1928 Résultats
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Center for Contemporary Art, CCA, Kitakyushu
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Center for Contemporary Art, CCA, Kitakyushu
Titre:
Olafur Eliasson: your difference & repetition
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Center for Contemporary Art, CCA, Kitakyushu
Olafur Eliasson: your difference & repetition
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Center for Contemporary Art, CCA, Kitakyushu
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Publication:
octobre 2001, Kitakyushu
octobre 2001, Kitakyushu
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$149.95
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«J'ai reçu un mail de rupture. Je n'ai pas su répondre. C'était comme s'il ne m'était pas destiné. Il se terminait par les mots : Prenez soin de vous. J'ai pris cette recommandation au pied de la lettre. J'ai demandé à cent sept femmes, dont une à plume et deux en bois, choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionel. (...)
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«J'ai reçu un mail de rupture. Je n'ai pas su répondre. C'était comme s'il ne m'était pas destiné. Il se terminait par les mots : Prenez soin de vous. J'ai pris cette recommandation au pied de la lettre. J'ai demandé à cent sept femmes, dont une à plume et deux en bois, choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionel. (...)
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Sophie Calle : prenez soin de vous
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«J'ai reçu un mail de rupture. Je n'ai pas su répondre. C'était comme s'il ne m'était pas destiné. Il se terminait par les mots : Prenez soin de vous. J'ai pris cette recommandation au pied de la lettre. J'ai demandé à cent sept femmes, dont une à plume et deux en bois, choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionel. L'analyser, la commenter, la jouer, la danser, la chanter. La disséquer. L'épuiser. Comprendre pour moi. Parler à ma place. Une façon de prendre le temps de rompre. À mon rythme. Prendre soin de moi.» -Sophie Calle
Sophie Calle : prenez soin de vous
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«J'ai reçu un mail de rupture. Je n'ai pas su répondre. C'était comme s'il ne m'était pas destiné. Il se terminait par les mots : Prenez soin de vous. J'ai pris cette recommandation au pied de la lettre. J'ai demandé à cent sept femmes, dont une à plume et deux en bois, choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionel. L'analyser, la commenter, la jouer, la danser, la chanter. La disséquer. L'épuiser. Comprendre pour moi. Parler à ma place. Une façon de prendre le temps de rompre. À mon rythme. Prendre soin de moi.» -Sophie Calle
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janvier 1900, Arles
janvier 1900, Arles
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Titre:
Fleuve russe
Fleuve russe
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
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Fleuve russe
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
Fleuve russe
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
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mai 2008, Montréal
mai 2008, Montréal
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$39.95
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This reader gathers together an international selection of artists' proposals, manifestos, theoretical texts and public declarations that focus on the question of political engagement and the possibility of social change. Six specially commissioned essays - by Geeta Kapur, Lucy Lippard, John Milner, Gerald Raunig, Marina Vishmidt and Tirdad Zolghadr - further explore both(...)
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This reader gathers together an international selection of artists' proposals, manifestos, theoretical texts and public declarations that focus on the question of political engagement and the possibility of social change. Six specially commissioned essays - by Geeta Kapur, Lucy Lippard, John Milner, Gerald Raunig, Marina Vishmidt and Tirdad Zolghadr - further explore both(...)
Publication:
avril 2008, London
avril 2008, London
Titre:
Art and social change: a critical reader
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This reader gathers together an international selection of artists' proposals, manifestos, theoretical texts and public declarations that focus on the question of political engagement and the possibility of social change. Six specially commissioned essays - by Geeta Kapur, Lucy Lippard, John Milner, Gerald Raunig, Marina Vishmidt and Tirdad Zolghadr - further explore both the historical context and the contemporary situation.
Art and social change: a critical reader
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This reader gathers together an international selection of artists' proposals, manifestos, theoretical texts and public declarations that focus on the question of political engagement and the possibility of social change. Six specially commissioned essays - by Geeta Kapur, Lucy Lippard, John Milner, Gerald Raunig, Marina Vishmidt and Tirdad Zolghadr - further explore both the historical context and the contemporary situation.
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Publication:
avril 2008, London
avril 2008, London
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$45.95
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
Titre:
Art and the moving image : a critical reader
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.
Art and the moving image : a critical reader
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.
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avril 2008, London
avril 2008, London
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
Titre:
Liam Gillick: the book of the 3rd of June
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
Liam Gillick: the book of the 3rd of June
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
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livres
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Publication:
octobre 2000, Kitakyushu
octobre 2000, Kitakyushu
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$24.00
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"One break, a thousand blows!" is a novel about Japan. The protagonist is a metaphor, wanting to negate Japan, but not by writing a novel about Japan, but by writing falsely about it, using Japan as a screen for the authors innermost hopes and desires. Maxi Kim is the grandson of illiterate Korean peasant farmers. He is a recent graduate of CalArts MFA Writing Program,(...)
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"One break, a thousand blows!" is a novel about Japan. The protagonist is a metaphor, wanting to negate Japan, but not by writing a novel about Japan, but by writing falsely about it, using Japan as a screen for the authors innermost hopes and desires. Maxi Kim is the grandson of illiterate Korean peasant farmers. He is a recent graduate of CalArts MFA Writing Program,(...)
Titre:
Semina no. 2 : Maxi Kim: one break, a thousand blows!
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"One break, a thousand blows!" is a novel about Japan. The protagonist is a metaphor, wanting to negate Japan, but not by writing a novel about Japan, but by writing falsely about it, using Japan as a screen for the authors innermost hopes and desires. Maxi Kim is the grandson of illiterate Korean peasant farmers. He is a recent graduate of CalArts MFA Writing Program, currently researching a Phd at the University of Greenwich. He has worked with performance artists Gina Clark & Janice Lee, editorially with Matias Viegener and Christine Wertheim, and organised events with Chris Kraus and Mark von Schlegell. This is his first novel.
Semina no. 2 : Maxi Kim: one break, a thousand blows!
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"One break, a thousand blows!" is a novel about Japan. The protagonist is a metaphor, wanting to negate Japan, but not by writing a novel about Japan, but by writing falsely about it, using Japan as a screen for the authors innermost hopes and desires. Maxi Kim is the grandson of illiterate Korean peasant farmers. He is a recent graduate of CalArts MFA Writing Program, currently researching a Phd at the University of Greenwich. He has worked with performance artists Gina Clark & Janice Lee, editorially with Matias Viegener and Christine Wertheim, and organised events with Chris Kraus and Mark von Schlegell. This is his first novel.
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Publication:
juin 2008, London
juin 2008, London
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The Economist, dated 4-10 August 2007, contains 18 pages of advertising whose logos are placed in exactly these positions. Print run 200 + signed edition of 50.
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The Economist, dated 4-10 August 2007, contains 18 pages of advertising whose logos are placed in exactly these positions. Print run 200 + signed edition of 50.
Titre:
One page magazine The economist
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The Economist, dated 4-10 August 2007, contains 18 pages of advertising whose logos are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine The economist
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The Economist, dated 4-10 August 2007, contains 18 pages of advertising whose logos are placed in exactly these positions. Print run 200 + signed edition of 50.
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Publication:
janvier 2007
janvier 2007
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Time Magazine, dated September 17 2007, contains 49 articles whose titles are placed in exactly these positions. Print run 200 + signed edition of 50.
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Time Magazine, dated September 17 2007, contains 49 articles whose titles are placed in exactly these positions. Print run 200 + signed edition of 50.
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One page magazine Time magazine
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Time Magazine, dated September 17 2007, contains 49 articles whose titles are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine Time magazine
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Time Magazine, dated September 17 2007, contains 49 articles whose titles are placed in exactly these positions. Print run 200 + signed edition of 50.
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Publication:
janvier 2007
janvier 2007
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One page magazine Hello!
One page magazine Hello!
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Hello Magazine, dated 31st July 2007, features 67 celebrities whose names are placed in exactly these positions. Print run 200 + signed edition of 50.
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Hello Magazine, dated 31st July 2007, features 67 celebrities whose names are placed in exactly these positions. Print run 200 + signed edition of 50.
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One page magazine Hello!
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Hello Magazine, dated 31st July 2007, features 67 celebrities whose names are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine Hello!
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Hello Magazine, dated 31st July 2007, features 67 celebrities whose names are placed in exactly these positions. Print run 200 + signed edition of 50.
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Publication:
janvier 2007
janvier 2007
