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Titre:
Mademoiselle: Coco Chanel/Summer 62

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Résumé:
"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.

Titre:
Fashion at the time of Fascism

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The first visual history of Modernist Italian fashion during Benito Mussolini's Fascist regime, and the product of immense research, Fashion at the Time of Fascism charts the fashion industry's ambivalent negotiation of international couture and the bizarre dictates of Fascism, and the legacy of this era in shaping today's fashion industry. Authors Mario Lupano and Alessandra Vaccari explore and compare a large range of forgotten archival sources, such as women's glossies, fashion, film and gossip magazines, photo archives, exhibition and commercial catalogues, books, manuals and magazines on tailoring, dressmaking, design and architecture, and corporate and government journals. This abundance of materials is presented in a fluid sequence of image and text that charts the rhythms, rituals and lifestyles of the typical Italian day through the four basic themes of "Measurements," "Model," "Brand" and "Parade." Each section includes texts that highlight the key figures and phases in Italian fashion, from the 1920s to the early 1940s, juxtaposing them with Modernism's broader salient themes and emphasizing the conscious use of glamour in the regime's super-choreographed portrayal of itself.

Titre:
Hair 'em scare 'em

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Résumé:
Hair'em Scare'em presents an exploration through the fascinating beauty and inventive possibilities of hair as a medium for artistic expression in contemporary art and design. The book documents this palpable trend into a visual sourcebook that presents a captivating collection of hairy works in graphic design, photography, illustration and art as well as interior design, fashion and jewelry design. The extraordinary works featured in this book are the best indication of trends in hair outside the mainstream.

Titre:
Designers textiles, à l'avant-garde de la création

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Issus des quatre coins du monde, les trente-six designers textiles présentés dans cet ouvrage réinventent de manière radicale les textiles de mode et les tissus d'intérieur, et expriment, chacun à leur manière, les profondes mutations de la création textile. Tandis que certains s'emploient à inventer les textiles de demain - motifs photosensibles et encres thermochromatiques, textiles tissés à partir de brins de fibre optique ou de diodes électroluminescentes -, d'autres cherchent à limiter le gaspillage et à créer des textiles durables, transformant les déchets industriels en tissus aussi beaux qu'écologiques. Tous mêlent dans leur approche innovation technologique et design audacieux, conscience écologique et créativité sans borne. Tous témoignent également de la manière dont les frontières entre les différentes disciplines que sont la mode, le design et l'architecture tendent aujourd'hui à s'effacer.

Titre:
Karl Lagerfeld : Chanel's Russian collection

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Résumé:
Chanel head designer Karl Lagerfeld founded Métiers d'Arts in 2002 to showcase the talents of Chanel's seven specialist ateliers (that provide the couture house with costume jewelry, embroidery and millinery). This volume focuses on Chanel's 2008-2009 Métiers d'Arts collection Paris-Moscow. If Paris-Moscow indulges Lagerfeld's fascination for Russia through fashion, then Russian Connection is that fascination embodied in book form. Lagerfeld's images evoke Imperial Russia, Constructivism, Catherine the Great, Fabergé, Russian folklore and Coco Chanel's own passion for Russia, via the great Ballets Russes, Byzantine jewelry and her affair with the Grand Duke Dmitri Pavlovich. Included here is a DVD featuring Lagerfeld's directorial debut, Coco 1913/Chanel 1923, a silent black-and-white film depicting Chanel's flirtation with Russian-Parisian émigré society in the 1910s and 1920s.

Titre:
Fashion East : the spectre that haunted socialism

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Résumé:
The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and antirevolutionary—eventually gave way to grudging acceptance and creeping consumerism. Bartlett outlines three phases in socialist fashion, and illustrates them with abundant images from magazines of the period: postrevolutionary utopian dress, official state-sanctioned socialist fashion, and samizdat-style everyday fashion. Utopian dress, ranging from the geometric abstraction of the constructivists under Bolshevism in the Soviet Union to the no-frills desexualized uniform of a factory worker in Czechoslovakia, reflected the revolutionary urge for a clean break with the past. The highly centralized socialist fashion system, part of Stalinist industrialization, offered official prototypes of high fashion that were never available in stores—mythical images of smart and luxurious dresses that symbolized the economic progress that socialist regimes dreamed of. Everyday fashion, starting in the 1950s, was an unofficial, do-it-yourself enterprise: Western fashions obtained through semiclandestine channels or sewn at home. The state tolerated the demand for Western fashion, promising the burgeoning middle class consumer goods in exchange for political loyalty. Bartlett traces the progress of socialist fashion in the Soviet Union, Czechoslovakia, Hungary, East Germany, Poland, and Yugoslavia, drawing on state-sponsored socialist women’s magazines, etiquette books, socialist manuals on dress, private archives, and her own interviews with designers, fashion editors, and other key figures. Fashion, she suggests, with all its ephemerality and dynamism, was in perpetual conflict with the socialist regimes’ fear of change and need for control. It was, to echo the famous first sentence from the Communist Manifesto, the spectre that haunted socialism until the end.

Titre:
Taller

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$35.00
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Résumé:
Afin de faire le point sur ses années de pratique en tant qu’architecte et designer, Maryla Sobek propose de considérer ensemble ces deux activités que sont l’architecture et le vêtement. La réflexion théorique à laquelle elle a consacré plusieurs années l’aura menée à un constat : la conception du vêtement occidental se trouve dans une impasse, et ce tant du point de vue de la structure que de la volumétrie. Quelles sont les solutions qui permettraient au vêtement de ne plus être tributaire des dimensions et de la structure du corps humain ? Sobek s’est lancé le défi de les explorer. Pour ce faire, elle se tourne vers l’architecture et opte pour un retour aux sources. Le choix d’une architecture non occidentale s’est imposé, plus particulièrement l’architecture dogon que l’on peut voir dans la falaise de Bandigara au Mali et qui est aujourd’hui considérée comme le parfait exemple de la rationalité en architecture vernaculaire.

Titre:
Fashioning the nineteenth century: habits of being 3

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Résumé:
In nineteenth-century Europe and the United States, fashion—once the province of the well-to-do—began to make its way across class lines. At once a democratizing influence and a means of maintaining distinctions, gaps in time remained between what the upper classes wore and what the lower classes later copied. And toward the end of the century, style also moved from the streets to the parlor. The third in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Fashioning the Nineteenth Century focuses on this transformative period in an effort to show how certain items of apparel acquired the status of fashion and how fashion shifted from the realm of the elites into the emerging middle and working classes—and back.

Titre:
Birds of paradise : costume as cinematic spectacle

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$75.00
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Résumé:
The contributors to this book explore how dynamic displays of costume have helped visualize certain key concerns of modernity, such as movement, time, transience and gender identity. Above all, the essays highlight the immense transformative potential of costume and fashion, both in the moving image and beyond.

Titre:
Artists' textiles 1940-1975

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Résumé:
The development of textiles as an art form between 1945 and 1970, and the extent of collaboration between artists and textile manufacturers at this time, is unrivalled in modern art history. This book is an important and comprehensive survey of this art form in Britain and America. There are approximately 200 color images, many of which have never been seen before, alongside specially commissioned photography.