224 Résultats
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César(...)
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César(...)
Publication:
janvier 2024
janvier 2024
Titre:
Freinet techniques / Techniques Freinet
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César Rogers, artist and researcher Marie Preston and Gangloff. The essays make a link between the ideological framework of the Freinet techniques and contemporary practices of graphic design, literacy and co-creation.
Freinet techniques / Techniques Freinet
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César Rogers, artist and researcher Marie Preston and Gangloff. The essays make a link between the ideological framework of the Freinet techniques and contemporary practices of graphic design, literacy and co-creation.
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livres
livres
Publication:
janvier 2024
janvier 2024
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livres
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$65.00
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer,(...)
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer,(...)
Titre:
Constructive clarity: Max Bill and his time
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer, typographer, writer, curator, teacher, and politician––who influenced generations of artists. Picking up where the first volume left off,Thomas turns her attention to Bill’s life during World War II, exploring the ground-breaking artistic and intellectual networks to which Bill belonged: from his time at the Bauhaus in Dessau to his connections with the Parisian avant-garde and his lifelong friendship with Georges Vantongerloo. His importance as a writer, publisher, and exhibition organizer comes to the fore in this volume, as does his crucial influence on the development of Concrete art in South America and his active interest in urban planning and postwar reconstruction. contexts in which he worked.
Constructive clarity: Max Bill and his time
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Résumé:
''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer, typographer, writer, curator, teacher, and politician––who influenced generations of artists. Picking up where the first volume left off,Thomas turns her attention to Bill’s life during World War II, exploring the ground-breaking artistic and intellectual networks to which Bill belonged: from his time at the Bauhaus in Dessau to his connections with the Parisian avant-garde and his lifelong friendship with Georges Vantongerloo. His importance as a writer, publisher, and exhibition organizer comes to the fore in this volume, as does his crucial influence on the development of Concrete art in South America and his active interest in urban planning and postwar reconstruction. contexts in which he worked.
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livres
livres
Publication:
octobre 2024
octobre 2024
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livres
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$61.00
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Résumé:
Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family,(...)
$61.00
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Résumé:
Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family,(...)
Titre:
A Subversive Gleam: Max Bill and His Time: 1908–1939
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Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family, teachers, and peers–and their individual respective life trajectories. In a highly unconventional meander through extraordinary biographies, she thus exposes the web-like private and public constellations in which Bill evolved.
A Subversive Gleam: Max Bill and His Time: 1908–1939
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Résumé:
Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family, teachers, and peers–and their individual respective life trajectories. In a highly unconventional meander through extraordinary biographies, she thus exposes the web-like private and public constellations in which Bill evolved.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
Classification:
livres
livres
Titre:
Z comme Zahnd
Z comme Zahnd
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines(...)
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines(...)
Titre:
Z comme Zahnd
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines de programmes, de rapports, de dépliants publicitaires, de logos, de présentations graphiques en tous genres, pour le théâtre, le cinéma et l’audiovisuel, et le monde des affaires.
Z comme Zahnd
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines de programmes, de rapports, de dépliants publicitaires, de logos, de présentations graphiques en tous genres, pour le théâtre, le cinéma et l’audiovisuel, et le monde des affaires.
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livres
livres
Publication:
décembre 2025
décembre 2025
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livres
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$41.95
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Résumé:
These drawings were made in February 2023, in the process of designing the typeface NOVA for James Langdon's project Neurovague: a website which generates abstract images for neuroscientists to use in presentations of their research. The selection of 71 drawings is presented in the order in which they were produced. The title, Opacity Engraving, comes from the first(...)
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Résumé:
These drawings were made in February 2023, in the process of designing the typeface NOVA for James Langdon's project Neurovague: a website which generates abstract images for neuroscientists to use in presentations of their research. The selection of 71 drawings is presented in the order in which they were produced. The title, Opacity Engraving, comes from the first(...)
Titre:
Karl Nawrot: Opacity engraving
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These drawings were made in February 2023, in the process of designing the typeface NOVA for James Langdon's project Neurovague: a website which generates abstract images for neuroscientists to use in presentations of their research. The selection of 71 drawings is presented in the order in which they were produced. The title, Opacity Engraving, comes from the first Neurovague composition typeset in NOVA.
Karl Nawrot: Opacity engraving
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Résumé:
These drawings were made in February 2023, in the process of designing the typeface NOVA for James Langdon's project Neurovague: a website which generates abstract images for neuroscientists to use in presentations of their research. The selection of 71 drawings is presented in the order in which they were produced. The title, Opacity Engraving, comes from the first Neurovague composition typeset in NOVA.
Classification:
livres
livres
Publication:
juin 2026
juin 2026
Classification:
livres
livres
Titre:
Pentagram : the compendium
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to(...)
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to(...)
Titre:
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to parody and pun. All the Pentagram partners have contributed essays on their particular preoccupations, while special sections examine the implications of the client–designer relationship and the Pentagram company’s own structure, personnel and methodology.
Pentagram : the compendium
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Résumé:
This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to parody and pun. All the Pentagram partners have contributed essays on their particular preoccupations, while special sections examine the implications of the client–designer relationship and the Pentagram company’s own structure, personnel and methodology.
Classification:
livres
livres
Publication:
octobre 2002, London
octobre 2002, London
Classification:
livres
livres
Titre:
Godard : this way that way
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the(...)
$23.95
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the(...)
Publication:
février 2002, Baden
février 2002, Baden
Titre:
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the designer is committed to function and reduced graphics. He trust the power of the idea. This small-format book is conceived as something that will inspire designers with courage.
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the designer is committed to function and reduced graphics. He trust the power of the idea. This small-format book is conceived as something that will inspire designers with courage.
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livres
livres
Publication:
février 2002, Baden
février 2002, Baden
Classification:
livres
livres
Titre:
Dolly
Dolly
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A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
$17.95
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Résumé:
A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
Titre:
Dolly
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A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
Dolly
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Résumé:
A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
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livres
livres
Publication:
janvier 2002, The Hague
janvier 2002, The Hague
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livres
livres
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$75.00
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
$75.00
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
Titre:
Vaughan Oliver : visceral pleasures
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
Vaughan Oliver : visceral pleasures
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$75.00
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Résumé:
Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
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livres
livres
Publication:
janvier 2000, London
janvier 2000, London
Classification:
livres
livres
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$49.00
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Résumé:
Over the course of 13 controversial issues, influential designer Tibor Kalman (1949–1999) used his position as Editor in Chief of the international magazine Colors to challenge the status quo. Through a highly visual language, he creatively explored the world’s problems—racism, AIDS—and preoccupations—sports, shopping—to propel social change. That Colors was sponsored by(...)
$49.00
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Over the course of 13 controversial issues, influential designer Tibor Kalman (1949–1999) used his position as Editor in Chief of the international magazine Colors to challenge the status quo. Through a highly visual language, he creatively explored the world’s problems—racism, AIDS—and preoccupations—sports, shopping—to propel social change. That Colors was sponsored by(...)
Publication:
mai 2002, New York
mai 2002, New York
Titre:
Colors Tibor Kalman : issues 1 - 13
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Résumé:
Over the course of 13 controversial issues, influential designer Tibor Kalman (1949–1999) used his position as Editor in Chief of the international magazine Colors to challenge the status quo. Through a highly visual language, he creatively explored the world’s problems—racism, AIDS—and preoccupations—sports, shopping—to propel social change. That Colors was sponsored by the Benetton clothing company made the media experiment all the more intriguing. Following the success of Abrams’ (un)Fashion, also by Kalman, this visually powerful book features spreads from each issue and reproduces in full a facsimile of the word-free 13th and final Colors. Kalman’s previously unpublished notes and sketches, plus commentary by his partner, Maira, complete the collection.
Colors Tibor Kalman : issues 1 - 13
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Résumé:
Over the course of 13 controversial issues, influential designer Tibor Kalman (1949–1999) used his position as Editor in Chief of the international magazine Colors to challenge the status quo. Through a highly visual language, he creatively explored the world’s problems—racism, AIDS—and preoccupations—sports, shopping—to propel social change. That Colors was sponsored by the Benetton clothing company made the media experiment all the more intriguing. Following the success of Abrams’ (un)Fashion, also by Kalman, this visually powerful book features spreads from each issue and reproduces in full a facsimile of the word-free 13th and final Colors. Kalman’s previously unpublished notes and sketches, plus commentary by his partner, Maira, complete the collection.
Classification:
livres
livres
Publication:
mai 2002, New York
mai 2002, New York
