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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and(...)
octobre 2023
Ed Ruscha / Now then: A retrospective
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and his first solo exhibition at the Museum of Modern Art, New York, this richly illustrated catalog highlights Ruscha’s most acclaimed works alongside lesser-known aspects of his practice. Essays by an interdisciplinary group of contributors examine Ruscha’s work under a new light, beyond the categories of Pop and Conceptual art with which he has traditionally been associated, to present fresh perspectives on one of the most influential figures in postwar American art. Taken together, they underscore Ruscha’s singular contributions, including his material exploration of language, experiments with unconventional mediums--nsuch as gunpowder, chocolate or chewing tobacco-- and his groundbreaking self-published books. Supplemented by an illustrated chronology and exhibition history, this publication captures the ceaseless reinvention that has defined his prolific, six-decade career.
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This collection of new work by celebrated photographer Takashi Homma approaches one of the most iconic and widely represented images in Japan and the world: Mount Fuji. With its title referencing Hokusai’s famous series of ukiyo-e woodblock prints, Homma evokes his country’s traditions of representation and depiction while offering a haunting new encounter with his(...)
Takashi Homma: Thirty-Six views of Mount Fuji
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This collection of new work by celebrated photographer Takashi Homma approaches one of the most iconic and widely represented images in Japan and the world: Mount Fuji. With its title referencing Hokusai’s famous series of ukiyo-e woodblock prints, Homma evokes his country’s traditions of representation and depiction while offering a haunting new encounter with his subject. Using pinhole cameras as well as digital technology, Homma forms ghostly images of the mountain as it resides to the southwest of Tokyo in collaged views that place it ambiguously in the wider landscape – both invoking and subverting the spectacle it has come to be associated with. With this new book, Homma writes a subtle and essential new chapter in the history of Japanese visual culture.
Expositions en cours
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As photosynthetic organisms, seaweeds and other algae transfer billions of tons of carbon globally from the atmosphere to the deep ocean each year. Coming in all manner of colors, shapes, and sizes, from bioluminescent single-celled algae to giant kelps, they form the basis of most marine food webs, and are found in almost all environments on the planet. Touted as the(...)
novembre 2023
The lives of seaweeds: A natural history of our planet's seawees and other algae
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As photosynthetic organisms, seaweeds and other algae transfer billions of tons of carbon globally from the atmosphere to the deep ocean each year. Coming in all manner of colors, shapes, and sizes, from bioluminescent single-celled algae to giant kelps, they form the basis of most marine food webs, and are found in almost all environments on the planet. Touted as the biofuel of the future, seaweeds and algae also hold promise for biodegradable packaging, offer a nutritious food source, and exhibit antiviral and antitumor properties. Combining accessible text with stunning images and graphics, this book takes a deep dive to explore the unique characteristics of seaweeds and other algae, outlining their extraordinary evolution as well as their morphology, life histories, ecology, and uses. Offering rare insights into the algal world, ''The lives of seaweeds'' is essential reading for naturalists and marine life enthusiasts.
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A theoretical approach to repairing society from the perils of capitalism and overconsumption This collaborative project between ARCH+, Akademie der Künste, Berlin, ETH Zurich and the University of Luxembourg proposes a vision of societal repair based on practices of care, maintenance and mending.
septembre 2023
The great repair: Politics for a society of repair, a reader
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A theoretical approach to repairing society from the perils of capitalism and overconsumption This collaborative project between ARCH+, Akademie der Künste, Berlin, ETH Zurich and the University of Luxembourg proposes a vision of societal repair based on practices of care, maintenance and mending.
2G 88: Carla Juaçaba
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The 88th installment of the 2G magazine series from Koenig features the work of Brazilian architect Carla Juaçaba (born 1976), known for both public and residential projects as well as her construction of a Vatican chapel for the 2018 Venice Architecture Biennale.
septembre 2023
2G 88: Carla Juaçaba
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The 88th installment of the 2G magazine series from Koenig features the work of Brazilian architect Carla Juaçaba (born 1976), known for both public and residential projects as well as her construction of a Vatican chapel for the 2018 Venice Architecture Biennale.
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea(...)
If you want to visit a sea garden
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.
Expositions en cours
Democracy and urban form
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"Never have the potential political consequences of architecture been greater, and never has the political sensibility of architecture been less." This was the state of the discipline that social theorist and urban thinker Richard Sennett declared when he addressed an audience at the Harvard University Graduate School of Design in 1981. Over a series of six lectures,(...)
novembre 2024
Democracy and urban form
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"Never have the potential political consequences of architecture been greater, and never has the political sensibility of architecture been less." This was the state of the discipline that social theorist and urban thinker Richard Sennett declared when he addressed an audience at the Harvard University Graduate School of Design in 1981. Over a series of six lectures, Sennett presented discourse as the foundation of democracy, and posited that our cities are uniquely positioned to either empower or constrict this discourse—and that the difference could lie in architecture and urban design. Now, over 40 years later, as political polarization persists and its consequences arise in both new and familiar ways, "Democracy and urban form" revisits questions that remain relevant: If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse?
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
novembre 2024
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well. Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
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Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present – a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.
On the anarchic organization of cinematic spaces: Evoking spaces beyond cinema
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Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present – a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.
Expositions en cours
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to(...)
Weaving modernist art: The life and work of Mariette Rousseau-Vermette
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art and their rejection of the conservatism of Maurice Duplessis' mid-century Quebec. By the early 1960s, Rousseau-Vermette had forged collaborations with fellow artists, designers and architects with like ideas about public art. Over the next 40 years, she scaled the heights of her profession, weaving hundreds of radiant large-scale tapestries that complemented the cool interiors of modern architecture. She exhibited across Canada and internationally and attracted prestigious commissions from the private and public sectors, including commissions for theater curtains at the National Arts Centre, Ottawa and the Kennedy Center in Washington, DC. Yet three years after Rousseau-Vermette's death in 2006, Newlands discovered there wasn't a single book that told her story as a pioneer of modernist tapestry and one of Canada's most prolific and influential artist-weavers.
Expositions en cours