1928 Résultats
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
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We can make rain but no one came to ask
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
We can make rain but no one came to ask
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
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octobre 2006, Montreal
octobre 2006, Montreal
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Mari Eastman: Lady in dark
Mari Eastman: Lady in dark
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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Mari Eastman: Lady in dark
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
Mari Eastman: Lady in dark
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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mars 2008, Los Angeles
mars 2008, Los Angeles
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How do we relate to the spaces we inhabit? What happens when home shifts from “everyday” to “one day,” from accumulation to loss? How is memory bound to place, and what persists when a place itself withdraws? “Home” emerges through the accumulation of time condensing lived experience into a sense of belonging and continuity. In domestic interiors, everyday routines leave(...)
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How do we relate to the spaces we inhabit? What happens when home shifts from “everyday” to “one day,” from accumulation to loss? How is memory bound to place, and what persists when a place itself withdraws? “Home” emerges through the accumulation of time condensing lived experience into a sense of belonging and continuity. In domestic interiors, everyday routines leave(...)
Publication:
juillet 2026
juillet 2026
Titre:
Leaving one Place for the other - Rooms I slept in
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How do we relate to the spaces we inhabit? What happens when home shifts from “everyday” to “one day,” from accumulation to loss? How is memory bound to place, and what persists when a place itself withdraws? “Home” emerges through the accumulation of time condensing lived experience into a sense of belonging and continuity. In domestic interiors, everyday routines leave traces that accumulate into a personal archive, while memories become inseparably attached to the places we inhabit. When “home” ceases to be a site of return and instead becomes a transient condition, continuity disperses. Memory no longer accumulates in one place but fragments across spaces that disappear from everyday life. Each departure marks a rupture, as a place passes irreversibly into the past.
Leaving one Place for the other - Rooms I slept in
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How do we relate to the spaces we inhabit? What happens when home shifts from “everyday” to “one day,” from accumulation to loss? How is memory bound to place, and what persists when a place itself withdraws? “Home” emerges through the accumulation of time condensing lived experience into a sense of belonging and continuity. In domestic interiors, everyday routines leave traces that accumulate into a personal archive, while memories become inseparably attached to the places we inhabit. When “home” ceases to be a site of return and instead becomes a transient condition, continuity disperses. Memory no longer accumulates in one place but fragments across spaces that disappear from everyday life. Each departure marks a rupture, as a place passes irreversibly into the past.
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Publication:
juillet 2026
juillet 2026
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Une rétrospective du travail de l'artiste américaine Kiki Smith qui, à travers des médiums et techniques extrêmement divers, se concentre sur les formes multiples qui relient le vivant et son environnement.// A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that(...)
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Une rétrospective du travail de l'artiste américaine Kiki Smith qui, à travers des médiums et techniques extrêmement divers, se concentre sur les formes multiples qui relient le vivant et son environnement.// A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that(...)
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juin 2026
juin 2026
Titre:
Kiki Smith : Être ici, maintenant, partout/ Being here, now, everywhere
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Une rétrospective du travail de l'artiste américaine Kiki Smith qui, à travers des médiums et techniques extrêmement divers, se concentre sur les formes multiples qui relient le vivant et son environnement.// A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.
Kiki Smith : Être ici, maintenant, partout/ Being here, now, everywhere
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Une rétrospective du travail de l'artiste américaine Kiki Smith qui, à travers des médiums et techniques extrêmement divers, se concentre sur les formes multiples qui relient le vivant et son environnement.// A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.
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livres
Publication:
juin 2026
juin 2026
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Livre d'artiste mythique enfin réédité, dans une version actualisée et révisée, « Enseigner et apprendre », véritable œuvre participative, constitue une introduction précieuse à l'œuvre de Robert Filliou et à ses idées pionnières et novatrices sur la dimension pédagogique de la création artistique. Cet ouvrage est la réédition d'un livre d'artiste initialement publié en(...)
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Livre d'artiste mythique enfin réédité, dans une version actualisée et révisée, « Enseigner et apprendre », véritable œuvre participative, constitue une introduction précieuse à l'œuvre de Robert Filliou et à ses idées pionnières et novatrices sur la dimension pédagogique de la création artistique. Cet ouvrage est la réédition d'un livre d'artiste initialement publié en(...)
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Enseigner et apprendre, arts vivants par Robert Filliou et le lecteur, s'il le désire avec la participation de John Cage, Benjamin Patterson, Allan Kaprow, Marcelle Filliou, Vera, Bjössi, Karl Rot, Dorothy Iannone, Diter Rot, Joseph Beuys
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Livre d'artiste mythique enfin réédité, dans une version actualisée et révisée, « Enseigner et apprendre », véritable œuvre participative, constitue une introduction précieuse à l'œuvre de Robert Filliou et à ses idées pionnières et novatrices sur la dimension pédagogique de la création artistique. Cet ouvrage est la réédition d'un livre d'artiste initialement publié en 1970 en anglais et en allemand aux éditions Walther König à Cologne, puis, dans une traduction française en 1998, aux éditions Lebeer Hossmann à Bruxelles. C'est cette dernière version, également épuisée depuis de nombreuses années, que les Éditions Incertain Sens rééditent.
Enseigner et apprendre, arts vivants par Robert Filliou et le lecteur, s'il le désire avec la participation de John Cage, Benjamin Patterson, Allan Kaprow, Marcelle Filliou, Vera, Bjössi, Karl Rot, Dorothy Iannone, Diter Rot, Joseph Beuys
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Livre d'artiste mythique enfin réédité, dans une version actualisée et révisée, « Enseigner et apprendre », véritable œuvre participative, constitue une introduction précieuse à l'œuvre de Robert Filliou et à ses idées pionnières et novatrices sur la dimension pédagogique de la création artistique. Cet ouvrage est la réédition d'un livre d'artiste initialement publié en 1970 en anglais et en allemand aux éditions Walther König à Cologne, puis, dans une traduction française en 1998, aux éditions Lebeer Hossmann à Bruxelles. C'est cette dernière version, également épuisée depuis de nombreuses années, que les Éditions Incertain Sens rééditent.
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juin 2026
juin 2026
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$62.95
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Né Daniel Issac Feinstein en Roumanie en 1930, devenu Suisse par adoption, tour à tour poète, danseur, metteur en scène, créateur des éditions MAT, commissaire d'exposition, plasticien, restaurateur, se considérant comme apatride ayant vécu dans toute l'Europe, homme aux amitiés solides, multiples et artistiques, Daniel Spoerri, membre fondateur du Nouveau Réalisme, est(...)
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Né Daniel Issac Feinstein en Roumanie en 1930, devenu Suisse par adoption, tour à tour poète, danseur, metteur en scène, créateur des éditions MAT, commissaire d'exposition, plasticien, restaurateur, se considérant comme apatride ayant vécu dans toute l'Europe, homme aux amitiés solides, multiples et artistiques, Daniel Spoerri, membre fondateur du Nouveau Réalisme, est(...)
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avril 2026
avril 2026
Titre:
Daniel Spoerri : Les choses de la vie
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Né Daniel Issac Feinstein en Roumanie en 1930, devenu Suisse par adoption, tour à tour poète, danseur, metteur en scène, créateur des éditions MAT, commissaire d'exposition, plasticien, restaurateur, se considérant comme apatride ayant vécu dans toute l'Europe, homme aux amitiés solides, multiples et artistiques, Daniel Spoerri, membre fondateur du Nouveau Réalisme, est l'un des artistes majeurs du XXe siècle. Cet ouvrage richement illustré présente une vingtaine d'œuvres majeures des années 1960 aux années 1990, rassemble de nombreux documents, et contient des textes signés de Catherine Francblin, Samuel Gross et Pavel Schmidt.
Daniel Spoerri : Les choses de la vie
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Né Daniel Issac Feinstein en Roumanie en 1930, devenu Suisse par adoption, tour à tour poète, danseur, metteur en scène, créateur des éditions MAT, commissaire d'exposition, plasticien, restaurateur, se considérant comme apatride ayant vécu dans toute l'Europe, homme aux amitiés solides, multiples et artistiques, Daniel Spoerri, membre fondateur du Nouveau Réalisme, est l'un des artistes majeurs du XXe siècle. Cet ouvrage richement illustré présente une vingtaine d'œuvres majeures des années 1960 aux années 1990, rassemble de nombreux documents, et contient des textes signés de Catherine Francblin, Samuel Gross et Pavel Schmidt.
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avril 2026
avril 2026
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$86.00
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1941 marked a turning point in the life and work of Henri Matisse. At the age of seventy-two, he underwent major surgery that left him physically fragile. Yet Matisse viewed this moment not as a setback but as an opportunity "to make the greatest progress of my life." From that point until his death in 1954, he entered one of the most inspired and productive periods of(...)
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1941 marked a turning point in the life and work of Henri Matisse. At the age of seventy-two, he underwent major surgery that left him physically fragile. Yet Matisse viewed this moment not as a setback but as an opportunity "to make the greatest progress of my life." From that point until his death in 1954, he entered one of the most inspired and productive periods of(...)
Publication:
septembre 2026
septembre 2026
Titre:
Color unbound: Henri matisse 1941-1954
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1941 marked a turning point in the life and work of Henri Matisse. At the age of seventy-two, he underwent major surgery that left him physically fragile. Yet Matisse viewed this moment not as a setback but as an opportunity "to make the greatest progress of my life." From that point until his death in 1954, he entered one of the most inspired and productive periods of his career. During those years, he created some of his greatest masterpieces—from the Chapel of the Rosary in Vence to his luminous cutout gouaches, including Jazz. Vibrant and full of life, his late work stands in striking contrast to his declining physical state: dynamic, immediate, and universally accessible.
Color unbound: Henri matisse 1941-1954
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1941 marked a turning point in the life and work of Henri Matisse. At the age of seventy-two, he underwent major surgery that left him physically fragile. Yet Matisse viewed this moment not as a setback but as an opportunity "to make the greatest progress of my life." From that point until his death in 1954, he entered one of the most inspired and productive periods of his career. During those years, he created some of his greatest masterpieces—from the Chapel of the Rosary in Vence to his luminous cutout gouaches, including Jazz. Vibrant and full of life, his late work stands in striking contrast to his declining physical state: dynamic, immediate, and universally accessible.
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Publication:
septembre 2026
septembre 2026
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$100.00
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Featuring more than 350 works, this retrospective follows five decades of Diebenkorn’s evolving practice—from the atmospheric abstractions of his early years to the radiant Berkeley and Ocean Park series that capture the light, color, and expansive coastal horizons of California. An artist of uncommon range, Diebenkorn absorbed and transformed many layers of(...)
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Featuring more than 350 works, this retrospective follows five decades of Diebenkorn’s evolving practice—from the atmospheric abstractions of his early years to the radiant Berkeley and Ocean Park series that capture the light, color, and expansive coastal horizons of California. An artist of uncommon range, Diebenkorn absorbed and transformed many layers of(...)
Titre:
Richard Diebenkorn: A retrospective
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Featuring more than 350 works, this retrospective follows five decades of Diebenkorn’s evolving practice—from the atmospheric abstractions of his early years to the radiant Berkeley and Ocean Park series that capture the light, color, and expansive coastal horizons of California. An artist of uncommon range, Diebenkorn absorbed and transformed many layers of influence—from Henri Matisse and Piet Mondrian to Edward Hopper and the New York School—in developing a visual language unmistakably his own. The portrait that emerges is of an artist moving with assurance between abstraction and figuration, producing paintings, prints, and drawings that are rigorous, exploratory, and profoundly humane.
Richard Diebenkorn: A retrospective
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Featuring more than 350 works, this retrospective follows five decades of Diebenkorn’s evolving practice—from the atmospheric abstractions of his early years to the radiant Berkeley and Ocean Park series that capture the light, color, and expansive coastal horizons of California. An artist of uncommon range, Diebenkorn absorbed and transformed many layers of influence—from Henri Matisse and Piet Mondrian to Edward Hopper and the New York School—in developing a visual language unmistakably his own. The portrait that emerges is of an artist moving with assurance between abstraction and figuration, producing paintings, prints, and drawings that are rigorous, exploratory, and profoundly humane.
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Publication:
octobre 2026
octobre 2026
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Dissatisfied with how others represented his work, the legendary sculptor Constantin Brancusi (1876–1957) took up the camera himself. Over his lifetime, he produced more than 1,000 photographs documenting the evolution of his artworks and the unique setting in which they were made. These luminous tritone images capture his ever-changing studio over the course of four(...)
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Dissatisfied with how others represented his work, the legendary sculptor Constantin Brancusi (1876–1957) took up the camera himself. Over his lifetime, he produced more than 1,000 photographs documenting the evolution of his artworks and the unique setting in which they were made. These luminous tritone images capture his ever-changing studio over the course of four(...)
Titre:
Brancusi: the artist and his studio
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Dissatisfied with how others represented his work, the legendary sculptor Constantin Brancusi (1876–1957) took up the camera himself. Over his lifetime, he produced more than 1,000 photographs documenting the evolution of his artworks and the unique setting in which they were made. These luminous tritone images capture his ever-changing studio over the course of four decades, ranging from intimate studies of individual sculptures to wide-angle views of carefully arranged ensembles. Layered scenes of in-progress artworks, tools and raw materials—including salvaged oak beams and rough blocks of marble—offer behind-the-scenes glimpses of Brancusi’s creative process. Photographs of the artist alongside an array of visitors, including Man Ray, Berenice Abbott, Marcel Duchamp and Mina Loy, illustrate the studio as a lively space of work, play and display. Brancusi’s photographs bring to life his art and his studio as he wanted them to be seen, with extraordinary vividness and intimacy. Featuring more than 130 photographs taken by the artist, this lavishly illustrated volume offers a revealing portrait of Brancusi’s dynamic environment that ultimately became a work of art in its own right.
Brancusi: the artist and his studio
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Dissatisfied with how others represented his work, the legendary sculptor Constantin Brancusi (1876–1957) took up the camera himself. Over his lifetime, he produced more than 1,000 photographs documenting the evolution of his artworks and the unique setting in which they were made. These luminous tritone images capture his ever-changing studio over the course of four decades, ranging from intimate studies of individual sculptures to wide-angle views of carefully arranged ensembles. Layered scenes of in-progress artworks, tools and raw materials—including salvaged oak beams and rough blocks of marble—offer behind-the-scenes glimpses of Brancusi’s creative process. Photographs of the artist alongside an array of visitors, including Man Ray, Berenice Abbott, Marcel Duchamp and Mina Loy, illustrate the studio as a lively space of work, play and display. Brancusi’s photographs bring to life his art and his studio as he wanted them to be seen, with extraordinary vividness and intimacy. Featuring more than 130 photographs taken by the artist, this lavishly illustrated volume offers a revealing portrait of Brancusi’s dynamic environment that ultimately became a work of art in its own right.
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livres
Publication:
octobre 2026
octobre 2026
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livres
livres
Titre:
Andy Warhol's Index
Andy Warhol's Index
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$89.95
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In 1967 Andy Warhol proposed a groundbreaking publishing concept: a book that was itself a Pop art object. Andy Warhol's Index (Book) featured interviews and snapshot-style photos of the Factory and its 'Superstars.' More notably, though, it also boasted ten different movable, tactile elements, including several pop-ups, such as a Hunt's tomato paste can, a twelve-sided(...)
$89.95
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In 1967 Andy Warhol proposed a groundbreaking publishing concept: a book that was itself a Pop art object. Andy Warhol's Index (Book) featured interviews and snapshot-style photos of the Factory and its 'Superstars.' More notably, though, it also boasted ten different movable, tactile elements, including several pop-ups, such as a Hunt's tomato paste can, a twelve-sided(...)
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Andy Warhol's Index
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$89.95
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In 1967 Andy Warhol proposed a groundbreaking publishing concept: a book that was itself a Pop art object. Andy Warhol's Index (Book) featured interviews and snapshot-style photos of the Factory and its 'Superstars.' More notably, though, it also boasted ten different movable, tactile elements, including several pop-ups, such as a Hunt's tomato paste can, a twelve-sided mobile that popped together with a rubber band, and a small accordion that actually made noise when the page was turned. There was a silver balloon as well, along with a 'Do-It-Yourself Nose Job' (the triple-page, rainbow-colored fold-out nose was based on Bob Dylan's), and a 7-inch flexi-disc containing a conversation among Factory denizens while Velvet Underground's 'I'm Waiting for the Man' and 'Femme Fatale' play in the background.
Andy Warhol's Index
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$89.95
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In 1967 Andy Warhol proposed a groundbreaking publishing concept: a book that was itself a Pop art object. Andy Warhol's Index (Book) featured interviews and snapshot-style photos of the Factory and its 'Superstars.' More notably, though, it also boasted ten different movable, tactile elements, including several pop-ups, such as a Hunt's tomato paste can, a twelve-sided mobile that popped together with a rubber band, and a small accordion that actually made noise when the page was turned. There was a silver balloon as well, along with a 'Do-It-Yourself Nose Job' (the triple-page, rainbow-colored fold-out nose was based on Bob Dylan's), and a 7-inch flexi-disc containing a conversation among Factory denizens while Velvet Underground's 'I'm Waiting for the Man' and 'Femme Fatale' play in the background.
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livres
livres
Publication:
octobre 2026
octobre 2026
