Adrian Frutiger : life cycle
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Trilingual text. 24 French-folded pages.
janvier 1999, Cham, Switzerland
Adrian Frutiger : life cycle
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Trilingual text. 24 French-folded pages.
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Trilingual text. 14 French-folded pages.
janvier 1996, Cham, Switzerland
Adrian Frutiger : the development of Western type carved in wood plates
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Trilingual text. 14 French-folded pages.
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Beat Keusch has worked in many different areas of visual communication for over 20 years, and has received numerous awards. This book presents a selection of eight of them, including projects for the municipal theatres of Zürich and Basel, the Centre Culturel Suisse in Paris, Basel's architecture and music museum, and the book on the correspondence between Dorothy(...)
Beat Keusch : visual communication
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Beat Keusch has worked in many different areas of visual communication for over 20 years, and has received numerous awards. This book presents a selection of eight of them, including projects for the municipal theatres of Zürich and Basel, the Centre Culturel Suisse in Paris, Basel's architecture and music museum, and the book on the correspondence between Dorothy Iannone and Dieter Roth.
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Twelve chapters with apparently completely heterogeneous themes : colors, content, identity,philosophy, experiment... Conway Lloyd Morgan's study of MKS weaves from this nexus of logics a vivid portrait of one of German's leading design offices. Combining essay and documentation creates an insight into how the individual actual designs : unexpected combinations, like(...)
décembre 2002, Ludwigsburg
KMS : twelve chapters about a design office
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Twelve chapters with apparently completely heterogeneous themes : colors, content, identity,philosophy, experiment... Conway Lloyd Morgan's study of MKS weaves from this nexus of logics a vivid portrait of one of German's leading design offices. Combining essay and documentation creates an insight into how the individual actual designs : unexpected combinations, like making an exhibition stand for the new Lamborghini out the idea of nothingness.
Sauna
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A type specimen book for "Sauna", the newest typeface from Underware, the same people who brought us "Dolly". This book is the first demonstration of Sauna. More than just a specimen, it is an intensive approach to the world of saunas. The typeface Sauna is presented in a rich content; giving pleasure not only to graphic-designers but also to everybody who's life is(...)
Sauna
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A type specimen book for "Sauna", the newest typeface from Underware, the same people who brought us "Dolly". This book is the first demonstration of Sauna. More than just a specimen, it is an intensive approach to the world of saunas. The typeface Sauna is presented in a rich content; giving pleasure not only to graphic-designers but also to everybody who's life is not connected to ligatures and smallcaps. The book was designed to withstand a sauna bath without any damage: it is restant to hot steam of 120 degrees Celsius. Even better, some parts of the book can only be read inside a sauna at 80 degrees Celsius or higher! So take this book, go to a sauna, and get the "live" experience while reading.
Jan bons: a designer freedom
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A film by Lex Reitsma and a short biography by Paul Hefting.
octobre 2008, Amterdam
Jan bons: a designer freedom
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A film by Lex Reitsma and a short biography by Paul Hefting.
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This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later(...)
novembre 2008, London, New York
Jan Tschichold: master typographer, his life, work & legacy
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This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later reappropriation of classical typography. Superbly illustrated with archive photographs and examples of Tschichold's work, the book confirms de Jong's assertion that "Tschichold's heritage lives on in the digital age, proving that he is among the greatest typographic designers ever, his influence still being visible in the world of typography to this day." 350 illustrations, 150 in color.
NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production(...)
Graphic Through Facility : A+D series
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production methods. This catalogue includes photographs and essays that highlight GTF’s most notable projects and commissions, which range from graphic identity to marketing materials to exhibition and catalogue design. Whether providing innovative design materials for the Institute of Contemporary Arts, London,Shakespeare’s Globe Theatre, the Tate Museum, the furniture and interior design store Habitat, or designers such as Ron Arad and Tord Boontje, GTF encourages us to appreciate the visual richness of the world around us.
Vox par Vox
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Éditeur, illustrateur, typographe, graveur, traducteur, journaliste... Véritable homme-orchestre, Maximilien Vox (1894-1974) a fait du livre et de l’imprimé la grande affaire de sa vie. Sa virtuosité et sa curiosité, à nulles autres pareilles, le placent parmi les grandes figures des arts graphiques et de l’édition. Si tous les amateurs connaissent le nom de Vox pour la(...)
Vox par Vox
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Éditeur, illustrateur, typographe, graveur, traducteur, journaliste... Véritable homme-orchestre, Maximilien Vox (1894-1974) a fait du livre et de l’imprimé la grande affaire de sa vie. Sa virtuosité et sa curiosité, à nulles autres pareilles, le placent parmi les grandes figures des arts graphiques et de l’édition. Si tous les amateurs connaissent le nom de Vox pour la classification des caractères typographiques qui porte son nom, si certains l’associent aux Rencontres de Lure qu’il a fondées et où défile depuis 1952 la fine fleur du métier – Excoffon, Knapp, Frutiger, Massin, Carson, Scher, Robial et tant d’autres –, beaucoup ne mesurent pas l’ampleur de son oeuvre. Dans ses mémoires, restés jusqu’ici inédits, il revient sur cinquante ans d’édition, de créations visuelles et typographiques, sur les grands moments de sa vie, comme la Résistance et la libération de Paris, mais aussi sur ses rencontres dans les milieux très divers qu’il a fréquentés.