Kyle Cooper
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Kyle Cooper is acclaimed as one of the most innovative and important designer of film titles since Saul Bass. This attractive and informative book offers the first critical and historical assessment of Cooper's impressive design achievements. In this book, Andrea Codrington relates that Cooper's work first garnered major attention in 1995 with his creation of the(...)
septembre 2003, New Haven
Kyle Cooper
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Kyle Cooper is acclaimed as one of the most innovative and important designer of film titles since Saul Bass. This attractive and informative book offers the first critical and historical assessment of Cooper's impressive design achievements. In this book, Andrea Codrington relates that Cooper's work first garnered major attention in 1995 with his creation of the extraordinary title sequence for the horror thriller "Seven", which is credited with bringing about a renaissance in innovative film title design. Seven's titles were touted as short films in their own right-not merely a "design solution" but a metaphorical representation of the film as a whole. Codrington also discusses Cooper's work at the titles specialist R.Greenberg before he founded in 1996 his own Los Angeles based company, Imaginary Forces. As creative director there, Cooper now oversees a ninety-person team and has designed a stunning succession of highly regarded titles for such films as "Eraser", "Mission impossible", "Twister", "The mummy", "The horse whisperer", "The negotiator", and "Arlington road".
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It was 1987 when graphic designer, Neil Cutler, left his home in Northern England to seek the milder climes of Barcelona. Ever since he has been living and working successfully in the city that is often referred to as Spain's centre of creativity. Neil Cutler operates independently and has always had a clear design philosophy based on ideas and concepts rather than any(...)
Designer, leaves England, goes to Barcelona : the designs of Neil Cutler
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It was 1987 when graphic designer, Neil Cutler, left his home in Northern England to seek the milder climes of Barcelona. Ever since he has been living and working successfully in the city that is often referred to as Spain's centre of creativity. Neil Cutler operates independently and has always had a clear design philosophy based on ideas and concepts rather than any specific style. This book is overflowing with communicative, imaginative works that are full of life and full of fun. Many are award-winning visual solutions developed for packaging, corporate identity, and other graphic disciplines. Clients represented include Nabisco, Reguart Wines, Consumer Turron and La Tramoia Restaurant. Below each work Neil Cutler explains the creative rationale that inspired the idea and where applicable the point of differentiation.
Space graphysm
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Presents recent Japanese architectural projects for which graphic design plays the leading role. With the frequently award-winning designs of Hiromura Masaaki. The projects are showcased and discussed in four sections : System - information design to clarify the structure of buildings. Graphysm - the use of typography in spaces to clarify the purpose of the(...)
mars 2003, Amsterdam
Space graphysm
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Presents recent Japanese architectural projects for which graphic design plays the leading role. With the frequently award-winning designs of Hiromura Masaaki. The projects are showcased and discussed in four sections : System - information design to clarify the structure of buildings. Graphysm - the use of typography in spaces to clarify the purpose of the space. Presentation - graphic design for exhibitions and installations. Visual Identity - creating a visual identity for a space or building.
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Ruedi Baur fonde en 1989 Intégral Ruedi Baur et associés. Son champs d'activité se concentre principalement sur l'identité visuelle et la signalétique - il est notamment l'auteur de la signalétique du centre Georges-Pompidou. Ce livre accompagne l'exposition "Quotidien visuel" présentée à la galerie Anatome à Paris.
mai 2003, Paris
Intégral Ruedi Baur et associés
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Ruedi Baur fonde en 1989 Intégral Ruedi Baur et associés. Son champs d'activité se concentre principalement sur l'identité visuelle et la signalétique - il est notamment l'auteur de la signalétique du centre Georges-Pompidou. Ce livre accompagne l'exposition "Quotidien visuel" présentée à la galerie Anatome à Paris.
Roman Cieslewicz
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S'il fallait caractériser, vite, le talent de ce surdoué polonais émigré en France dès 1963, c'est le mot «jaillissement» qui s'imposerait tant son œuvre témoigne, dès ses débuts, d'une effervescence de l'imagination servie par une surprenante aisance à manier les signes graphiques, lettres et couleurs incluses, des signes qu'il mène à un point d'exaspération d'une(...)
Roman Cieslewicz
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S'il fallait caractériser, vite, le talent de ce surdoué polonais émigré en France dès 1963, c'est le mot «jaillissement» qui s'imposerait tant son œuvre témoigne, dès ses débuts, d'une effervescence de l'imagination servie par une surprenante aisance à manier les signes graphiques, lettres et couleurs incluses, des signes qu'il mène à un point d'exaspération d'une stupéfiante efficacité. Ses noirs cernent rigoureusement le propos, ses rouges font flamber la page. Les directeurs de communication et ceux de la presse illustrée ne s'y sont pas trompés qui l'ont chargé de donner à leurs produits une image de modernité et d'extrême spécificité. Affiches de cirques et d'opéras, de musées et de films, campagnes publicitaires, logotypes et alphabets, photomontages et collages, tout lui est bon à démontrer, avec une audace parfaitement contrôlée, son exceptionnelle virtuosité.
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full(...)
janvier 1900, Berlin
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire. In addition to their best project work for clients from the music, fashion and advertising industries as well as for culture and the arts, Non-Format also contains original work that was created exclusively for the book.
livres
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to(...)
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to parody and pun. All the Pentagram partners have contributed essays on their particular preoccupations, while special sections examine the implications of the client–designer relationship and the Pentagram company’s own structure, personnel and methodology.
livres
octobre 2002, London
livres
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the(...)
février 2002, Baden
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the designer is committed to function and reduced graphics. He trust the power of the idea. This small-format book is conceived as something that will inspire designers with courage.
livres
février 2002, Baden
livres
Dolly
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A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
Dolly
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A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
livres
janvier 2002, The Hague
livres
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
Vaughan Oliver : visceral pleasures
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
livres
janvier 2000, London