273 Résultats
Classification:
livres
livres
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$53.95
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Né au début du XIXe siècle, en Europe, au sein des mouvements avant-gardistes qui souhaitaient mettre les valeurs de l'art à la portée de tous, le design se situe au croisement de l'art et de l'industrie, du beau et de l'utile, de la forme et de la fonction. Destiné au grand public comme aux amateurs d'art moderne et contemporain, cet ouvrage dresse, de 1851 au début du(...)
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Né au début du XIXe siècle, en Europe, au sein des mouvements avant-gardistes qui souhaitaient mettre les valeurs de l'art à la portée de tous, le design se situe au croisement de l'art et de l'industrie, du beau et de l'utile, de la forme et de la fonction. Destiné au grand public comme aux amateurs d'art moderne et contemporain, cet ouvrage dresse, de 1851 au début du(...)
Titre:
Le design : histoire, principaux courants, grandes figures
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Né au début du XIXe siècle, en Europe, au sein des mouvements avant-gardistes qui souhaitaient mettre les valeurs de l'art à la portée de tous, le design se situe au croisement de l'art et de l'industrie, du beau et de l'utile, de la forme et de la fonction. Destiné au grand public comme aux amateurs d'art moderne et contemporain, cet ouvrage dresse, de 1851 au début du XXIe siècle, un panorama international et historique du design.
Le design : histoire, principaux courants, grandes figures
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$53.95
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Résumé:
Né au début du XIXe siècle, en Europe, au sein des mouvements avant-gardistes qui souhaitaient mettre les valeurs de l'art à la portée de tous, le design se situe au croisement de l'art et de l'industrie, du beau et de l'utile, de la forme et de la fonction. Destiné au grand public comme aux amateurs d'art moderne et contemporain, cet ouvrage dresse, de 1851 au début du XXIe siècle, un panorama international et historique du design.
Classification:
livres
livres
Publication:
octobre 2004, Paris
octobre 2004, Paris
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$62.95
(disponible en magasin)
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During the years of the Great Depression in America, modernist designers developed products and lifestyle conceptes intended for middle-class-not elite-consumers. In this book, Kristina Wilson coins the term "livable modernism" to describe this school of design. Wilson discusses the relation of modernism to the cultural and economic climate of the Depression and(...)
$62.95
(disponible en magasin)
Résumé:
During the years of the Great Depression in America, modernist designers developed products and lifestyle conceptes intended for middle-class-not elite-consumers. In this book, Kristina Wilson coins the term "livable modernism" to describe this school of design. Wilson discusses the relation of modernism to the cultural and economic climate of the Depression and(...)
Titre:
Livable modernism : interior decorating and design during the great depression
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$62.95
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During the years of the Great Depression in America, modernist designers developed products and lifestyle conceptes intended for middle-class-not elite-consumers. In this book, Kristina Wilson coins the term "livable modernism" to describe this school of design. Wilson discusses the relation of modernism to the cultural and economic climate of the Depression and examines the sophisticated marketing strategies of the movement that coincided with a period of tremendous growth for print magazines and advertising industry.
Livable modernism : interior decorating and design during the great depression
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$62.95
(disponible en magasin)
Résumé:
During the years of the Great Depression in America, modernist designers developed products and lifestyle conceptes intended for middle-class-not elite-consumers. In this book, Kristina Wilson coins the term "livable modernism" to describe this school of design. Wilson discusses the relation of modernism to the cultural and economic climate of the Depression and examines the sophisticated marketing strategies of the movement that coincided with a period of tremendous growth for print magazines and advertising industry.
Classification:
livres
livres
Publication:
novembre 2004, New Haven
novembre 2004, New Haven
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$143.00
(disponible sur commande)
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques,(...)
$143.00
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques,(...)
Sujet:
Design d’intérieur
Design d’intérieur
Publication:
août 2004, Amsterdam
août 2004, Amsterdam
Titre:
The furniture collection, Stedelijk Mueum, Amsterdam : 1850-2000 from Michael Thonet to Marcel Wanders
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$143.00
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The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques, coins, jewels, timepieces, silver knickknacks, and other curiosa. Period rooms, from canal houses that had been demolished when Raadhuisstraat was driven through, helped create a presentable whole. The museum's renowned furniture collection was not begun until 1934, but since then it has grown to include more than 1000 objects from circa 1850 to the present, with an accent on the twentieth century. Chairs, settees, tables, folding screens, cabinets, and even complete interiors are included.~This publication provides a comprehensive overview of the Stedelijk Museum’s furniture collecting activities from 1934 to 2000. It charts the museum's rich collection, which includes work by H.P. Berlage, K.P.C de Bazel, Piet Kramer, Gerrit T. Rietveld, Martin Visser, Piet Hein Eek, and Marcel Wanders, as well as international furniture classics designed by Michael Thonet, Charlotte Perriand, Ludwig Mies van der Rohe, Marcel Breuer, Joe Colombo, Arne Jacobsen, Ettore Sottsass, Philippe Starck, and Ron Arad. Besides a complete overview of the furniture collection, this annotated catalogue includes an introduction to the history of the collection and its exhibition activities. In addition, the volume explores various themes, such as international and Dutch icons, and contrasts and evolutions, in greater depth in a number of short essays.
The furniture collection, Stedelijk Mueum, Amsterdam : 1850-2000 from Michael Thonet to Marcel Wanders
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$143.00
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Résumé:
The Stedelijk Museum opened its doors in 1895, the same year as the first Venice Biennale. It was a "quiet, civilized museum for the Amsterdam bourgeoisie in a time when there was nothing as troublesome as modern art." Initially, the museum exhibited the legacy of the eccentric Sophia Augusta de Bruyn, Douairière Lopez Suasso: a heterogeneous collection of antiques, coins, jewels, timepieces, silver knickknacks, and other curiosa. Period rooms, from canal houses that had been demolished when Raadhuisstraat was driven through, helped create a presentable whole. The museum's renowned furniture collection was not begun until 1934, but since then it has grown to include more than 1000 objects from circa 1850 to the present, with an accent on the twentieth century. Chairs, settees, tables, folding screens, cabinets, and even complete interiors are included.~This publication provides a comprehensive overview of the Stedelijk Museum’s furniture collecting activities from 1934 to 2000. It charts the museum's rich collection, which includes work by H.P. Berlage, K.P.C de Bazel, Piet Kramer, Gerrit T. Rietveld, Martin Visser, Piet Hein Eek, and Marcel Wanders, as well as international furniture classics designed by Michael Thonet, Charlotte Perriand, Ludwig Mies van der Rohe, Marcel Breuer, Joe Colombo, Arne Jacobsen, Ettore Sottsass, Philippe Starck, and Ron Arad. Besides a complete overview of the furniture collection, this annotated catalogue includes an introduction to the history of the collection and its exhibition activities. In addition, the volume explores various themes, such as international and Dutch icons, and contrasts and evolutions, in greater depth in a number of short essays.
Classification:
livres
livres
Publication:
août 2004, Amsterdam
août 2004, Amsterdam
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
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$53.95
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“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them(...)
$53.95
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Résumé:
“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them(...)
Titre:
Inspiring designers : a sourcebook
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$53.95
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“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them flourish in the contemporary design world? ”Inspiring Designers” presents personal narratives of each designer's cultural development providing a comprehensive overview of the iconic influences used in today's design practice. Each designer has been interviewed about their influences and inspiration sources - buildings, products, films, artists, books, cars, music, magazines, people. As such the book provides a unique and accessible introduction as to how inspiration works within and informs our modern world.
Inspiring designers : a sourcebook
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Résumé:
“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them flourish in the contemporary design world? ”Inspiring Designers” presents personal narratives of each designer's cultural development providing a comprehensive overview of the iconic influences used in today's design practice. Each designer has been interviewed about their influences and inspiration sources - buildings, products, films, artists, books, cars, music, magazines, people. As such the book provides a unique and accessible introduction as to how inspiration works within and informs our modern world.
Classification:
livres
livres
Publication:
juin 2004, London
juin 2004, London
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
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$14.50
(disponible sur commande)
Résumé:
« Déposez votre mobilier cassé à l’hôpital des objets. 5,5 Designers le réaniment avec le Secours Populaire Français. » L’hôpital des objets, grâce aux savoir-faire de médecins-designers, permet d’optimiser l’espérance de vie de meubles abandonnés. L’usure, les altérations des objets récupérés deviennent les matières premières de créations ludiques et décalées. Pour le(...)
$14.50
(disponible sur commande)
Résumé:
« Déposez votre mobilier cassé à l’hôpital des objets. 5,5 Designers le réaniment avec le Secours Populaire Français. » L’hôpital des objets, grâce aux savoir-faire de médecins-designers, permet d’optimiser l’espérance de vie de meubles abandonnés. L’usure, les altérations des objets récupérés deviennent les matières premières de créations ludiques et décalées. Pour le(...)
Titre:
Sauver les meubles : 5.5 designers
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$14.50
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Résumé:
« Déposez votre mobilier cassé à l’hôpital des objets. 5,5 Designers le réaniment avec le Secours Populaire Français. » L’hôpital des objets, grâce aux savoir-faire de médecins-designers, permet d’optimiser l’espérance de vie de meubles abandonnés. L’usure, les altérations des objets récupérés deviennent les matières premières de créations ludiques et décalées. Pour le Secours Populaire Français, à l’initiative du projet, l’accès à la culture et à la création pour les victimes de la pauvreté et de la précarité est une priorité dans la lutte contre l’exclusion.
Sauver les meubles : 5.5 designers
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Prix:
$14.50
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Résumé:
« Déposez votre mobilier cassé à l’hôpital des objets. 5,5 Designers le réaniment avec le Secours Populaire Français. » L’hôpital des objets, grâce aux savoir-faire de médecins-designers, permet d’optimiser l’espérance de vie de meubles abandonnés. L’usure, les altérations des objets récupérés deviennent les matières premières de créations ludiques et décalées. Pour le Secours Populaire Français, à l’initiative du projet, l’accès à la culture et à la création pour les victimes de la pauvreté et de la précarité est une priorité dans la lutte contre l’exclusion.
Classification:
livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
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$74.00
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A comprehensive book on the domestic furniture, lighting and design objects of Minimalist and Post-Minimalist artists from the 1960s to the present featuring work by Donald Judd, Sol LeWitt, Dan Flavin, Scott Burton, Robert Rauschenberg, John Baldessari, Rachel Whiteread, Richard Tuttle and Isamo Noguchi.
$74.00
(disponible sur commande)
Résumé:
A comprehensive book on the domestic furniture, lighting and design objects of Minimalist and Post-Minimalist artists from the 1960s to the present featuring work by Donald Judd, Sol LeWitt, Dan Flavin, Scott Burton, Robert Rauschenberg, John Baldessari, Rachel Whiteread, Richard Tuttle and Isamo Noguchi.
Sujet:
Design d’intérieur
Design d’intérieur
Publication:
novembre 2004, London, New York
novembre 2004, London, New York
Titre:
Design is not art : functional objects from Donal Judd to Rachel Whiteread
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$74.00
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Résumé:
A comprehensive book on the domestic furniture, lighting and design objects of Minimalist and Post-Minimalist artists from the 1960s to the present featuring work by Donald Judd, Sol LeWitt, Dan Flavin, Scott Burton, Robert Rauschenberg, John Baldessari, Rachel Whiteread, Richard Tuttle and Isamo Noguchi.
Design is not art : functional objects from Donal Judd to Rachel Whiteread
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$74.00
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Résumé:
A comprehensive book on the domestic furniture, lighting and design objects of Minimalist and Post-Minimalist artists from the 1960s to the present featuring work by Donald Judd, Sol LeWitt, Dan Flavin, Scott Burton, Robert Rauschenberg, John Baldessari, Rachel Whiteread, Richard Tuttle and Isamo Noguchi.
Classification:
livres
livres
Publication:
novembre 2004, London, New York
novembre 2004, London, New York
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
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Prix:
$63.00
(disponible sur commande)
Résumé:
The world of design is in confusion. The market suffers from a surplus of products, designers and companies, the majority of which are imitations and epigones that constantly supplant each other. Distinctions between separate disciplines are becoming increasingly blurred, labels merge with one another and design studios go bankrupt. Old and new values clash. The world(...)
$63.00
(disponible sur commande)
Résumé:
The world of design is in confusion. The market suffers from a surplus of products, designers and companies, the majority of which are imitations and epigones that constantly supplant each other. Distinctions between separate disciplines are becoming increasingly blurred, labels merge with one another and design studios go bankrupt. Old and new values clash. The world(...)
Titre:
Bright minds, beautiful ideas : parallel thoughts in different times
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$63.00
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Résumé:
The world of design is in confusion. The market suffers from a surplus of products, designers and companies, the majority of which are imitations and epigones that constantly supplant each other. Distinctions between separate disciplines are becoming increasingly blurred, labels merge with one another and design studios go bankrupt. Old and new values clash. The world economy has been plunged into recession while interest for local aspects is on the rise. High time for a rethink on the role of the designer and the meaning of design. What is an actual and true contemporary attitude to design - what is contemporary design? These are questions posed by "Bright Minds, Beautiful Ideas" , an inspiring and brainstorming book that through the imagination and handiwork of four innovative and influential designers, sketches a perspective for today (and possibly the future). Despite differences in background and the date of their oeuvre, Bruno Munari (Italy 1907-1998), Charles and Ray Eames (USA 1907-1978 and 1912-1988), Martí Guixé (Spain 1964) and Jurgen Bey (the Netherlands 1965), share a number of characteristics that are of fundamental importance for design. They question everything and are capable of coupling fantasy, playfulness and investigation with vision. They link culture to economy and science and match curiosity and openness with social commitment and action. Their work and vision are timeless and yet contemporary. "Bright Minds, Beautiful Ideas" is a vital book that gives a sparkling singular perspective of roles, values and functions of designers and design.
Bright minds, beautiful ideas : parallel thoughts in different times
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Prix:
$63.00
(disponible sur commande)
Résumé:
The world of design is in confusion. The market suffers from a surplus of products, designers and companies, the majority of which are imitations and epigones that constantly supplant each other. Distinctions between separate disciplines are becoming increasingly blurred, labels merge with one another and design studios go bankrupt. Old and new values clash. The world economy has been plunged into recession while interest for local aspects is on the rise. High time for a rethink on the role of the designer and the meaning of design. What is an actual and true contemporary attitude to design - what is contemporary design? These are questions posed by "Bright Minds, Beautiful Ideas" , an inspiring and brainstorming book that through the imagination and handiwork of four innovative and influential designers, sketches a perspective for today (and possibly the future). Despite differences in background and the date of their oeuvre, Bruno Munari (Italy 1907-1998), Charles and Ray Eames (USA 1907-1978 and 1912-1988), Martí Guixé (Spain 1964) and Jurgen Bey (the Netherlands 1965), share a number of characteristics that are of fundamental importance for design. They question everything and are capable of coupling fantasy, playfulness and investigation with vision. They link culture to economy and science and match curiosity and openness with social commitment and action. Their work and vision are timeless and yet contemporary. "Bright Minds, Beautiful Ideas" is a vital book that gives a sparkling singular perspective of roles, values and functions of designers and design.
Classification:
livres
livres
Publication:
mars 2004, Amsterdam
mars 2004, Amsterdam
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Prix:
$91.00
(disponible sur commande)
Résumé:
Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century, and up to recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated into interdisciplinary processes. The most(...)
$91.00
(disponible sur commande)
Résumé:
Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century, and up to recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated into interdisciplinary processes. The most(...)
Titre:
Design : history, theory and practice of product design
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$91.00
(disponible sur commande)
Résumé:
Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century, and up to recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated into interdisciplinary processes. The most important and fundamental principles of design theory and methodology are presented, with emphasis on the communicative function of products, corporate and service design, design management, strategic design, interface/interaction design, and human design.
Design : history, theory and practice of product design
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Prix:
$91.00
(disponible sur commande)
Résumé:
Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century, and up to recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated into interdisciplinary processes. The most important and fundamental principles of design theory and methodology are presented, with emphasis on the communicative function of products, corporate and service design, design management, strategic design, interface/interaction design, and human design.
Classification:
livres
livres
Publication:
janvier 1900, Basel
janvier 1900, Basel
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
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$99.95
(disponible sur commande)
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Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in(...)
$99.95
(disponible sur commande)
Résumé:
Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in(...)
Titre:
Furniture & interiors of the 1960s
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$99.95
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Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in this book. "Furniture and interiors of the 1960s" pays homage to the vibrancy and buoyant energy of the decade's design trends and influences in 300 key designs that attract enormous interest and command unprecedented prices today. For the first time, America was leading a design revolution with Wendell Castle's Molar and Castle chairs, Estelle Lavergne's lucite furniture and the experiments of Ray and Charles Eames. Warren Planter, Hans Knoll, Harry Bertoia, Alexander Girard, and Robert Propst were world-ranked designers who pioneered new directions in furnishings and accessories that appeared in trendy homes and offices in Europe and Asia.
Furniture & interiors of the 1960s
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Prix:
$99.95
(disponible sur commande)
Résumé:
Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in this book. "Furniture and interiors of the 1960s" pays homage to the vibrancy and buoyant energy of the decade's design trends and influences in 300 key designs that attract enormous interest and command unprecedented prices today. For the first time, America was leading a design revolution with Wendell Castle's Molar and Castle chairs, Estelle Lavergne's lucite furniture and the experiments of Ray and Charles Eames. Warren Planter, Hans Knoll, Harry Bertoia, Alexander Girard, and Robert Propst were world-ranked designers who pioneered new directions in furnishings and accessories that appeared in trendy homes and offices in Europe and Asia.
Classification:
livres
livres
Publication:
mai 2004, Paris
mai 2004, Paris
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Titre:
Bloomsbury rooms
Bloomsbury rooms
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$63.00
(disponible sur commande)
Résumé:
The first decades of the twentieth century brought enormous change in Britain. Men’s and women’s roles came under scrutiny, class and social structures were transformed. This book casts new light on the notorious Bloomsbury Group and how the issues of their day influenced their interpretation and decoration of the home. Christopher Reed analyzes the rooms designed by(...)
$63.00
(disponible sur commande)
Résumé:
The first decades of the twentieth century brought enormous change in Britain. Men’s and women’s roles came under scrutiny, class and social structures were transformed. This book casts new light on the notorious Bloomsbury Group and how the issues of their day influenced their interpretation and decoration of the home. Christopher Reed analyzes the rooms designed by(...)
Titre:
Bloomsbury rooms
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Prix:
$63.00
(disponible sur commande)
Résumé:
The first decades of the twentieth century brought enormous change in Britain. Men’s and women’s roles came under scrutiny, class and social structures were transformed. This book casts new light on the notorious Bloomsbury Group and how the issues of their day influenced their interpretation and decoration of the home. Christopher Reed analyzes the rooms designed by Bloomsbury artists as spaces in which to be modern. The book traces the development of Bloomsbury’s domestic aesthetic from the group’s influential promulgation of Post-Impressionism in Britain around 1910 through the 1930's. In detailed studies of rooms created for Virginia Woolf and John Maynard Keynes, among others, by Woolf’s sister Vanessa Bell and her artist colleagues Duncan Grant and Roger Fry, Reed challenges the accepted notion that these artists drifted away from modernism. He presents their work as an alternative form of modernism, later suppressed by sexist and homophobic attitudes that disparaged the decorative arts and domesticity in general, as well as Bloomsbury in particular. The aesthetic and ideological implications of the Bloomsbury interiors were international in scope, Reed argues, and constitute important episodes in this history of modernity.
Bloomsbury rooms
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Prix:
$63.00
(disponible sur commande)
Résumé:
The first decades of the twentieth century brought enormous change in Britain. Men’s and women’s roles came under scrutiny, class and social structures were transformed. This book casts new light on the notorious Bloomsbury Group and how the issues of their day influenced their interpretation and decoration of the home. Christopher Reed analyzes the rooms designed by Bloomsbury artists as spaces in which to be modern. The book traces the development of Bloomsbury’s domestic aesthetic from the group’s influential promulgation of Post-Impressionism in Britain around 1910 through the 1930's. In detailed studies of rooms created for Virginia Woolf and John Maynard Keynes, among others, by Woolf’s sister Vanessa Bell and her artist colleagues Duncan Grant and Roger Fry, Reed challenges the accepted notion that these artists drifted away from modernism. He presents their work as an alternative form of modernism, later suppressed by sexist and homophobic attitudes that disparaged the decorative arts and domesticity in general, as well as Bloomsbury in particular. The aesthetic and ideological implications of the Bloomsbury interiors were international in scope, Reed argues, and constitute important episodes in this history of modernity.
Classification:
livres
livres
Publication:
mai 2004, New Haven / London
mai 2004, New Haven / London
Sujet:
Design d’intérieur
Design d’intérieur
