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Baku: oil and urbanism
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
Publication:
février 2019
février 2019
Titre:
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
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livres
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février 2019
février 2019
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livres
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces(...)
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces(...)
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octobre 2017
octobre 2017
Titre:
Inside No-Stop city : parkings résidentiels et système climatique universel. Archizoom.
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces systèmes à l’échelle de l'espace public. C’est dans ce contexte, rendu particulier en Italie par les analyses marxistes de phénomènes métropolitains et territoriaux, que naît le projet des Archizoom de la No-Stop City, Residential Parkings, Climatic Universal System (1969-1972). C'est à un voyage intérieur au sein de ce pays de cocagne pop que nous convie Roberto Gargiani.
Inside No-Stop city : parkings résidentiels et système climatique universel. Archizoom.
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces systèmes à l’échelle de l'espace public. C’est dans ce contexte, rendu particulier en Italie par les analyses marxistes de phénomènes métropolitains et territoriaux, que naît le projet des Archizoom de la No-Stop City, Residential Parkings, Climatic Universal System (1969-1972). C'est à un voyage intérieur au sein de ce pays de cocagne pop que nous convie Roberto Gargiani.
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livres
Publication:
octobre 2017
octobre 2017
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livres
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
Titre:
Dans les ruines de l'université
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
Dans les ruines de l'université
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Expositions en cours
Expositions en cours
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livres
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni(...)
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni(...)
Publication:
octobre 2017
octobre 2017
Titre:
The curious Mr. Pettena: rambling around USA 1971-73
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni Pettena (born 1970 in Bolzano) belongs to the original group—along with Archizoom, Superstudio and UFO—of radical Italian architecture. Without denying his background in architecture, he was convinced of the need to rethink the meaning of the discipline, just like the other “radicals”, using the languages of “spatial” research of Conceptual Art and American Land Art, instead of the traditional languages of architectural planning.
The curious Mr. Pettena: rambling around USA 1971-73
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni Pettena (born 1970 in Bolzano) belongs to the original group—along with Archizoom, Superstudio and UFO—of radical Italian architecture. Without denying his background in architecture, he was convinced of the need to rethink the meaning of the discipline, just like the other “radicals”, using the languages of “spatial” research of Conceptual Art and American Land Art, instead of the traditional languages of architectural planning.
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livres
livres
Publication:
octobre 2017
octobre 2017
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livres
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
Titre:
Le cercle invisible : environnements, systèmes, dispositifs
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
Le cercle invisible : environnements, systèmes, dispositifs
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
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livres
livres
Publication:
novembre 2017
novembre 2017
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livres
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Balthasar Burkhard
Balthasar Burkhard
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This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a(...)
$69.95
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Résumé:
This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a(...)
Publication:
avril 2020
avril 2020
Titre:
Balthasar Burkhard
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This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
Balthasar Burkhard
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This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
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livres
Publication:
avril 2020
avril 2020
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Future cities laboratory
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the(...)
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the(...)
Publication:
janvier 2018
janvier 2018
Titre:
Future cities laboratory
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$40.00
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the richness and diversity of research at the Future Cities Laboratory (FCL). The book, which is the first in a planned series, describes new processes and types of data that are being used both to understand and improve cities. New approaches pioneered by FCL and its partners offer an important method to bridge the gap between knowledge production and action, with the aim of ensuring the sustainability of future cities. To reach this goal, FCL works closely with stakeholders in government, industry and society. The program has developed many simulation tools to help practitioners visualize the social, environmental or economic consequences of particular planning decisions.
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the richness and diversity of research at the Future Cities Laboratory (FCL). The book, which is the first in a planned series, describes new processes and types of data that are being used both to understand and improve cities. New approaches pioneered by FCL and its partners offer an important method to bridge the gap between knowledge production and action, with the aim of ensuring the sustainability of future cities. To reach this goal, FCL works closely with stakeholders in government, industry and society. The program has developed many simulation tools to help practitioners visualize the social, environmental or economic consequences of particular planning decisions.
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livres
livres
Publication:
janvier 2018
janvier 2018
Classification:
périodiques
périodiques
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that(...)
$17.50
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that(...)
Titre:
Archphoto 2.0, 06: Visionary Thinkers
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that was to save the world, as in the case of covering Manhattan with a glass dome, almost to preserve it like an ancient ruin. Thus, this new issue of archphoto2.0 is dedicated to the "Visionary Thinkers", to those who turned their minds to imagine new scenarios.
Archphoto 2.0, 06: Visionary Thinkers
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that was to save the world, as in the case of covering Manhattan with a glass dome, almost to preserve it like an ancient ruin. Thus, this new issue of archphoto2.0 is dedicated to the "Visionary Thinkers", to those who turned their minds to imagine new scenarios.
Classification:
périodiques
périodiques
Publication:
octobre 2017
octobre 2017
Classification:
périodiques
périodiques
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at(...)
$17.50
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at(...)
Titre:
Archphoto 2.0 01: Radical City
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at the Museum of Modern Art New York in 1972. With the exception of Zziggurat, all participants, such as UFO, Gianni Pettena, Ugo La Pietra and 9999, chose the "piazza" - the public space - for their theoretical and practical experimentation as the adequate venue for installations and performances that used the same language as that of artists.
Archphoto 2.0 01: Radical City
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at the Museum of Modern Art New York in 1972. With the exception of Zziggurat, all participants, such as UFO, Gianni Pettena, Ugo La Pietra and 9999, chose the "piazza" - the public space - for their theoretical and practical experimentation as the adequate venue for installations and performances that used the same language as that of artists.
Classification:
périodiques
périodiques
Publication:
octobre 2012
octobre 2012
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
Gianni Pettena
Gianni Pettena
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Il volume presenta la figura e il lavoro di Gianni Pettena attraverso documenti d'archivio, fotografie, disegni e oggetti di design, oltre a un ricco apparato critico che ospita saggi, articoli e testi di Pettena stesso. Artista, architetto e design, Pettena fu, alla fine degli anni sessanta, uno dei più prolifici rappresentanti dell'architettura radicale, un movimento(...)
$67.95
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Il volume presenta la figura e il lavoro di Gianni Pettena attraverso documenti d'archivio, fotografie, disegni e oggetti di design, oltre a un ricco apparato critico che ospita saggi, articoli e testi di Pettena stesso. Artista, architetto e design, Pettena fu, alla fine degli anni sessanta, uno dei più prolifici rappresentanti dell'architettura radicale, un movimento(...)
Titre:
Gianni Pettena
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Il volume presenta la figura e il lavoro di Gianni Pettena attraverso documenti d'archivio, fotografie, disegni e oggetti di design, oltre a un ricco apparato critico che ospita saggi, articoli e testi di Pettena stesso. Artista, architetto e design, Pettena fu, alla fine degli anni sessanta, uno dei più prolifici rappresentanti dell'architettura radicale, un movimento europeo nato in Italia che mise in discussione l'identità dell'architettura come arte del costruire, mirando a ridefinire l'intera disciplina e riunendo un gran numero di personalità, da Ettore Sottsass jr. ad Alessandro Mendini, da Superstudio ad Archizoom Associati. Artista che ricorre al linguaggio dell'architettura e architetto che si appropria della logica artistica, Pettena ama passare da un campo all'altro, rifiutando qualsiasi barriera disciplinare e definendosi piuttosto "anarchitetto".
Gianni Pettena
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Il volume presenta la figura e il lavoro di Gianni Pettena attraverso documenti d'archivio, fotografie, disegni e oggetti di design, oltre a un ricco apparato critico che ospita saggi, articoli e testi di Pettena stesso. Artista, architetto e design, Pettena fu, alla fine degli anni sessanta, uno dei più prolifici rappresentanti dell'architettura radicale, un movimento europeo nato in Italia che mise in discussione l'identità dell'architettura come arte del costruire, mirando a ridefinire l'intera disciplina e riunendo un gran numero di personalità, da Ettore Sottsass jr. ad Alessandro Mendini, da Superstudio ad Archizoom Associati. Artista che ricorre al linguaggio dell'architettura e architetto che si appropria della logica artistica, Pettena ama passare da un campo all'altro, rifiutando qualsiasi barriera disciplinare e definendosi piuttosto "anarchitetto".
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livres
livres
Publication:
avril 2003
avril 2003
Sujet:
Expositions en cours
Expositions en cours
