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For generations, world-leading German prosthetics company Ottobock has been restoring mobility to people and developing wearable bionics to mobilize the human body. Published on the centenary of Ottobock, this book presents the future of human mobility as envisioned by Hans Georg Näder, chairman of the company and grandson of its founder. What roles will(...)
Hans Georg Näder: Futuring Human Mobility
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For generations, world-leading German prosthetics company Ottobock has been restoring mobility to people and developing wearable bionics to mobilize the human body. Published on the centenary of Ottobock, this book presents the future of human mobility as envisioned by Hans Georg Näder, chairman of the company and grandson of its founder. What roles will digitalization, robotics, prostheses, artificial intelligence and the imagination play in how we optimize and employ our bodies, and shape the development of humanity? Conceived and realized by Thomas Huber, with photos by Christoph Neumann, 'Futuring Human Mobility' explores these questions and their philosophical, ethical, social, economic and medical implications in our changing global community, and incorporates interviews, essays, short stories and artwork by 40 international experts including David Chipperfield, Philipp Craven, EVA & ADELE, Yuval Noah Harari, Hugh Herr, Hiroshi Ishiguro, Chandran Nair, Carsten Nicolai, Neo Rauch, Wolfgang Schäuble, Kevin Warwick and Ranga Yogeshwar.
Design industriel
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Big-Game is a design studio based in Lausanne, Switzerland, founded in 2004 by Augustin Scott de Martinville, Grégoire Jeanmonod and Elric Petit. Based on a series of interviews with the founders, this book looks at 15 years of the group’s industrial design work on everyday objects, by way of anecdotes about the inception of their most successful work. Illustrated with(...)
Big-Game: everyday objects: industrial design works
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Big-Game is a design studio based in Lausanne, Switzerland, founded in 2004 by Augustin Scott de Martinville, Grégoire Jeanmonod and Elric Petit. Based on a series of interviews with the founders, this book looks at 15 years of the group’s industrial design work on everyday objects, by way of anecdotes about the inception of their most successful work. Illustrated with 200 diagrams and photographs made for this publication (which is published on the occasion of a retrospective at Lausanne’s Mudac Museum), the book examines projects including wine bottles designed for supermarkets, a set of cutlery for an airline, a collaboration with Japanese potters and a piece of Ikea furniture.
Design industriel
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Le quatrième numéro de Typologie, collection de livres de design sur les objets ordinaires, est dédié à la cagette en bois, objet familier et fugace questionné ici sous toutes ses facettes. On rencontre la cagette sur les marchés de plein vent. Echafaudée en pile et arrangée en étals, elle achemine puis expose les fruits et légumes. Submergée par ces denrées, on en(...)
Typologie : la cagette en peuplier
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Le quatrième numéro de Typologie, collection de livres de design sur les objets ordinaires, est dédié à la cagette en bois, objet familier et fugace questionné ici sous toutes ses facettes. On rencontre la cagette sur les marchés de plein vent. Echafaudée en pile et arrangée en étals, elle achemine puis expose les fruits et légumes. Submergée par ces denrées, on en distingue à peine la tranche. Ainsi l'œil vadrouille du poireau au navet et ne s'en soucie guère. Pourtant ce maillon de la chaîne alimentaire mérite qu'on s'y attarde. Depuis 60 ans, sa forme est intacte : quelques fines lattes de peuplier agrafées en claire-voie régulent l'humidité des légumes en même temps qu'elle les ventile. Malgré cette apparente pauvreté et son assemblage rudimentaire, elle incarne l'équilibre entre légèreté, résistance et économie de matière. Elle fige ainsi l'évolution des contenants alimentaires depuis les vanneries rurales jusqu'aux cageots ré-utilisables. De ces modèles anciens, son industrie conserve aussi une fabrication organisée selon des schémas vertueux. Une échelle humaine, locale, à proximité des champs et des forêts. Une production saisonnière, à l'image des denrées qu'elle transporte. Elle est questionnée ici sous toutes ses facettes à travers le regard de trois professionnels sensibles et renseignés à son sujet : un industriel, un historien et un illustrateur.
Design industriel
The Chinese typewriter
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Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those(...)
juillet 2017
The Chinese typewriter
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Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter.
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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. "Things of beauty growing" explores major typologies of the vessel—such as bowl, vase, and charger—that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of(...)
Things of beauty growing : British studio pottery
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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. "Things of beauty growing" explores major typologies of the vessel—such as bowl, vase, and charger—that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers.
Design industriel
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Michel Dallaire est une figure incontournable du design industriel depuis 50 ans. Il a conçu la torche des Jeux olympiques de Montréal, en 1976, le mobilier urbain du Quartier international, le mobilier destiné au public de la Grande Bibliothèque, le vélo en libre-service BIXI et bien d'autres réalisations encore. Depuis ses débuts comme designer lors de l’Expo 67, il(...)
Michel Dallaire : de l'idée à l'objet
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Michel Dallaire est une figure incontournable du design industriel depuis 50 ans. Il a conçu la torche des Jeux olympiques de Montréal, en 1976, le mobilier urbain du Quartier international, le mobilier destiné au public de la Grande Bibliothèque, le vélo en libre-service BIXI et bien d'autres réalisations encore. Depuis ses débuts comme designer lors de l’Expo 67, il crée des objets qui embellissent notre quotidien. Le livre Michel Dallaire. De l’idée à l’objet, toute première monographie portant sur son travail, nous permet de découvrir le processus créatif foisonnant et rigoureux du grand designer sous la plume de Myriam Gagnon.
Design industriel
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of(...)
Fattobene: Italian everyday archetypes
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of everyday life. FATTOBENE - Italian Everyday Archetypes is a project run by Anna Lagorio and Alex Carnevali: an atlas of Italian material culture, a journey into the industrial history of our country.
Design industriel
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"New York City Transit Authority: objects" originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of(...)
New York city transit authority: objects
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"New York City Transit Authority: objects" originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of cards. Having exhausted his search for discarded MetroCards in many of the city’s 472 subway stations, Kelley turned to eBay for new finds. The online rabbit-hole gave him a crash course in the history of NYC transportation. Six years on, many MTA employees follow and advocate his project, sometimes contacting him with information and tips on rare items. As the collection grew, Kelley recognized that there were no comparable digital archives documenting the city’s transportation evolution.
Design industriel
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This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters -(...)
Designed in the USSR: 1950-1989
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This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters - Citizen, State, and World - the book is a micro-to-macro tour of the functional, kitsch, politicized, and often avant-garde designs from this largely undocumented period.
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Le duo créatif formé par Charles Eames (1907 1978) et Ray Kaiser Eames (1912 1988) a transformé le caractère visuel de l'Amérique. Bien qu'ils soient surtout connus pour leur mobilier, mari et femme ont aussi été des pionniers dans les domaines de l'architecture, du design textile, de la photographie et du cinéma.
Charles & Ray Eames (français)
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Le duo créatif formé par Charles Eames (1907 1978) et Ray Kaiser Eames (1912 1988) a transformé le caractère visuel de l'Amérique. Bien qu'ils soient surtout connus pour leur mobilier, mari et femme ont aussi été des pionniers dans les domaines de l'architecture, du design textile, de la photographie et du cinéma.
Design industriel