410 Résultats
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This volume includes more than seventy of Marinetti's most important writings—many of them translated into English for the first time—offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy.
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This volume includes more than seventy of Marinetti's most important writings—many of them translated into English for the first time—offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy.
Titre:
F. T. Marinetti ; critical writings, new edition
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This volume includes more than seventy of Marinetti's most important writings—many of them translated into English for the first time—offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy.
F. T. Marinetti ; critical writings, new edition
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This volume includes more than seventy of Marinetti's most important writings—many of them translated into English for the first time—offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy.
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livres
livres
Publication:
janvier 1900
janvier 1900
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Expositions en cours
Expositions en cours
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livres
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Insomnia: A Cultural History
Insomnia: A Cultural History
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In today’s media-saturated and hyperconnected society, increasing numbers of people are finding it hard to switch off their overstimulated brains and escape the demands of daily life. We are becoming, it seems, a world of insomniacs. But this condition of perpetual unrest has plagued people for centuries. The roots and effects of insomnia are complex, the author reveals(...)
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In today’s media-saturated and hyperconnected society, increasing numbers of people are finding it hard to switch off their overstimulated brains and escape the demands of daily life. We are becoming, it seems, a world of insomniacs. But this condition of perpetual unrest has plagued people for centuries. The roots and effects of insomnia are complex, the author reveals(...)
Titre:
Insomnia: A Cultural History
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In today’s media-saturated and hyperconnected society, increasing numbers of people are finding it hard to switch off their overstimulated brains and escape the demands of daily life. We are becoming, it seems, a world of insomniacs. But this condition of perpetual unrest has plagued people for centuries. The roots and effects of insomnia are complex, the author reveals in this fascinating study, and humans have employed everything from art to science to understand, explain, and mitigate this problem.
Insomnia: A Cultural History
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In today’s media-saturated and hyperconnected society, increasing numbers of people are finding it hard to switch off their overstimulated brains and escape the demands of daily life. We are becoming, it seems, a world of insomniacs. But this condition of perpetual unrest has plagued people for centuries. The roots and effects of insomnia are complex, the author reveals in this fascinating study, and humans have employed everything from art to science to understand, explain, and mitigate this problem.
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livres
livres
Publication:
janvier 2008, Londres
janvier 2008, Londres
Sujet:
Expositions en cours
Expositions en cours
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livres
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Rappel historique des premières constructions des Autochtones et de celles des pionniers qui étaient en harmonie avec leur environnement. Ce film, réalisé trois ans après la crise pétrolière de 1973, présente quelques innovations en planification urbaine illustrées à partir de l'exemple des communautés minières de Fermont au Quéébec et de Leaf Rapids au Manitoba. Ces(...)
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Rappel historique des premières constructions des Autochtones et de celles des pionniers qui étaient en harmonie avec leur environnement. Ce film, réalisé trois ans après la crise pétrolière de 1973, présente quelques innovations en planification urbaine illustrées à partir de l'exemple des communautés minières de Fermont au Quéébec et de Leaf Rapids au Manitoba. Ces(...)
Titre:
Nouvelles conceptions d'établissements Canadiens
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Rappel historique des premières constructions des Autochtones et de celles des pionniers qui étaient en harmonie avec leur environnement. Ce film, réalisé trois ans après la crise pétrolière de 1973, présente quelques innovations en planification urbaine illustrées à partir de l'exemple des communautés minières de Fermont au Quéébec et de Leaf Rapids au Manitoba. Ces villes ont été planifiées en fonction du climat nordique et de l'utilisation minimale de l'automobile. Du côté innovation architecturale, on voit la construction de la maison solaire Provident House à Aurora en Ontario, ainsi que la maison The Ark à l'Île-du-Prince-Edouard qui permettra un mode de vie autarcique.
Nouvelles conceptions d'établissements Canadiens
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Rappel historique des premières constructions des Autochtones et de celles des pionniers qui étaient en harmonie avec leur environnement. Ce film, réalisé trois ans après la crise pétrolière de 1973, présente quelques innovations en planification urbaine illustrées à partir de l'exemple des communautés minières de Fermont au Quéébec et de Leaf Rapids au Manitoba. Ces villes ont été planifiées en fonction du climat nordique et de l'utilisation minimale de l'automobile. Du côté innovation architecturale, on voit la construction de la maison solaire Provident House à Aurora en Ontario, ainsi que la maison The Ark à l'Île-du-Prince-Edouard qui permettra un mode de vie autarcique.
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livres
livres
Publication:
janvier 1900
janvier 1900
Classification:
livres
livres
Titre:
Moon man
Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the(...)
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the(...)
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Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the fiery tail of a comet and hitching a ride to Earth. Ungerer, ever satirical, reports the resulting frenzy of authorities upon hearing the crash landing: "The noise brought hundreds of people from a nearby town. Soldiers sped to defend the earth. Firemen hastened to quench the flaming light. The ice cream man hurried to set up his stand for the spectators." Of course, when the crowd discovers the unidentified fallen object, "statesmen, scientists, and generals panicked." Moon Man is thrown in jail, facing criminal investigation! How will he ever return to his lunar dwelling? Kids will love this quirky "there's no place like home" tale, and Ungerer's gentle, funny mocking of "important people" won't be lost on anyone. (Ages 4 to 8)
Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the fiery tail of a comet and hitching a ride to Earth. Ungerer, ever satirical, reports the resulting frenzy of authorities upon hearing the crash landing: "The noise brought hundreds of people from a nearby town. Soldiers sped to defend the earth. Firemen hastened to quench the flaming light. The ice cream man hurried to set up his stand for the spectators." Of course, when the crowd discovers the unidentified fallen object, "statesmen, scientists, and generals panicked." Moon Man is thrown in jail, facing criminal investigation! How will he ever return to his lunar dwelling? Kids will love this quirky "there's no place like home" tale, and Ungerer's gentle, funny mocking of "important people" won't be lost on anyone. (Ages 4 to 8)
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livres
livres
Publication:
janvier 2008
janvier 2008
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livres
livres
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$29.95
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their(...)
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their(...)
Titre:
Digital fabrications : architectural and material techniques
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. The publication also presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.
Digital fabrications : architectural and material techniques
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$29.95
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. The publication also presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.
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livres
livres
Publication:
janvier 2009
janvier 2009
Classification:
livres
livres
Titre:
London Orbital
London Orbital
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Encircling London like a noose, the M25 is a road to nowhere, but when Iain Sinclair sets out to walk this asphalt loop - keeping within the 'acoustic footprints' - he is determined to find out where the journey will lead him. Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain(...)
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Encircling London like a noose, the M25 is a road to nowhere, but when Iain Sinclair sets out to walk this asphalt loop - keeping within the 'acoustic footprints' - he is determined to find out where the journey will lead him. Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain(...)
Titre:
London Orbital
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Encircling London like a noose, the M25 is a road to nowhere, but when Iain Sinclair sets out to walk this asphalt loop - keeping within the 'acoustic footprints' - he is determined to find out where the journey will lead him. Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain of the fringes, a landscape consumed by developers. London Orbital charts this extraordinary trek and round trip of the soul, revealing the country as you've never seen it before.
London Orbital
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Encircling London like a noose, the M25 is a road to nowhere, but when Iain Sinclair sets out to walk this asphalt loop - keeping within the 'acoustic footprints' - he is determined to find out where the journey will lead him. Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain of the fringes, a landscape consumed by developers. London Orbital charts this extraordinary trek and round trip of the soul, revealing the country as you've never seen it before.
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livres
livres
Publication:
avril 2009, New York
avril 2009, New York
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to(...)
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to(...)
Publication:
janvier 1900, Wien/New York
janvier 1900, Wien/New York
Titre:
Exit-Architecture: design between war and peace
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to stress. After a tour d'horizon through Roman temples, Washington's corridors of power and Mecca's anti-panic architecture it becomes clear that architecture is anything but in the background. Instead it is situated in the hot spot of transmission dynamics and is capable of altering cultures, empires and even religions.
Exit-Architecture: design between war and peace
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to stress. After a tour d'horizon through Roman temples, Washington's corridors of power and Mecca's anti-panic architecture it becomes clear that architecture is anything but in the background. Instead it is situated in the hot spot of transmission dynamics and is capable of altering cultures, empires and even religions.
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livres
livres
Publication:
janvier 1900, Wien/New York
janvier 1900, Wien/New York
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livres
livres
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is(...)
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is(...)
Titre:
From the Atelier Tovar: selected writings
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is both a treasure trove and a fragrant potpourri, redolent of the dankest corners of the movie house.
From the Atelier Tovar: selected writings
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is both a treasure trove and a fragrant potpourri, redolent of the dankest corners of the movie house.
Classification:
livres
livres
Publication:
octobre 2003, Toronto
octobre 2003, Toronto
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$69.95
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource(...)
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource(...)
Publication:
février 2008, London, New York
février 2008, London, New York
Titre:
Supercrit 2 Robert Venturi and Denise Scott Brown: Learning from Las Vegas
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$69.95
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
Supercrit 2 Robert Venturi and Denise Scott Brown: Learning from Las Vegas
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$69.95
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
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livres
livres
Publication:
février 2008, London, New York
février 2008, London, New York
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livres
livres
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$24.50
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
Publication:
octobre 2005, Cambridge, London
octobre 2005, Cambridge, London
Titre:
The conspiracy of art: manifestos, interviews, essays
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
The conspiracy of art: manifestos, interviews, essays
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
Classification:
livres
livres
Publication:
octobre 2005, Cambridge, London
octobre 2005, Cambridge, London
