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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between(...)
Design, époques et styles
avril 2008, Cambridge, Massachusetts
Imagine no possessions: the socialist objects of Russian constructivism
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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between 1923 and 1925: Vladimir Tatlin's prototype designs for pots and pans and other everyday objects, Liubov' Popova's and Varvara Stepanova's fashion designs and textiles, Rodchenko's packaging and advertisements for state-owned businesses (made in collaboration with revolutionary poet Vladimir Mayakovsky), and Rodchenko's famous design for the interior of a workers' club. These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective.
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avril 2008, Cambridge, Massachusetts
Design, époques et styles
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This book examines the outstanding design achievements of Finland over the last seven decades, focusing on the central and decisive role played by Modernism.
Design, époques et styles
avril 1998, New Haven, Conn.
Finnish modern design : utopian ideals and everyday realities, 1930-97
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This book examines the outstanding design achievements of Finland over the last seven decades, focusing on the central and decisive role played by Modernism.
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avril 1998, New Haven, Conn.
Design, époques et styles
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"Design 1935-1965: What Modern Was" presents a definitive and distinct perspective on the decorative arts of the mid-20th century, a period that has only grown in popularity since the book was first published in 1991. Now back in print with 37 new full-color plates of formerly black-and-white (...)
Design 1935-1965 : what modern was
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"Design 1935-1965: What Modern Was" presents a definitive and distinct perspective on the decorative arts of the mid-20th century, a period that has only grown in popularity since the book was first published in 1991. Now back in print with 37 new full-color plates of formerly black-and-white images, it is certain to be reaffirmed as a classic of design literature. The encyclopedic, lavishly illustrated volume spotlights seminal objects from the period's most significant innovators, including the Eames' iconic chairs; Noguchi's sculptural lamps; Sottsass's early, rebellious furniture; as well as jewelry, ceramics, and textiles by a range of contemporary masters. Historian Paul Johnson's essay provides a sociopolitical context for the works, and noted experts in various design fields offer a wealth of information.
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mai 2001, New York
Design, époques et styles
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors(...)
août 2003, Ostfildern
Viennese silver : modern design 1780-1918
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design.
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Si le rôle joué par le dessin dans l’alchimie de la peinture n’est plus à démontrer, plus secrète est sa place dans le domaine des arts décoratifs. Prisées pour les ornemanistes des XVIIe et XVIIIe siècles, les "feuilles" d’arts décoratifs sont à redécouvrir pour le XIXe siècle, même si le destin ne les a sauvées qu’avec parcimonie de la destruction. Depuis sa(...)
L'objet et son double : dessins d'arts décoratifs des collections du musée d'Orsay
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Si le rôle joué par le dessin dans l’alchimie de la peinture n’est plus à démontrer, plus secrète est sa place dans le domaine des arts décoratifs. Prisées pour les ornemanistes des XVIIe et XVIIIe siècles, les "feuilles" d’arts décoratifs sont à redécouvrir pour le XIXe siècle, même si le destin ne les a sauvées qu’avec parcimonie de la destruction. Depuis sa création, le musée d’Orsay a eu à coeur d’en assembler une collection significative dont une sélection est exposée, à partir des fonds des artistes les plus emblématiques tels Viollet-le-Duc, Lassus, Bracquemond, Bugatti, Gallé, Lalique, Van de Velde, etc.
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décembre 2006, Paris
Design, époques et styles
$86.95
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Contents : problems and methods from idelogy to strategy for social development ; the Academy for applied art, Zagreb, 1949-1955 ; institutional forms of the promotion of design ; product design ; graphic design ; towards synthesis of design and environment ; set design ; the artistic architecture department and the Academy of fine arts ; conclusion ; catalogue ;(...)
Design of the fifties in Croatia : from utopia to reality
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Contents : problems and methods from idelogy to strategy for social development ; the Academy for applied art, Zagreb, 1949-1955 ; institutional forms of the promotion of design ; product design ; graphic design ; towards synthesis of design and environment ; set design ; the artistic architecture department and the Academy of fine arts ; conclusion ; catalogue ; documents AAA ; documents Ritz bar ; bibliography ; sources ; abbreviations.
Design, époques et styles
Céramique art déco
$59.95
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Cet ouvrage constitue un guide de la céramique Art Déco : après un survol historique de la période de l'entre-deux-guerres, il propose, à travers plus de deux cents planches couleurs organisées par pays, un vaste panorama de la production. Un lexique et un dictionnaire encyclopédique, qui présente les principaux artistes-potiers, créateurs et manufactures en activité dans(...)
Céramique art déco
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Cet ouvrage constitue un guide de la céramique Art Déco : après un survol historique de la période de l'entre-deux-guerres, il propose, à travers plus de deux cents planches couleurs organisées par pays, un vaste panorama de la production. Un lexique et un dictionnaire encyclopédique, qui présente les principaux artistes-potiers, créateurs et manufactures en activité dans les années 1920 et 1930, viennent compléter l'ensemble.
Design, époques et styles
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Photographer Paul Clemence captures the emblematic forms of Miami beach's Art Deco architecture in 20 black-and-white postcards.
Art Deco architecture : Miami beach postcards
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Photographer Paul Clemence captures the emblematic forms of Miami beach's Art Deco architecture in 20 black-and-white postcards.
Design, époques et styles
Les styles consulat & empire
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Contient : les ébénistes et le style, considérations générales; l'évolution du goût et la formation du style; les différents acteurs du processus de création; le mobilier; une annexe concernant une commande inédite faite à Boselli par Charles IV, roi d'Espagne et une bibliographie.
Design, époques et styles
janvier 2005, Paris
Les styles consulat & empire
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Contient : les ébénistes et le style, considérations générales; l'évolution du goût et la formation du style; les différents acteurs du processus de création; le mobilier; une annexe concernant une commande inédite faite à Boselli par Charles IV, roi d'Espagne et une bibliographie.
Design, époques et styles
$49.95
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.