224 Résultats
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This catalogue of work by the Dutch graphic designer and typographer Wim Crouwel centres around an interview by Tony Brook, which took place in December 2010 at Crouwel’s Amsterdam flat. Besides a list of the works reproduced on its pages, the publication is otherwise fully given over to numerous full-colour images of posters, sketches, typefaces, and other documents(...)
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Résumé:
This catalogue of work by the Dutch graphic designer and typographer Wim Crouwel centres around an interview by Tony Brook, which took place in December 2010 at Crouwel’s Amsterdam flat. Besides a list of the works reproduced on its pages, the publication is otherwise fully given over to numerous full-colour images of posters, sketches, typefaces, and other documents(...)
Publication:
mai 2013
mai 2013
Titre:
Wim Crouwel : a graphic odyssey
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This catalogue of work by the Dutch graphic designer and typographer Wim Crouwel centres around an interview by Tony Brook, which took place in December 2010 at Crouwel’s Amsterdam flat. Besides a list of the works reproduced on its pages, the publication is otherwise fully given over to numerous full-colour images of posters, sketches, typefaces, and other documents produced by Crouwel as a commercial artist.
Wim Crouwel : a graphic odyssey
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This catalogue of work by the Dutch graphic designer and typographer Wim Crouwel centres around an interview by Tony Brook, which took place in December 2010 at Crouwel’s Amsterdam flat. Besides a list of the works reproduced on its pages, the publication is otherwise fully given over to numerous full-colour images of posters, sketches, typefaces, and other documents produced by Crouwel as a commercial artist.
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livres
livres
Publication:
mai 2013
mai 2013
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livres
livres
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$75.00
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This publication presents Bantjes’ projects chronologically, from her early work as a hot-metal typesetter to her adoption of digital technologies that push conventional print production to the limit.
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This publication presents Bantjes’ projects chronologically, from her early work as a hot-metal typesetter to her adoption of digital technologies that push conventional print production to the limit.
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Marian Bantjes : pretty pictures
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This publication presents Bantjes’ projects chronologically, from her early work as a hot-metal typesetter to her adoption of digital technologies that push conventional print production to the limit.
Marian Bantjes : pretty pictures
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This publication presents Bantjes’ projects chronologically, from her early work as a hot-metal typesetter to her adoption of digital technologies that push conventional print production to the limit.
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livres
livres
Publication:
septembre 2013
septembre 2013
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livres
livres
Titre:
Helmut Schmid: Typography
Helmut Schmid: Typography
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German(...)
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German(...)
Publication:
novembre 2023
novembre 2023
Titre:
Helmut Schmid: Typography
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German chancellors Willy Brandt and Helmut Schmidt), Schmid merged Eastern and Western influences in his editorial design, product packaging, political and corporate visual identity. This bilingual monograph explores the typographer's oeuvre in its entirety. The book's generous design allows each image to breathe; accompanying texts narrate Schmid's life and career in an informative but pleasant manner.
Helmut Schmid: Typography
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German chancellors Willy Brandt and Helmut Schmidt), Schmid merged Eastern and Western influences in his editorial design, product packaging, political and corporate visual identity. This bilingual monograph explores the typographer's oeuvre in its entirety. The book's generous design allows each image to breathe; accompanying texts narrate Schmid's life and career in an informative but pleasant manner.
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livres
livres
Publication:
novembre 2023
novembre 2023
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livres
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore.(...)
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore.(...)
Publication:
novembre 2023
novembre 2023
Titre:
La Fabrique de Rudi Meyer (collection prisme 03)
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore. Il dut, pour relever ce défi, inventer quelques outils au passage. Sa capacité à décloisonner a fait de lui un inclassable et donc un marginal au sein du cadastre des champs disciplinaires, plutôt imperméables et hiérarchisés en France. On en est parfois venu à ne plus savoir exactement quel était son métier. Qu’à cela ne tienne. Ne prenant racine dans aucun pré carré spécialisé, il multiplia les incartades, les rencontres, les collaborations et autres fertilisations croisées, sans jamais se sédentariser ni s’attacher. Dans cet entretien, Rudi Meyer revient sur des moments fondateurs de sa carrière et donne à voir sa conception d’un design inclassable, sans cesse réinventé.
La Fabrique de Rudi Meyer (collection prisme 03)
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore. Il dut, pour relever ce défi, inventer quelques outils au passage. Sa capacité à décloisonner a fait de lui un inclassable et donc un marginal au sein du cadastre des champs disciplinaires, plutôt imperméables et hiérarchisés en France. On en est parfois venu à ne plus savoir exactement quel était son métier. Qu’à cela ne tienne. Ne prenant racine dans aucun pré carré spécialisé, il multiplia les incartades, les rencontres, les collaborations et autres fertilisations croisées, sans jamais se sédentariser ni s’attacher. Dans cet entretien, Rudi Meyer revient sur des moments fondateurs de sa carrière et donne à voir sa conception d’un design inclassable, sans cesse réinventé.
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livres
livres
Publication:
novembre 2023
novembre 2023
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livres
livres
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Ouvrage monographique consacré à Jost Hochuli, « Typobiographie » revient sur l'ensemble de la longue et prolifique carrière du designer et typographe suisse. Rassemblant plusieurs textes de Jost Hochuli lui-même, des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d'images d'archives(...)
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Ouvrage monographique consacré à Jost Hochuli, « Typobiographie » revient sur l'ensemble de la longue et prolifique carrière du designer et typographe suisse. Rassemblant plusieurs textes de Jost Hochuli lui-même, des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d'images d'archives(...)
Titre:
Typobiographie : Jost Hochuli, 60 ans de travaux
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Ouvrage monographique consacré à Jost Hochuli, « Typobiographie » revient sur l'ensemble de la longue et prolifique carrière du designer et typographe suisse. Rassemblant plusieurs textes de Jost Hochuli lui-même, des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d'images d'archives inédites, cette monographie entend générer des réflexions sur la question du design de livres et en particulier sur les inspirations et les personnalités qui jalonnèrent le parcours du designer.
Typobiographie : Jost Hochuli, 60 ans de travaux
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Ouvrage monographique consacré à Jost Hochuli, « Typobiographie » revient sur l'ensemble de la longue et prolifique carrière du designer et typographe suisse. Rassemblant plusieurs textes de Jost Hochuli lui-même, des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d'images d'archives inédites, cette monographie entend générer des réflexions sur la question du design de livres et en particulier sur les inspirations et les personnalités qui jalonnèrent le parcours du designer.
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livres
livres
Publication:
janvier 2024
janvier 2024
Classification:
livres
livres
Titre:
Non-format love song
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full(...)
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full(...)
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
Titre:
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire. In addition to their best project work for clients from the music, fashion and advertising industries as well as for culture and the arts, Non-Format also contains original work that was created exclusively for the book.
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire. In addition to their best project work for clients from the music, fashion and advertising industries as well as for culture and the arts, Non-Format also contains original work that was created exclusively for the book.
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livres
livres
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
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livres
livres
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$102.00
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Résumé:
Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but(...)
$102.00
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but(...)
Titre:
Ultramodern : Samuel Marx, architect, designer, art collector
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer, Liz O Brien, reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute, in Chicago.
Ultramodern : Samuel Marx, architect, designer, art collector
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer, Liz O Brien, reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute, in Chicago.
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livres
livres
Publication:
novembre 2007, New York
novembre 2007, New York
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livres
livres
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Résumé:
«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the(...)
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the(...)
Publication:
février 2008, New York
février 2008, New York
Titre:
Paul Rand Conversations with students
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the questions you ask. This is part of the manipulative aspect of design.»
Paul Rand Conversations with students
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the questions you ask. This is part of the manipulative aspect of design.»
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livres
livres
Publication:
février 2008, New York
février 2008, New York
Classification:
livres
livres
Titre:
Massin
Massin
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$85.00
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one(...)
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one(...)
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Massin
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
Massin
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
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livres
livres
Publication:
octobre 2007, London
octobre 2007, London
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livres
livres
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$68.95
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography(...)
$68.95
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography(...)
Titre:
Peter Schuitema : Visual organizer
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography matched the work of El Lissitzky and Alexander Rodchenko in Russia, Karel Teige and Nadislav Sutnar in the erstwhile Czechoslovakia, and Herbert Bayer, Joost Schmidt and Laszlo Moholy-Nagy in Germany. This book, the first monograph on Paul Schuitema, not only deals with his graphic work, but also with his activities as a photographer, film-maker, and furniture designer.
Peter Schuitema : Visual organizer
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography matched the work of El Lissitzky and Alexander Rodchenko in Russia, Karel Teige and Nadislav Sutnar in the erstwhile Czechoslovakia, and Herbert Bayer, Joost Schmidt and Laszlo Moholy-Nagy in Germany. This book, the first monograph on Paul Schuitema, not only deals with his graphic work, but also with his activities as a photographer, film-maker, and furniture designer.
Classification:
livres
livres
Publication:
juin 2007, Rotterdam
juin 2007, Rotterdam
