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Gunta Stölzl, bauhaus master
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by(...)
Gunta Stölzl, bauhaus master
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by excerpts drawn from her journals, letters and articles, some of which are published here for the first time.
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juillet 2009
Eva Hesse, studiowork
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Throughout her career, Eva Hesse (1936--1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called “test-pieces” were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames(...)
Eva Hesse, studiowork
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Throughout her career, Eva Hesse (1936--1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called “test-pieces” were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames these small objects studiowork and argues that they put in question conventional notions of what sculpture is.
Silvia Bächli
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Silvia Bächli was invited to design the official contribution for the Swiss Pavilion at this year’s Biennale in Venice. This book offers a look inside her studio and documents the preparation of her works for the Biennale, illustrating her working process with spatial situations and snapshots that show her trying out various constellations as well as focusing on(...)
Silvia Bächli
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Silvia Bächli was invited to design the official contribution for the Swiss Pavilion at this year’s Biennale in Venice. This book offers a look inside her studio and documents the preparation of her works for the Biennale, illustrating her working process with spatial situations and snapshots that show her trying out various constellations as well as focusing on individual works and groups. The works and pictures from the artist’s studio are combined with photographs of her working stay in Iceland. Bächli has developed her body of drawings over the course of three decades, using varying formats and techniques. Drawing, for her, is a movement of seeing, of gentle deviations and displacements within the gravitational field of an aimless attentiveness to things and dreamlike phenomena that doesn’t really come to rest even in the finished drawing. The result is not just painterly moments; the drawings often seem to capture, as if in film stills, a cinematic look way of looking at bodies and things or their details, at landscapes, gestures, structures, and processes.
Gabriel Orozco
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Gabriel Orozco emerged at the beginning of the 1990s as one of the most intriguing and original artists of his generation. His work is unique in its formal power and intellectual rigor, resisting confinement to one medium and roaming freely and fluently among drawing, photography, sculpture, installation and painting. Orozco deliberately blurs the boundary between the art(...)
Gabriel Orozco
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Gabriel Orozco emerged at the beginning of the 1990s as one of the most intriguing and original artists of his generation. His work is unique in its formal power and intellectual rigor, resisting confinement to one medium and roaming freely and fluently among drawing, photography, sculpture, installation and painting. Orozco deliberately blurs the boundary between the art object and the everyday environment, situating his work in a place that merges art and reality, whether through exquisite drawings made on airplane boarding passes or sculptures composed of recovered trash. This publication examines two decades of the artist's production year by year, from 1989 through 2009. Each section is richly illustrated and includes a short text, based on interviews with the artist, that combines biographical information with a brief and focused discussion of selected works. Critical essays by Ann Temkin, Benjamin H.D. Buchloh and Briony Fer supplement these foundational and chronological explorations, providing new insights and strategies for grounding Orozco's work in the larger landscape of contemporary art production.
Tim Burton
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Tim Burton has reinvented Hollywood genre filmmaking over the past three decades. With a visual style inspired by the aesthetics of animation and silent comedy, Burton's work melds the exotic, the horrific and the comic, manipulating expressionism and fantasy with the skill of a graphic novelist. Published to accompany a major career retrospective at The Museum of Modern(...)
Tim Burton
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Tim Burton has reinvented Hollywood genre filmmaking over the past three decades. With a visual style inspired by the aesthetics of animation and silent comedy, Burton's work melds the exotic, the horrific and the comic, manipulating expressionism and fantasy with the skill of a graphic novelist. Published to accompany a major career retrospective at The Museum of Modern Art, this volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings through his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards and examples of his work as a graphic artist for his non-film projects, this volume sheds new light on Burton and presents previously unseen works from the artist's personal archive.
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New York-based Dennis Oppenheim has been active in many realms: conceptual and performance art, earthworks and photography. He was recently recognized with a Lifetime Achievement Award at the 2007 Vancouver Sculpture Biennale. Following his early earthworks, Oppenheim began creating the whimsical, architecturally-derived public sculpture for which he is known today.
Dennis Oppenheim: public projects
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New York-based Dennis Oppenheim has been active in many realms: conceptual and performance art, earthworks and photography. He was recently recognized with a Lifetime Achievement Award at the 2007 Vancouver Sculpture Biennale. Following his early earthworks, Oppenheim began creating the whimsical, architecturally-derived public sculpture for which he is known today.
Vik Muniz Verso
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When a cousin of mine told me his seven-year old could paint a Picasso, I told him probably, but he couldn't do the back," writes Brazilian conceptual artist Vik Muniz about his Verso project. The series consists of obsessively faithful three-dimensional trompe l'oeil reproductions--using period hardware in a 1:1 scale--of the backs of such iconic works as Picasso's "Les(...)
Vik Muniz Verso
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When a cousin of mine told me his seven-year old could paint a Picasso, I told him probably, but he couldn't do the back," writes Brazilian conceptual artist Vik Muniz about his Verso project. The series consists of obsessively faithful three-dimensional trompe l'oeil reproductions--using period hardware in a 1:1 scale--of the backs of such iconic works as Picasso's "Les Demoiselles d'Avignon," van Gogh's "Starry Night" and Seurat's "La Grande Jatte," including every scratch, scribble, label, trace of tape and faded pencil notation found on the original. For six years, Muniz worked in partnership with the curatorial and conservation departments of New York's MOMA and Guggenheim museums, the Art Institute of Chicago and a team of craftsman, artists, forgers and technicians to realize this project. Verso also introduces texts by essayist Luc Sante and MOMA curator Eve Respini.
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2005 Turner Prize winner Simon Starling is known for his investigations into the hidden lives of objects and images, and his catalogues are an integral part of his production. The Nanjing Particles, published for an exhibition at MASS MoCA, is a unique object that takes as its departure a historical stereograph of Chinese laborers brought to Massachusetts in 1870 to break(...)
Simon Starling : the Nanjing particles
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2005 Turner Prize winner Simon Starling is known for his investigations into the hidden lives of objects and images, and his catalogues are an integral part of his production. The Nanjing Particles, published for an exhibition at MASS MoCA, is a unique object that takes as its departure a historical stereograph of Chinese laborers brought to Massachusetts in 1870 to break a strike. Starling literally mined the photographs for their history, extracting from their emulsion two silver particles. Enlarged one million times, the microscopic grains were translated into stainless steel sculptures fabricated by workers in Nanjing. Taking viewers through the installation and the work's fabrication process, the book reiterates the visual and conceptual play of the exhibition.
Vatnasafn/ library of water
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The distinctive geography, climate and culture of Iceland has engaged Roni Horn for over 30 years. Her intimate relationship with the island has led to a multidisciplinary series of works, including books, drawings, sculpture, texts and photographs. Located in a converted library building on a promontory overlooking the ocean in Stykkishólmur on Iceland's west coast,(...)
Vatnasafn/ library of water
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The distinctive geography, climate and culture of Iceland has engaged Roni Horn for over 30 years. Her intimate relationship with the island has led to a multidisciplinary series of works, including books, drawings, sculpture, texts and photographs. Located in a converted library building on a promontory overlooking the ocean in Stykkishólmur on Iceland's west coast, Vatnasafn/Library of Water incorporates Horn's abiding interest in water and weather, reflection and illumination, and the relation of these phenomena to the fluidity of human identity. The installation houses 24 glass columns containing local glacier water that reflect outside weather conditions onto a rubber floor embedded with weather-related adjectives. It also functions as a community space, a writers' studio and an oral archive of local weather reports. An introduction by co-director of the London-based nonprofit Artangel, James Lingwood, surveys Horn's substantial body of Iceland-related work alongside essays by critics Briony Fer and Adrian Searle, a selection of weather reports and writings by Horn, inspired by her experience of the enigmatic island.
Isa Genzken
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This exhibition catalogue at the Museum Ludwig in Cologne and the Whitechapel Gallery in London highlights the complexity and continuity of the artists work. Twenty authors deliver short monographs, each dealing in detail with specific pieces or groups of work.
Isa Genzken
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This exhibition catalogue at the Museum Ludwig in Cologne and the Whitechapel Gallery in London highlights the complexity and continuity of the artists work. Twenty authors deliver short monographs, each dealing in detail with specific pieces or groups of work.