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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his(...)
Richard Misrach: Destroy this memory
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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project-found himself drawn to the hurricane-inspired graffiti. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes.
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises(...)
avril 2013
AD Computation works: the building of algorithmic thought
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises important new questions which the book examines including: how is computation changing the way architects design? How can computation create new forms of architecture? Is there an aesthetic to computational architecture? Are the design tools and methods related to the result?
Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985),(...)
Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985), Candlestick Point (1987–89), Sites of Technology (1989–91) and several others. Essays contextualize Baltz’s work in the larger art and photography climate of the 1970s, and discuss his application of cinematic strategies to photography.
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches(...)
janvier 2013
Complexité(s) des modèles de l'architecture numérique
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches environnementales et des espaces collaboratifs, SCAN’12 invite à réfléchir à la question des complexité(s) des modèles de l’architecture numérique.
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a(...)
avril 2013
Irony : or, the self-critical opacity of postmodern architecture
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a phenomenology of irony in architecture.
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
Documentary (Documents of contemporary art series)
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
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Mouritsen takes readers on a comprehensive tour of seaweed, describing what seaweeds actually are (algae, not plants) and how people of different cultures have utilized them since prehistoric times for a whole array of purposes —as food and fodder, for the production of salt, in medicine and cosmetics, as fertilizer, in construction, and for a number of industrial end(...)
Seaweeds: edible, available & sustainable
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Mouritsen takes readers on a comprehensive tour of seaweed, describing what seaweeds actually are (algae, not plants) and how people of different cultures have utilized them since prehistoric times for a whole array of purposes —as food and fodder, for the production of salt, in medicine and cosmetics, as fertilizer, in construction, and for a number of industrial end uses, to name just a few. He reveals the vast abundance of minerals, trace elements, proteins, vitamins, dietary fiber, and precious polyunsaturated fatty acids found in seaweeds, and provides instructions and recipes on how to prepare a variety of dishes that incorporate raw and processed seaweeds. Approaching the subject from not only a gastronomic but also a scientific point of view, Mouritsen sets out to examine the past and present uses of this sustainable resource, keeping in mind how it could be exploited for the future.
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous(...)
janvier 2013
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous les voûtes immenses du Crystal Palace, la Grande Exposition de Londres en 1851.
On art and life
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John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
On art and life
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John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
Digital design : a critical introduction
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
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