Design as an attitude
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Written by one of the world’s leading design and culture commentators, London-based critic and journalist Alice Rawsthorn, "Design as an Attitude" is conceived as a subjective field guide to design. In an authoritative and enjoyable voice, Rawsthorn demystifies the field, explores the most dynamic developments in contemporary design and assesses their impact on our lives(...)
Design as an attitude
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Written by one of the world’s leading design and culture commentators, London-based critic and journalist Alice Rawsthorn, "Design as an Attitude" is conceived as a subjective field guide to design. In an authoritative and enjoyable voice, Rawsthorn demystifies the field, explores the most dynamic developments in contemporary design and assesses their impact on our lives now and in the future. From book-making to social design, from the craft revival to design’s gender politics, Design as an Attitude offers a comprehensive survey of design today.
Théorie du design
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"Legacy: Generations of Creatives in Dialogue" celebrates the legacy of renowned architects, artists and designers that have influenced the creative discourse over the last fifty years and brings them in critical dialogue with a young generation of upcoming influencers in the respective fields. Edited by Lukas Feireiss, the heart of this publication lies at the(...)
Legacy: generations of creatives in dialogue
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"Legacy: Generations of Creatives in Dialogue" celebrates the legacy of renowned architects, artists and designers that have influenced the creative discourse over the last fifty years and brings them in critical dialogue with a young generation of upcoming influencers in the respective fields. Edited by Lukas Feireiss, the heart of this publication lies at the cross-generational exchange of ideas. The publication doesn't regard the legacy of an individual architect, artist or predecessor as an end point but as a simple moment in an infinite chain of contributions and inspirations that naturally extends and transforms through its successors.
Théorie du design
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Femke de Vries is an artist/researcher who explores the interaction between clothing (as material objects of use) and fashion (as a process of value production). ''Dictionary Dressings'' is an ongoing research project by de Vries that uses the nature of the dictionary definition as a ''zero condition'' for a piece of clothing in order to decode clothes and explore an(...)
Fashioning value: undressing ornament. Onomatopee 121
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Femke de Vries is an artist/researcher who explores the interaction between clothing (as material objects of use) and fashion (as a process of value production). ''Dictionary Dressings'' is an ongoing research project by de Vries that uses the nature of the dictionary definition as a ''zero condition'' for a piece of clothing in order to decode clothes and explore an alternative fashion vocabulary. To generate inclusive modes of production, the artist brings together designers, researchers and students to explore opportunities. Overlapping and interlinking theory with hands-on making, she pushes beyond trends and accepted social and design codes to offer a fundamental shift in perspective that contributes valuable insights to the broader cultural discourse of fashion.
Théorie du design
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The book is dedicated to the practice of design. It investigates experimentally the encounter between architecture and other related creative practices, between applied arts and sciences. Carefully selected unpublished materials from different fields are combined in such a way as to incite the maximum amount of questions. Each of the nine issues of SAFT contained in this(...)
SAFT: modular book on architecture, art and culture
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The book is dedicated to the practice of design. It investigates experimentally the encounter between architecture and other related creative practices, between applied arts and sciences. Carefully selected unpublished materials from different fields are combined in such a way as to incite the maximum amount of questions. Each of the nine issues of SAFT contained in this collection is dedicated to a different topic or phenomenon, combining different materials; it is dense in feedback and feedforward, in juxtapositions and casual encounters. Printed on a large sheet of coloured paper it multiplies in your hands growing in an exponential manner
Théorie du design
Blanket (object lessons)
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We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, "Blanket" interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals(...)
Blanket (object lessons)
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We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, "Blanket" interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals blankets everywhere--film, art, geology, disasters, battlefields, resistance, home--and transforms an ordinary thing into a vibrant and vital carrier of stories and secrets, an object of inheritance and belonging, a companion to uncover. "Object Lessons" is published in partnership with an essay series in the The Atlantic.
Théorie du design
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What good is design? In a world facing social unrest, political tribalism, and impending ecological doom, Tomás Maldonado poses philosophical inquiries into the role design plays during a moment of crisis and analyzes what “design” might mean as an ever-enlarging compass beyond stylization of specific objects. He discusses how design is both influenced by and central to(...)
Design, nature and revolution: towards a critical ecology
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What good is design? In a world facing social unrest, political tribalism, and impending ecological doom, Tomás Maldonado poses philosophical inquiries into the role design plays during a moment of crisis and analyzes what “design” might mean as an ever-enlarging compass beyond stylization of specific objects. He discusses how design is both influenced by and central to ecological crisis. Written as a kind of obituary to the Modern movement’s wave of failed “concrete utopias,” Maldonado combines philosophy, sociology, radical countercultural thought, and the ecological sciences into a polemic that recenters design in the human environment.
Théorie du design
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones,(...)
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo.
Théorie du design
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Initialement paru à Tky en 1936 sous le titre Manuel de composition florale japonaise, nous ne nous sommes pourtant intéressés qu'à son édition suivante (1947), la première à faire suite aux deux seules bombes atomiques tombées sur une population civile. Car c'est bien la possibilité même de l'ikebana après Hiroshima qui nous interpellait : un nouveau regard porté sur le(...)
L'ikebana après Hiroshima: manuel de composition florale japonaise (éd. 1947)
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Initialement paru à Tky en 1936 sous le titre Manuel de composition florale japonaise, nous ne nous sommes pourtant intéressés qu'à son édition suivante (1947), la première à faire suite aux deux seules bombes atomiques tombées sur une population civile. Car c'est bien la possibilité même de l'ikebana après Hiroshima qui nous interpellait : un nouveau regard porté sur le vivre ensemble. Car n'est-ce pas à Hiroshima que l'on a tout (re)vu : les mots, les choses, les êtres vivants, l'espèce humaine, eux, nous, vous, toi et moi ? À travers un prisme occidental, moderne, vainqueur et historique, quelle disposition tirer aujourd'hui de ce simple et émouvant raffinement que de placer une fleur dans l'espace ? Bref, un livre à lire « à la japonaise »... (Avertissement: mise en page japonaise avec reliure à droite et pagination inversée)
Théorie du design
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Cooperatives, sharing communities, co-housing in the late 1920s the Bauhaus took a keen interest in the relationship between society and design, the individual and collaborative creation and production. A key figure in this development was architect Hannes Meyer (1889 1954), the second Bauhaus director, whose revolutionary collaborative design process is documented(...)
The coop principle - Hannes Meyer and the Concept of Collective Design
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Cooperatives, sharing communities, co-housing in the late 1920s the Bauhaus took a keen interest in the relationship between society and design, the individual and collaborative creation and production. A key figure in this development was architect Hannes Meyer (1889 1954), the second Bauhaus director, whose revolutionary collaborative design process is documented here for the first time. With his appointment in 1928, Meyer brought a change in thinking: from author-architect to collective, from the need for luxury to the needs of the people, playing a key role radically orienting the school s teaching, workshops, its planning and architecture around the idea and needs of the collective until his politically motivated dismissal in 1930. Informative texts by researchers Werner Moller and Astrid Volpert, with introduction by director Claudia Perren, are illustrated with a wonderful array of archival photos of students, performances, furniture and building projects that convey the energy and optimism of the time.
Théorie du design
Le décoratif
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Peu de notions esthétiques auront fait l'objet de prises de position aussi négatives que celles suscitées par le décoratif. S'adossant aux ruines des notions de bienséance et de convenance héritées de l'âge classique, ce concept acquiert son identité à la faveur de la formation des utopies modernistes anti-décoratives d'inspiration architecturale. Ni ornement ni décor, le(...)
Le décoratif
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Peu de notions esthétiques auront fait l'objet de prises de position aussi négatives que celles suscitées par le décoratif. S'adossant aux ruines des notions de bienséance et de convenance héritées de l'âge classique, ce concept acquiert son identité à la faveur de la formation des utopies modernistes anti-décoratives d'inspiration architecturale. Ni ornement ni décor, le décoratif est un concept parasite dont la reconnaissance spécifie moins une configuration des choses qu'il ne signale l'émergence d'un fantasme lié aux trois périphéries du social (acteurs illégitimes de la culture), du sexe (femme), de l'exotique (le sauvage). De Kant à Mendini, l'équivoque décorative redouble et fragilise les certitudes du visible.
Théorie du design