Max Bill
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed,(...)
Max Bill
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$90.00
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume—the most thorough Bill overview ever published in English, and the only monograph in print—presents Bill’s oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography—from large-format posters to small inserts in periodicals—as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself.
Design, monographies
$105.00
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Alexander Girard was one of the most important modern textile artists and interior designers of the 20th century. He combined Pop and Folk art influences to create a colorfully opulent aesthetic language whose impact continues to be felt today. This catalogue draws on the vast holdings in Girard's private estate, which were exhaustively investigated for the first time at(...)
Alexander Girard: a designers universe
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Alexander Girard was one of the most important modern textile artists and interior designers of the 20th century. He combined Pop and Folk art influences to create a colorfully opulent aesthetic language whose impact continues to be felt today. This catalogue draws on the vast holdings in Girard's private estate, which were exhaustively investigated for the first time at the Vitra Design Museum. The book presents the oeuvre of the multitalented designer in all its facets, while offering the first scholarly, critical examination of his work.
Design, monographies
$49.00
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What should a television look like? How should a dial on a radio feel to the touch? These were questions John Vassos asked when the Radio Corporation of America (RCA) asked him to design the first mass-produced television receiver, the TRK-12, which had its spectacular premier at the 1939 New York World’s Fair. Vassos emigrated from Greece and arrived in the United States(...)
John Vassos: industrial design for modern life
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What should a television look like? How should a dial on a radio feel to the touch? These were questions John Vassos asked when the Radio Corporation of America (RCA) asked him to design the first mass-produced television receiver, the TRK-12, which had its spectacular premier at the 1939 New York World’s Fair. Vassos emigrated from Greece and arrived in the United States in 1918. His career spans the evolution of central forms of mass media in the twentieth century and offers a template for understanding their success. This is Vassos’s legacy—shaping the way we interact with our media technologies. Other industrial designers may be more celebrated, but none were more focused on making radio and television attractive and accessible to millions of Americans.
Design, monographies
Josef Frank: against design / The architect's anti-formalist oeuvre / Das anti-formalistische werk
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With Josef Frank (1885–1967), the catalogue for the exhibition in the MAK, Vienna, focuses on one of the most important Austrian architects of the 20th century. In addition to his groundbreaking architectural oeuvre, the discussion considers Frank as an extremely productive designer who, although sceptical and a prominent cultural critic, must be thanked for his many(...)
Josef Frank: against design / The architect's anti-formalist oeuvre / Das anti-formalistische werk
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With Josef Frank (1885–1967), the catalogue for the exhibition in the MAK, Vienna, focuses on one of the most important Austrian architects of the 20th century. In addition to his groundbreaking architectural oeuvre, the discussion considers Frank as an extremely productive designer who, although sceptical and a prominent cultural critic, must be thanked for his many important stimuli to international design that are still valid today. As an architect and designer who is still "contemporary" to this day, Frank was known for his pragmatic design approach, and pleaded for "normal" – but not at all normative – architecture and design. For Frank, the qualities of social experience were more important than formal aspects; his interiors and utilitarian articles were primarily intended to serve the comfort of the user. Josef Frank’s ideas of an uncontrived and unpretentious utilitarian expedience, which was focused on an independent, free, enlightened housing and living culture beyond all stylistic dogmas and fashionable conventions, is more topical today than ever.
Design, monographies
Matali Crasset : wood
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Deuxième collaboration entre Matali Crasset et Shelter Press et The Cultural Gallery Monaco (après Les capes), le livre ''Wood'' présente les « maisons sylvestres », projet réalisé avec Vent des Forêts situées au cœur du département de la Meuse, dans 5000 hectares de forêts, à proximité des villages de Dompcevrin, Fresnes-au-Mont, Nicey-sur-Aire, Pierrefitte-sur-Aire et(...)
Matali Crasset : wood
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Deuxième collaboration entre Matali Crasset et Shelter Press et The Cultural Gallery Monaco (après Les capes), le livre ''Wood'' présente les « maisons sylvestres », projet réalisé avec Vent des Forêts situées au cœur du département de la Meuse, dans 5000 hectares de forêts, à proximité des villages de Dompcevrin, Fresnes-au-Mont, Nicey-sur-Aire, Pierrefitte-sur-Aire et Ville-devant-Belrain. Autour de ces maisons gravitent des cuillères, des couvertures, une chaise, et des pommes.
Design, monographies
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The Soft Chair. The Cloud Lamp. The Stack of Drawers. These are among the award-winning icons of Swiss furniture design created by Susi and Ueli Berger, whose credo has long been that ''only a new idea justifies a new piece of furniture.'' Guided by this view, their work is inventive and playfully provocative, straddling product design and object art.
Susi and Ueli Berger: furniture in dialogue
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The Soft Chair. The Cloud Lamp. The Stack of Drawers. These are among the award-winning icons of Swiss furniture design created by Susi and Ueli Berger, whose credo has long been that ''only a new idea justifies a new piece of furniture.'' Guided by this view, their work is inventive and playfully provocative, straddling product design and object art.
Design, monographies
$73.00
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Including newly commissioned essays by curators and scholars, this book explores how Sottsass’s art and philosophy presaged the dawn of PCs, the service industry, and the gig economy. Ettore Sottsass was an architect, industrial designer, painter, writer, photographer, and founder of the Memphis group, whose designs are undergoing an impressive renaissance. But Sottsass(...)
Ettore Sottsass and the social factory
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Including newly commissioned essays by curators and scholars, this book explores how Sottsass’s art and philosophy presaged the dawn of PCs, the service industry, and the gig economy. Ettore Sottsass was an architect, industrial designer, painter, writer, photographer, and founder of the Memphis group, whose designs are undergoing an impressive renaissance. But Sottsass was more than just an important designer. His approach to object design–marked by bold colors, tactility, and vitality–was a direct response to the world of mass production and the assembly-line economy. This revelatory collection of essays by leading thinkers in the fields of political theory, economics, the media, design history, and cultural theory contextualizes Sottsass’s work in unprecedented arguments that draw a line from his work at Olivetti to the iconoclastic designs he produced at the dawn of the 21st century. Divided into five chronological sections–from the late 1950s to Sottsass’s death in 2007– these essays are illustrated with vibrant images of his work and archival photographs. Deeply researched, the book makes crucial connections between postwar Europe and America, and the way we work and live today.
Design, monographies
$115.00
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Locatelli Partners is one of Italy's leading architecture firms, with offices in Milan and New York. This publication features thirty-two residential and commercial projects, as well as highlights from the firm's furniture and lighting design.
septembre 2019
Locatelli Partners: dialogues. Architecture, interiors, design
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Locatelli Partners is one of Italy's leading architecture firms, with offices in Milan and New York. This publication features thirty-two residential and commercial projects, as well as highlights from the firm's furniture and lighting design.
Memphis. Plastic Field
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En 1981, le designer italien Ettore Sottsass, sorti de l’aventure du studio Alchymia, fédère autour de lui un collectif de jeunes architectes et designers afin de faire voler en éclats les codes de la modernité. La première exposition de Memphis à Milan, en 1981, fait l’effet d’une bombe dans le paysage européen du design, et renouvelle radicalement le langage des formes(...)
Design, monographies
octobre 2019
Memphis. Plastic Field
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$81.00
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En 1981, le designer italien Ettore Sottsass, sorti de l’aventure du studio Alchymia, fédère autour de lui un collectif de jeunes architectes et designers afin de faire voler en éclats les codes de la modernité. La première exposition de Memphis à Milan, en 1981, fait l’effet d’une bombe dans le paysage européen du design, et renouvelle radicalement le langage des formes et des couleurs. Ce livre revient, à l’occasion de l’exposition au madd-bordeaux, sur la genèse de ce mouvement qui a remis la culture démocratique au coeur du design et a réintégré avec un humour irrévérencieux dans ses codes l’ornement et la décoration.
Design, monographies
$81.00
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Charlotte Perriand (1903-1999) was a pioneer of modern design in France during the twentieth century. Her avant-garde vision was expressed in color, organic forms, and streamlined functionality, elements which are still at the heart of contemporary design today. Her furnishings were created from aluminum, rubber, chrome, leather, bamboo, and above all, wood; their appeal(...)
Charlotte Perriand: inventing a new world
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Charlotte Perriand (1903-1999) was a pioneer of modern design in France during the twentieth century. Her avant-garde vision was expressed in color, organic forms, and streamlined functionality, elements which are still at the heart of contemporary design today. Her furnishings were created from aluminum, rubber, chrome, leather, bamboo, and above all, wood; their appeal is timeless. This lavishly illustrated book, accompanying a major retrospective at the Louis Vuitton Foundation in Paris, explores how much in the vanguard she was in her use of materials, in her social and political awareness, and in her collaborations with artists, architects, and other designers. The show presents a global vision of her creativity, talent, and inventiveness, exploring her commitment to women and to a humanist design ethos that took into account the middle and working classes with an emphasis on rationalizing costs and space.
Design, monographies