date—Rakowitz faithfully replicated the objects known to be missing or looted from the Iraqi National Museum during the U.S. invasion, using the cheap paper packaging of Middle Eastern import foods. This handsome volume surveys these and other recent projects.
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livres
livres
Publication:
février 2010
février 2010
Classification:
livres
livres
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$66.00
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
$66.00
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Publication:
mai 2010
mai 2010
Titre:
Rodney Graham: Through the forest
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$66.00
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Rodney Graham: Through the forest
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$66.00
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
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livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
Titre:
Jack Goldstein
Jack Goldstein
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does(...)
$77.00
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does(...)
Publication:
mars 2010
mars 2010
Titre:
Jack Goldstein
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$77.00
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Résumé:
A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. This first thorough catalogue on Goldstein contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
Jack Goldstein
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$77.00
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Résumé:
A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. This first thorough catalogue on Goldstein contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
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livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
Titre:
Schwitters in Norway
Schwitters in Norway
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Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the(...)
$54.00
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Résumé:
Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the(...)
Titre:
Schwitters in Norway
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$54.00
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Résumé:
Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life.
Schwitters in Norway
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$54.00
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Résumé:
Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
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$60.00
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This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in(...)
$60.00
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Résumé:
This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in(...)
Titre:
Olafur Eliasson: take your time printed
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$60.00
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Résumé:
This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in spreads and thorough annotations, we encounter his considered musings on book form and design, and the complex process of book collaboration. Printed Matter also supplies a bibliography of all of Eliasson's books to date, alongside an interview with the artist.
Olafur Eliasson: take your time printed
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$60.00
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Résumé:
This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in spreads and thorough annotations, we encounter his considered musings on book form and design, and the complex process of book collaboration. Printed Matter also supplies a bibliography of all of Eliasson's books to date, alongside an interview with the artist.
Classification:
livres
livres
Publication:
février 2010
février 2010
Classification:
livres
livres
Prix:
$72.00
(disponible sur commande)
Résumé:
Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination(...)
$72.00
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Résumé:
Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination(...)
Titre:
Alan Ruppersberg: you and me or the art of give and take
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$72.00
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination with text and narrative strategies to mingle, blend and upend both fiction and fact—most famously in “Where's Al?” (1972) and “Between the Scenes”(1973).
Alan Ruppersberg: you and me or the art of give and take
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$72.00
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Résumé:
Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination with text and narrative strategies to mingle, blend and upend both fiction and fact—most famously in “Where's Al?” (1972) and “Between the Scenes”(1973).
Classification:
livres
livres
Publication:
février 2010
février 2010
