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States of Mind: Dan and Lia Perjovschi accompanies the mid-career retrospective of the work of Romanian artists Dan Perjovschi and Lia Perjovschi at the Nasher Museum of Art at Duke University.
States of mind: Dan & Lia Perjovschi
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States of Mind: Dan and Lia Perjovschi accompanies the mid-career retrospective of the work of Romanian artists Dan Perjovschi and Lia Perjovschi at the Nasher Museum of Art at Duke University.
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach(...)
Holly Stevenson. A mexican love story
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Holly Stevenson (1978) is one of New York City young and upcoming illustrators, her work blend pure simple drawings with highly refined and subtle taste. She is inspired from the little things in her everyday life like old photographs and books, and for Mexican Love Story she wanted to share with the viewers her fascination for Mexican culture and their festive approach to death as well as to life. Her illustrations have been included in American Illustration annuals 21 & 22 and her artworks & designs have been published on a variety of renowned publications such as Dazed and Confused, Nylon and Nylon Japan, Rojo, Arkitip, Oyster, Vice, Teen Vogue and Bust.
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
Rick Myers. Paper poems
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Manchester born graphic artist/designer Rick Myers (1974) is known for using simple materials and processes and for his enthusiastic approach, allowing work to influence it's own direction, and being influenced by overlapping thoughts and situations to make new work. Paper Poems "started as a collection of new work made using paper, and gradually became a poem made(...)
Rick Myers. Paper poems
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Manchester born graphic artist/designer Rick Myers (1974) is known for using simple materials and processes and for his enthusiastic approach, allowing work to influence it's own direction, and being influenced by overlapping thoughts and situations to make new work. Paper Poems "started as a collection of new work made using paper, and gradually became a poem made using debris from workings of the booklet. There's a visual index/poem towards back pages, and the contents are visible working components. It's also an hommage to paper, and a simpler, far less exhausting way of making a portable museum than before."
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Jason McLean (1971, London, Ontario) and Mark DeLong (1978, New Brunswick) are two of the youngest and most interesting artists living and working in Vancouver at present. For the first time Nieves brings together their unique styles of drawings and collage in Melanie Sheepwash, a booklet inspired by modern dads "getting busy in their own time", and produced for the(...)
octobre 2007, Zurich
Jason McLean / Mark Delong. Melanie Sheepwash
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Jason McLean (1971, London, Ontario) and Mark DeLong (1978, New Brunswick) are two of the youngest and most interesting artists living and working in Vancouver at present. For the first time Nieves brings together their unique styles of drawings and collage in Melanie Sheepwash, a booklet inspired by modern dads "getting busy in their own time", and produced for the occasion of the homonymous exhibition at the Charles H Scott Gallery in Vancouver.
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Bite Marks in Paper presents a series of intimate structures which function somewhere between two and three dimensions. Over the course of twelve months Myers used the action of biting paper to create a series of blind embossed paper documents, suggesting fragments of the everyday, as unique records of the impulses that precipitated them.
Rick Meyers. Bite marks in paper
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Bite Marks in Paper presents a series of intimate structures which function somewhere between two and three dimensions. Over the course of twelve months Myers used the action of biting paper to create a series of blind embossed paper documents, suggesting fragments of the everyday, as unique records of the impulses that precipitated them.
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Georgian born and raised artist Andro Wekua (Sochumi, 1977), and now Zurich based, locates his drawn, collaged or sculptural images in a No-Man's Land between East and West, aesthetic exactness and improvisation, confidence and melancholy. Wekua's work has been selected to take part in the forthcoming prestigious 55th Carnegie International exhibition, curated by(...)
Andro Wekua. Shadows on the facade
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Georgian born and raised artist Andro Wekua (Sochumi, 1977), and now Zurich based, locates his drawn, collaged or sculptural images in a No-Man's Land between East and West, aesthetic exactness and improvisation, confidence and melancholy. Wekua's work has been selected to take part in the forthcoming prestigious 55th Carnegie International exhibition, curated by Douglas Fogle in Pittsburgh (May 3rd, 2008 to January 11th, 2009). "A red sun, an indigo water, a violet sky. Pink. Shadows on top of the promenade. A facade, a building, a corner of the building. The sidewalk."
Other scenes
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Other Scenes, curated by Aaron Rose at Roberts & Tilton, LA presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions, such as Rita Ackermann, Gusmano Cesaretti, Daido Moriyama, Daniel Higgs, Becca Mann, Ryan McGinley, Jockum Nordstroem, Raymond Pettibon and Gee Vaucher. In these artists works, a discreet form of(...)
Other scenes
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Other Scenes, curated by Aaron Rose at Roberts & Tilton, LA presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions, such as Rita Ackermann, Gusmano Cesaretti, Daido Moriyama, Daniel Higgs, Becca Mann, Ryan McGinley, Jockum Nordstroem, Raymond Pettibon and Gee Vaucher. In these artists works, a discreet form of protest exists; a desire to find love amongst the ruins, beauty in the shadows. The works included in the exhibition span from 1974 to the present, including many works created specifically for this exhibition.
The Process V. Lizzi Bougatsos, Ira Cohen, Brian Degraw, Georg Gatsas, Amy Granat, Kembra Pfahler
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The volume is introduced in a splendid essay by Alexandra Blaettler and Rein Wolfs: "Juxtaposition sets the process in motion. A dark state of mind can, of course, be illustrated iconographically, but evoking a parallel world in an exhibition or in a book is a challenge and an approach of a different order. The Process V is a record of Gatsas ambition to be as close as(...)
The Process V. Lizzi Bougatsos, Ira Cohen, Brian Degraw, Georg Gatsas, Amy Granat, Kembra Pfahler
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The volume is introduced in a splendid essay by Alexandra Blaettler and Rein Wolfs: "Juxtaposition sets the process in motion. A dark state of mind can, of course, be illustrated iconographically, but evoking a parallel world in an exhibition or in a book is a challenge and an approach of a different order. The Process V is a record of Gatsas ambition to be as close as possible to this state of mind without becoming part of it. The Process Dark."
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The English translation of the German title, which is the only text in this book, would be something like: "You make them mostly inside, but in summer they can also be made outside." The drawings in this book were produced during a 6 months stay in Paris in 2007, with a technique Bill calls "light on photographic paper", using self-modified pocket-lamps on black(...)
octobre 2007, Zurich
Linus Bill. Meistens macht man die im haus, aber im sommer gehts auch draussen
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The English translation of the German title, which is the only text in this book, would be something like: "You make them mostly inside, but in summer they can also be made outside." The drawings in this book were produced during a 6 months stay in Paris in 2007, with a technique Bill calls "light on photographic paper", using self-modified pocket-lamps on black photographic paper, creating very instinctive works, allowing coincidence, letting accidents happen and leaving mistakes as they are.