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livres
livres
Titre:
The Baudrillard dictionary
The Baudrillard dictionary
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art,(...)
$40.50
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Résumé:
This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art,(...)
Titre:
The Baudrillard dictionary
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$40.50
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art, architecture, film and photography to sociology, philosophy, human geography, media studies and cultural studies. The entries are written by 35 Baudrillard specialists from around the world, including Rex Butler, Mike Gane, Gary Genosko, Victoria Grace, Diane Rubenstein and Andrew Wernick.
The Baudrillard dictionary
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art, architecture, film and photography to sociology, philosophy, human geography, media studies and cultural studies. The entries are written by 35 Baudrillard specialists from around the world, including Rex Butler, Mike Gane, Gary Genosko, Victoria Grace, Diane Rubenstein and Andrew Wernick.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$32.95
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
Titre:
Walter Benjamin: Early writings 1910-1917
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
Walter Benjamin: Early writings 1910-1917
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
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livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$14.00
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Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this(...)
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Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this(...)
Titre:
The hierarchies of cuckoldry and bankruptcy
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Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two “Hierarchies” --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. “The Hierarchy of Cuckoldry” --translated into English for the first time--presents 72 species of the male cuckold, ranging from such “common class” cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's “secret insurrection” against the institution of marriage. “The Hierarchy of Bankruptcy” presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's “Hierarchies” resonate uncannily with our contemporary world.
The hierarchies of cuckoldry and bankruptcy
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Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two “Hierarchies” --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. “The Hierarchy of Cuckoldry” --translated into English for the first time--presents 72 species of the male cuckold, ranging from such “common class” cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's “secret insurrection” against the institution of marriage. “The Hierarchy of Bankruptcy” presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's “Hierarchies” resonate uncannily with our contemporary world.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Prix:
$39.95
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those(...)
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those(...)
Publication:
décembre 2011
décembre 2011
Titre:
Curious visions of modernity: enchantment, magic, and the sacred
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those things that rationality sought to expunge from the"enlightened" world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.
Curious visions of modernity: enchantment, magic, and the sacred
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those things that rationality sought to expunge from the"enlightened" world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.
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livres
livres
Publication:
décembre 2011
décembre 2011
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livres
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An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and(...)
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An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and(...)
Titre:
Spheres1 : Bubbles, microspherology
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An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and immunological project, from the discovery of self (bubble) to the exploration of world (globe) to the poetics of plurality (foam). Exploring macro- and micro-space from the Greek agora to the contemporary urban apartment, Sloterdijk is able to synthesize, with immense erudition, the spatial theories of Aristotle, René Descartes, Gaston Bachelard, Walter Benjamin, and Georges Bataille into a morphology of shared, or multipolar, dwelling - identifying the question of being as one bound up with the aerial technology of architectonics and anthropogenesis. Sloterdijk describes Bubbles, the first volume of Spheres, as a general theory of the structures that allow couplings - or as the book's original intended subtitle put it, an "archeology of the intimate." Bubbles includes a wide array of images, not to illustrate Sloterdijk's discourse, but to offer a spatial and visual "parallel narrative" to his exploration of bubbles. Written over the course of a decade, the Spheres trilogy has waited another decade for its much-anticipated English translation from Semiotext(e). Volumes II, Globes, and III, Foam, will be published in the coming seasons.
Spheres1 : Bubbles, microspherology
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An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and immunological project, from the discovery of self (bubble) to the exploration of world (globe) to the poetics of plurality (foam). Exploring macro- and micro-space from the Greek agora to the contemporary urban apartment, Sloterdijk is able to synthesize, with immense erudition, the spatial theories of Aristotle, René Descartes, Gaston Bachelard, Walter Benjamin, and Georges Bataille into a morphology of shared, or multipolar, dwelling - identifying the question of being as one bound up with the aerial technology of architectonics and anthropogenesis. Sloterdijk describes Bubbles, the first volume of Spheres, as a general theory of the structures that allow couplings - or as the book's original intended subtitle put it, an "archeology of the intimate." Bubbles includes a wide array of images, not to illustrate Sloterdijk's discourse, but to offer a spatial and visual "parallel narrative" to his exploration of bubbles. Written over the course of a decade, the Spheres trilogy has waited another decade for its much-anticipated English translation from Semiotext(e). Volumes II, Globes, and III, Foam, will be published in the coming seasons.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Prix:
$32.95
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as(...)
$32.95
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as(...)
Titre:
Semblance and event : activist philosophy and the occurrent arts
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented - variously known as interactive art, ephemeral art, performance art, art intervention - which he refers to collectively as the "occurrent arts."
Semblance and event : activist philosophy and the occurrent arts
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented - variously known as interactive art, ephemeral art, performance art, art intervention - which he refers to collectively as the "occurrent arts."
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livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$31.95
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
Titre:
The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$27.95
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In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks(...)
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In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks(...)
Titre:
A little history of philosophy
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In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks the disquieting philosophical and ethical questions that haunt our own times.
A little history of philosophy
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$27.95
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In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks the disquieting philosophical and ethical questions that haunt our own times.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$44.00
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Both creatively and methodologically speaking, art and science have grown closer together: in creative processes, science demonstrates its proximity to art, while significant aspects of art represent production based on research. The focus of this work is on the concept of research as it is understood in art, taking into particular account research into art, research(...)
$44.00
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Both creatively and methodologically speaking, art and science have grown closer together: in creative processes, science demonstrates its proximity to art, while significant aspects of art represent production based on research. The focus of this work is on the concept of research as it is understood in art, taking into particular account research into art, research(...)
Titre:
Art and research : can artists be researchers?
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$44.00
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Both creatively and methodologically speaking, art and science have grown closer together: in creative processes, science demonstrates its proximity to art, while significant aspects of art represent production based on research. The focus of this work is on the concept of research as it is understood in art, taking into particular account research into art, research through art, and research in art. In the process, it also defines the task art universities are charged with when asked to develop the arts and make them accessible.
Art and research : can artists be researchers?
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$44.00
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Both creatively and methodologically speaking, art and science have grown closer together: in creative processes, science demonstrates its proximity to art, while significant aspects of art represent production based on research. The focus of this work is on the concept of research as it is understood in art, taking into particular account research into art, research through art, and research in art. In the process, it also defines the task art universities are charged with when asked to develop the arts and make them accessible.
Classification:
livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$21.95
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan(...)
$21.95
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan(...)
Titre:
Seeing things: from Shakespeare to Pixar
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.
Seeing things: from Shakespeare to Pixar
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$21.95
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
