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In the same way that the Helvetica font graphically defined the New York City subway system, the Design Research Unit visually branded the London we know today in everything from its street signs to such corporate identities as British Rail. "Design Research Unit: 1942-72" details the history of the Unit and includes contemporary perspectives by artists, designers and critics.
Design research unit 1942-1972
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In the same way that the Helvetica font graphically defined the New York City subway system, the Design Research Unit visually branded the London we know today in everything from its street signs to such corporate identities as British Rail. "Design Research Unit: 1942-72" details the history of the Unit and includes contemporary perspectives by artists, designers and critics.
La Fabrique d'Etienne Robial
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La maison d’Etienne Robial, collectionneur aguerri, regorge d’objets chinés çà et là, d’époques, de formes et d’usages divers, qui font écho à ses multiples aventures graphiques et éditoriales. À travers sa pratique, il a considérablement fait évoluer le domaine du design graphique et des arts visuels en France en mettant en place une approche transversale dont la(...)
La Fabrique d'Etienne Robial
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La maison d’Etienne Robial, collectionneur aguerri, regorge d’objets chinés çà et là, d’époques, de formes et d’usages divers, qui font écho à ses multiples aventures graphiques et éditoriales. À travers sa pratique, il a considérablement fait évoluer le domaine du design graphique et des arts visuels en France en mettant en place une approche transversale dont la géométrie, les soucis de la lisibilité et de l’équilibre constituent la colonne vertébrale. Dans cet entretien, il revient sur sa formation, son goût pour les collections, sa carrière d’éditeur de bande dessinée et son travail sur les identités visuelles.
Scott Massey: The nest
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Conceived and designed by Scott Massey, this book is about process—the process of designing, and how it changes both what we make and who we are. It is also a book about memory—how memory builds up in layers and influences our experiences, as well as the things we make. Its focus is a series of posters created in celebration of the exhibition Inside Out & Upside Down:(...)
Scott Massey: The nest
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Conceived and designed by Scott Massey, this book is about process—the process of designing, and how it changes both what we make and who we are. It is also a book about memory—how memory builds up in layers and influences our experiences, as well as the things we make. Its focus is a series of posters created in celebration of the exhibition Inside Out & Upside Down: Posters from CalArts 1970–2019. The Nest documents Scott Massey’s use of appropriation, collage, layering and re-working to generate 200 unique and vibrant compositions that each tell a different story about creative discovery.
Ryan McGuiness : works
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Ryan McGinness is an artist whose skate-punk aesthetic incorporates carefully rendered personal iconography, contemporary semiotics, and layered neo-baroque compositions. His works are in multiple mediums and his signature symbols and visual code have influenced an entire generation of graphic designers. This publication is a collection of the artist’s most recent pieces,(...)
Ryan McGuiness : works
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Ryan McGinness is an artist whose skate-punk aesthetic incorporates carefully rendered personal iconography, contemporary semiotics, and layered neo-baroque compositions. His works are in multiple mediums and his signature symbols and visual code have influenced an entire generation of graphic designers. This publication is a collection of the artist’s most recent pieces, including installations, prints, sculpture, and paintings. Each body of work is illustrated and discussed in detail, and the process behind each project is told through the use of sketches, diagrams, details, and photographs. With contributions from David Byrne, Tom Greenwood, Peter Halley, Greg Lindquist and Jonathan T.D. Neil.
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Born in 1925 in Nieder-Mois/Schlesien, the graphic artist Hans Hillmann is one of Germany’s most important poster designers and illustrators. With his posters after the Second World War, he was one of the first to be honored with the most important graphic design awards, including the Grand-Prix-Toulouse-Lautrec/Paris. As a professor of graphic design whose teaching(...)
Hans Hillman: the visual works
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Born in 1925 in Nieder-Mois/Schlesien, the graphic artist Hans Hillmann is one of Germany’s most important poster designers and illustrators. With his posters after the Second World War, he was one of the first to be honored with the most important graphic design awards, including the Grand-Prix-Toulouse-Lautrec/Paris. As a professor of graphic design whose teaching career spanned more than thirty years, he had a formative influence on entire generations of designers.
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For more than 30 years, designer Celestino Piatti endowed the covers of books published by dtv with a singular look. With more than 6300 covers to his credit, amounting collectively to a total of 200 million volumes, Piatti was one of the most productive designers of all time. Covering the years 1960 to 1990, this volume documents one of the most important chapters of(...)
Celestino Piatti: unity of the program
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For more than 30 years, designer Celestino Piatti endowed the covers of books published by dtv with a singular look. With more than 6300 covers to his credit, amounting collectively to a total of 200 million volumes, Piatti was one of the most productive designers of all time. Covering the years 1960 to 1990, this volume documents one of the most important chapters of German-language literature.
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This book documents and analyzes all of Helmut Schmid's important works from 1961 until today, including his foundational graphic concepts, lettering, product and packaging identities, as well as his poster and book designs. This monograph on the complete works of Helmut Schmid contains numerous unpublished and other primarily unseen works.
septembre 2010
Helmut Schmid: design is attitude
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This book documents and analyzes all of Helmut Schmid's important works from 1961 until today, including his foundational graphic concepts, lettering, product and packaging identities, as well as his poster and book designs. This monograph on the complete works of Helmut Schmid contains numerous unpublished and other primarily unseen works.
KesselsKramer: A new kilo
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A new kilo collects five years of work from communications agency KesselsKramer. It is the slightly lighter follow-up to 2 kilo, which showed the work of the company’s first ten years. This book picks up where its predecessor left off, with the last five years worth of KesselsKramer’s existence detailed down to every last flyer, sticker and T-shirt. Also featured are(...)
KesselsKramer: A new kilo
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A new kilo collects five years of work from communications agency KesselsKramer. It is the slightly lighter follow-up to 2 kilo, which showed the work of the company’s first ten years. This book picks up where its predecessor left off, with the last five years worth of KesselsKramer’s existence detailed down to every last flyer, sticker and T-shirt. Also featured are mammoth TV and cinema commercials, advertisements that look less like ads and more like short films, and a bunch of websites, designs and assorted category-defying oddities.
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Since the mid-1990s, the French design team H5 has produced numerous record covers and visuals for both small and large labels, developing its ethos in tandem with the development of French electronic music, particularly bands associated with the "French Touch" such as Air and Alex Gopher. Ludovic Houplain and Antoine Bardou-Jacquet started out by making sleeves for their(...)
octobre 2009
This is the end: cover art by H5
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Since the mid-1990s, the French design team H5 has produced numerous record covers and visuals for both small and large labels, developing its ethos in tandem with the development of French electronic music, particularly bands associated with the "French Touch" such as Air and Alex Gopher. Ludovic Houplain and Antoine Bardou-Jacquet started out by making sleeves for their friends Etienne de Crecy and Alex Gopher, gravitating towards the use of typography instead of photography and an economical two-color aesthetic. This is the End: Cover Art by H5 focuses entirely on the company's music design, and includes several essays and an interview. It comes with a vinyl EP produced for this publicatio.
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Between 1961 and 1968, the magazine “Twen” produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of “Twen” were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl(...)
Philips-Twen: realism is the score
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Between 1961 and 1968, the magazine “Twen” produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of “Twen” were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl Gerstner, Max Bill, and other dedicated graphic designers such as Heinz Edelmann and Günther Kieser. This now forgotten series, comprising around 70 disks, is a masterful instance of the conjunction of music and graphic design. In collaboration with music archives and private collections, this rare series is reunited in its entirety and documented in this publication.