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livres
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Graven Images boasts skills in both graphic design and interior architecture. The team's exhibition designs, as well as their interiors for restaurants and clubs, are characterized by a bold use of colour and starkly graphic elements. The book featuring Graven Images includes, among others, the following projects: Red Lemon, the office of a company that develops(...)
$82.50
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Graven Images boasts skills in both graphic design and interior architecture. The team's exhibition designs, as well as their interiors for restaurants and clubs, are characterized by a bold use of colour and starkly graphic elements. The book featuring Graven Images includes, among others, the following projects: Red Lemon, the office of a company that develops(...)
Titre:
Graven Images : design in cold climate
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Graven Images boasts skills in both graphic design and interior architecture. The team's exhibition designs, as well as their interiors for restaurants and clubs, are characterized by a bold use of colour and starkly graphic elements. The book featuring Graven Images includes, among others, the following projects: Red Lemon, the office of a company that develops electronic games; The Shape of Colour: Red, an exhibition featuring the colour red, held at the Lighthouse in Glasgow; Room at the Top, one of Britain's largest clubs; Tun Ton, a trendsetting Glasgow restaurant; UK Style, an exhibition on British creativity, in the broadest sense of the word; Favorit, a café, bar, coffee shop, deli and takeaway, all in one.
Graven Images : design in cold climate
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Graven Images boasts skills in both graphic design and interior architecture. The team's exhibition designs, as well as their interiors for restaurants and clubs, are characterized by a bold use of colour and starkly graphic elements. The book featuring Graven Images includes, among others, the following projects: Red Lemon, the office of a company that develops electronic games; The Shape of Colour: Red, an exhibition featuring the colour red, held at the Lighthouse in Glasgow; Room at the Top, one of Britain's largest clubs; Tun Ton, a trendsetting Glasgow restaurant; UK Style, an exhibition on British creativity, in the broadest sense of the word; Favorit, a café, bar, coffee shop, deli and takeaway, all in one.
Classification:
livres
livres
Publication:
avril 2002, Basel
avril 2002, Basel
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$90.00
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
Titre:
Koloman Moser : master of Viennese modernism
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
Koloman Moser : master of Viennese modernism
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
Classification:
livres
livres
Publication:
novembre 2002, London
novembre 2002, London
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$79.25
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
Titre:
Bruno Ninaber van Eyben with compliments
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
Bruno Ninaber van Eyben with compliments
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
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livres
livres
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Titre:
Ed Annink : designer
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by(...)
$53.95
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Résumé:
Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by(...)
Sujet:
Design, monographies
Design, monographies
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Titre:
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by the width of his scope. He designs on the run as it were and the objects he creates seem to be of minor importance among the ideas and activities that surround them. Some products take less than a minute to come alive. He can be sketching ideas about material qualities, production, use and image without having a particular functionality in mind and seeks to minimize effort for everyone involved, the producer, the person who makes the product, the one who sells it and the user too. As a teacher he may be maximizing the effort his students must make in order for them to discover what it means to be a designer. This monography, written by Ida van Zijl, Gert Staal, Schwartz and Ed van Hinte (ed.) and including interviews with, among others, commissioners from VITRA and Authentics, describes and analyses Annink's work as an exhibition and product designer, an educator and a project initiator.
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by the width of his scope. He designs on the run as it were and the objects he creates seem to be of minor importance among the ideas and activities that surround them. Some products take less than a minute to come alive. He can be sketching ideas about material qualities, production, use and image without having a particular functionality in mind and seeks to minimize effort for everyone involved, the producer, the person who makes the product, the one who sells it and the user too. As a teacher he may be maximizing the effort his students must make in order for them to discover what it means to be a designer. This monography, written by Ida van Zijl, Gert Staal, Schwartz and Ed van Hinte (ed.) and including interviews with, among others, commissioners from VITRA and Authentics, describes and analyses Annink's work as an exhibition and product designer, an educator and a project initiator.
Classification:
livres
livres
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$67.50
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
$67.50
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
Titre:
Less + more : droog design in context
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
Less + more : droog design in context
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
Classification:
livres
livres
Publication:
avril 2002, Rotterdam
avril 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Titre:
Arne Quinze : works
Arne Quinze : works
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$110.00
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Arne Quinze is a creative phenomenon. This first monograph extensively introduces the designer’s full creative universe from the past, present and future. Over 40 design projects crossing over from furniture, interiors and architecture to urban planning, car design and footwear are showcased with photos, personal sketches and text giving insight into Quinze’s cosmos.(...)
$110.00
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Arne Quinze is a creative phenomenon. This first monograph extensively introduces the designer’s full creative universe from the past, present and future. Over 40 design projects crossing over from furniture, interiors and architecture to urban planning, car design and footwear are showcased with photos, personal sketches and text giving insight into Quinze’s cosmos.(...)
Sujet:
Design, monographies
Design, monographies
Publication:
janvier 2009, Berlin
janvier 2009, Berlin
Titre:
Arne Quinze : works
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$110.00
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Arne Quinze is a creative phenomenon. This first monograph extensively introduces the designer’s full creative universe from the past, present and future. Over 40 design projects crossing over from furniture, interiors and architecture to urban planning, car design and footwear are showcased with photos, personal sketches and text giving insight into Quinze’s cosmos. Celebrated projects such as furniture collections for Quinze & Milan, Moroso and Swarovski, concept cars for Lamborghini, the colossal wooden Uchronia sculpture at the Burning Man Festival and his monumental Cityscape sculpture project in Brussels are featured.
Arne Quinze : works
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Arne Quinze is a creative phenomenon. This first monograph extensively introduces the designer’s full creative universe from the past, present and future. Over 40 design projects crossing over from furniture, interiors and architecture to urban planning, car design and footwear are showcased with photos, personal sketches and text giving insight into Quinze’s cosmos. Celebrated projects such as furniture collections for Quinze & Milan, Moroso and Swarovski, concept cars for Lamborghini, the colossal wooden Uchronia sculpture at the Burning Man Festival and his monumental Cityscape sculpture project in Brussels are featured.
Classification:
livres
livres
Publication:
janvier 2009, Berlin
janvier 2009, Berlin
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Titre:
Japanese design
Japanese design
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$36.00
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Résumé:
The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern(...)
$36.00
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Résumé:
The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern(...)
Titre:
Japanese design
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$36.00
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The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern Art's unmatched collection. This season, they take on Japan. Japanese designers' special ability to combine aesthetic tradition with contemporary visual culture and material innovation has created a distinctive and exceptionally successful design industry in Japan, which has produced such divergent icons of Modern design as Sori Yanagi's Butterfly Stool, the Sony Walkman, the Honey-Pop Armchair by Tokujin Yoshioka and the Toyota Prius. This volume traces the development of Japanese design from the country's craft revival in the early twentieth century to the extraordinary objects of high technology that have been a specialty of Japanese designers since the middle of the century. Antonelli's lively introduction provides an overview of Japan's design culture, while an essay and timeline by Penny Sparke illuminate the masterpieces of Modern Japanese design that are superbly reproduced in this volume's plate section.
Japanese design
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$36.00
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The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern Art's unmatched collection. This season, they take on Japan. Japanese designers' special ability to combine aesthetic tradition with contemporary visual culture and material innovation has created a distinctive and exceptionally successful design industry in Japan, which has produced such divergent icons of Modern design as Sori Yanagi's Butterfly Stool, the Sony Walkman, the Honey-Pop Armchair by Tokujin Yoshioka and the Toyota Prius. This volume traces the development of Japanese design from the country's craft revival in the early twentieth century to the extraordinary objects of high technology that have been a specialty of Japanese designers since the middle of the century. Antonelli's lively introduction provides an overview of Japan's design culture, while an essay and timeline by Penny Sparke illuminate the masterpieces of Modern Japanese design that are superbly reproduced in this volume's plate section.
Classification:
livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Prix:
$54.00
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Résumé:
This catalogue has been published in conjunction with the exhibition Josef Hoffmann Interiors 1902-1913 Neue Galerie New York, November 2, 2006 - February 26, 2007.
$54.00
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Résumé:
This catalogue has been published in conjunction with the exhibition Josef Hoffmann Interiors 1902-1913 Neue Galerie New York, November 2, 2006 - February 26, 2007.
Titre:
Josef Hoffmann interiors 1902-1913 the making of an exhibition
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This catalogue has been published in conjunction with the exhibition Josef Hoffmann Interiors 1902-1913 Neue Galerie New York, November 2, 2006 - February 26, 2007.
Josef Hoffmann interiors 1902-1913 the making of an exhibition
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This catalogue has been published in conjunction with the exhibition Josef Hoffmann Interiors 1902-1913 Neue Galerie New York, November 2, 2006 - February 26, 2007.
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livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Titre:
Ron Arad no discipline
Ron Arad no discipline
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Ouvrage publié à l'occasion de l'exposition «Ron Arad no discipline», présentée au Centre Pompidou, Galerie Sud, du 19 novembre 2008 au 16 mars 2009.
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Ouvrage publié à l'occasion de l'exposition «Ron Arad no discipline», présentée au Centre Pompidou, Galerie Sud, du 19 novembre 2008 au 16 mars 2009.
Titre:
Ron Arad no discipline
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Ouvrage publié à l'occasion de l'exposition «Ron Arad no discipline», présentée au Centre Pompidou, Galerie Sud, du 19 novembre 2008 au 16 mars 2009.
Ron Arad no discipline
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Ouvrage publié à l'occasion de l'exposition «Ron Arad no discipline», présentée au Centre Pompidou, Galerie Sud, du 19 novembre 2008 au 16 mars 2009.
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livres
livres
Publication:
janvier 2009, Paris
janvier 2009, Paris
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$94.95
(disponible sur commande)
Résumé:
Invitée en 1940 par le gouvernement japonais pour orienter la production d’art industriel du pays, Charlotte Perriand découvre une pensée, une mode de vie et une architecture conforme aux préceptes modernistes qu’elle a défendus avec Le Corbusier et Pierre Jeanneret. Les expositions qu’elle organise au Japon, «Sélection, Tradition, Création» et «Proposition d’une synthèse(...)
$94.95
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Invitée en 1940 par le gouvernement japonais pour orienter la production d’art industriel du pays, Charlotte Perriand découvre une pensée, une mode de vie et une architecture conforme aux préceptes modernistes qu’elle a défendus avec Le Corbusier et Pierre Jeanneret. Les expositions qu’elle organise au Japon, «Sélection, Tradition, Création» et «Proposition d’une synthèse(...)
Titre:
Charlotte Perriand et le Japon
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Invitée en 1940 par le gouvernement japonais pour orienter la production d’art industriel du pays, Charlotte Perriand découvre une pensée, une mode de vie et une architecture conforme aux préceptes modernistes qu’elle a défendus avec Le Corbusier et Pierre Jeanneret. Les expositions qu’elle organise au Japon, «Sélection, Tradition, Création» et «Proposition d’une synthèse des arts», ses publications, ses meubles, ses réalisations à Tôkyô comme à Paris témoignent des liens qu’elle a tissés entre les deux cultures occidentale et orientale. Conçu à partir d’archives inédites de Charlotte Perriand, des notes et des dessins.
Charlotte Perriand et le Japon
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Invitée en 1940 par le gouvernement japonais pour orienter la production d’art industriel du pays, Charlotte Perriand découvre une pensée, une mode de vie et une architecture conforme aux préceptes modernistes qu’elle a défendus avec Le Corbusier et Pierre Jeanneret. Les expositions qu’elle organise au Japon, «Sélection, Tradition, Création» et «Proposition d’une synthèse des arts», ses publications, ses meubles, ses réalisations à Tôkyô comme à Paris témoignent des liens qu’elle a tissés entre les deux cultures occidentale et orientale. Conçu à partir d’archives inédites de Charlotte Perriand, des notes et des dessins.
Classification:
livres
livres
Publication:
octobre 2008, Paris
octobre 2008, Paris
Sujet:
Design, monographies
Design, monographies
