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"Toy theory" addresses the relationships between toys and technology in two distinct but overlapping ways: first, as underexamined cultural artifacts and behaviors with significant technical attributes and, second, as playful and toylike dimensions of technology at large. Seth Giddings sets out a “toy theory” of technology that emphasizes the speculative, experimental,(...)
Toy theory: Technology and imagination in play
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"Toy theory" addresses the relationships between toys and technology in two distinct but overlapping ways: first, as underexamined cultural artifacts and behaviors with significant technical attributes and, second, as playful and toylike dimensions of technology at large. Seth Giddings sets out a “toy theory” of technology that emphasizes the speculative, experimental, and noninstrumental in technological paradigms and argues that children’s playthings, rather than being the most ephemeral and inconsequential of technical devices, instead offer analytical and anthropological resources for understanding the materiality and imaginaries of technology over time.
Théorie/ philosophie
Dictionary of terms relating to the edges, divisions, boundaries, and borders of things, etc.
$25.00
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The first publication in the Hildegard Press series is a dictionary that establishes the definitions and etymologies of terms related to edges, divisions, boundaries, and borders. The ''DICTIONARY'' seeks to outline the language used to define where one thing ends and another thing begins. A web of “See also:” referents link the terms to each other in order to produce a(...)
Théorie/ philosophie
mai 2026
Dictionary of terms relating to the edges, divisions, boundaries, and borders of things, etc.
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$25.00
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The first publication in the Hildegard Press series is a dictionary that establishes the definitions and etymologies of terms related to edges, divisions, boundaries, and borders. The ''DICTIONARY'' seeks to outline the language used to define where one thing ends and another thing begins. A web of “See also:” referents link the terms to each other in order to produce a network of language that is commonly used to divide objects, worlds, political entities, metaphysical subjects, and bodies.
Théorie/ philosophie
$57.95
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Voici le premier livre en français sur Aby Warburg (1866-1929). Fondateur de la discipline iconologique, créateur du prestigieux institut qui porte son nom, Warburg a compté parmi ses disciples les plus célèbres historiens d'art du siècle : E. Panofsky, E. Wind, F. Saxl... Avec Warburg, l'histoire de l'art n'opère plus aux confins de l'anthropologie : elle en est une(...)
Aby Warburg et l'image en mouvement
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Voici le premier livre en français sur Aby Warburg (1866-1929). Fondateur de la discipline iconologique, créateur du prestigieux institut qui porte son nom, Warburg a compté parmi ses disciples les plus célèbres historiens d'art du siècle : E. Panofsky, E. Wind, F. Saxl... Avec Warburg, l'histoire de l'art n'opère plus aux confins de l'anthropologie : elle en est une catégorie. Plutôt que leur beauté, il met en évidence l'efficacité des images. Ses mots clés sont : survivance, magie, astrologie, empathie, animisme, totémisme... À trente ans, en 1896, par un geste raisonné de rupture, il se rend chez les Hopis du Nouveau-Mexique. Étrange parcours mélancolique d'un historien qui va trouver dans les rituels des Indiens pueblos les réponses aux énigmes que lui posait la Renaissance de l'Occident. À partir de 1924, Warburg élabore avec son Atlas intitulé Mnémosyne une «histoire de l'art sans texte» qui procède par juxtaposition de documents empruntés à tous les champs du savoir, esquisse mystérieuse d'un nouveau type d'exposé et d'exposition, loin des généalogies établies. L'ouvrage de Philippe-Alain Michaud n'est pas seulement un livre sur Warburg, c'est un livre avec Warburg - dont il prolonge les intuitions en introduisant dans son analyse le daguerréotype, les expériences de Marey, le cinéma primitif, la danse de Loïe Fuller, toutes pratiques qui affleurent dans l'interprétation warburgienne des images et qui en éclairent la singularité. Philippe-Alain Michaud, ancien élève de l'École normale de Saint-Cloud, est philosophe de formation. Warburg et l'image en mouvement est son premier livre.
Théorie/ philosophie
Marshall McLuhan : unbound
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The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
Marshall McLuhan : unbound
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The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Théorie/ philosophie
The racial cage
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"The racial cage" delivers a spirited and polyvocal analysis of how race is materialized through both metaphorical and literal cages. It theorizes the cage, fence, dragnet, and tube as material–semiotic sites for racialization and for iteratively redefining the human–animal boundary. A collaborative conversation across continents, this work examines the racial cage as an(...)
Théorie/ philosophie
juillet 2025
The racial cage
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"The racial cage" delivers a spirited and polyvocal analysis of how race is materialized through both metaphorical and literal cages. It theorizes the cage, fence, dragnet, and tube as material–semiotic sites for racialization and for iteratively redefining the human–animal boundary. A collaborative conversation across continents, this work examines the racial cage as an important part of the practice of social division and bodily containment. The deeply considered result is an empirical and theoretical approach to biohumanities that productively interrogates its linkages to critical theories of race and racism.
Théorie/ philosophie
Coralations
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual(...)
Coralations
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual art, and scientific images, Melody Jue renews our curiosity and broadens our understanding of corals beyond the dominant narratives about their endangerment. "Coralations" shows how paying attention to particular corals can change what we take for granted.
Théorie/ philosophie
Lawn: Object lessons
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A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn(...)
Lawn: Object lessons
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$21.95
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A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn untangles the colonial-capitalist threads that keep our passion for mown grass alive despite mounting evidence that we'd be better off without it. The lawn is aesthetically and ideologically versatile. From museums and hospitals to corporate headquarters and university campuses, it has become the verdant lingua franca of institutions of all kinds. Its formal homogeneity and neatness imply reliability, constancy, and solicit our trust. But beneath the lawn lies a stratification of intricate ideological and ecological issues that over time have come to define our conception of nature.
Théorie/ philosophie
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a(...)
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
Théorie/ philosophie
Videotape: Object lessons
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Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War. In the West, its advent deepened the(...)
septembre 2025
Videotape: Object lessons
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Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War. In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people. By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. Yet the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment.
Imagine, observe, remember
$45.95
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"When one looks into the darkness there is always something there."—W. B. Yeats, The Secret Rose When one looks into one’s own interior there is always mental imagery. "Imagine, observe, remember" looks at the looking we do with the mind’s eye, offering practical exercises for the development of this mysterious faculty. The book is also a memoir, a portrait of the artist(...)
Imagine, observe, remember
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$45.95
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"When one looks into the darkness there is always something there."—W. B. Yeats, The Secret Rose When one looks into one’s own interior there is always mental imagery. "Imagine, observe, remember" looks at the looking we do with the mind’s eye, offering practical exercises for the development of this mysterious faculty. The book is also a memoir, a portrait of the artist as he develops his craft from what is possibly his first drawing to his current status of seasoned practitioner. It is furthermore a series of meditations, observations, quotes, images and instructions that will constitute a valuable resource for artists, writers, teachers and any reader who agrees that the uncharted wilderness within is worthy of exploration.
Théorie/ philosophie