113 Résultats
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This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In(...)
$34.99
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Résumé:
This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In(...)
Titre:
Drawing futures: speculations in contemporary drawing for art and architecture
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This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. "Drawing futures" critically reassess the act of drawing and where its future may lie. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas. Drawings seduce, and the drawings in this book are tantalising evidence of this. Yet the aim of Drawing Futures is to illustrate how drawing works as an abundantly rich, diverse, inventive, critical and serious research domain. In this regard, it is a ground-breaking study of the point and promise of drawing; a first of its kind, which both explores the microscopic detail of the craft and envisions the radical possibilities inherent in its expression. The academics, artists and architects whose work lies within conceive of drawing as a rigorous, liberating form of expression. Their contributions work together as a manifesto for the future of an artform that is capable of both utter simplicity and infinite complexity.
Drawing futures: speculations in contemporary drawing for art and architecture
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This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. "Drawing futures" critically reassess the act of drawing and where its future may lie. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas. Drawings seduce, and the drawings in this book are tantalising evidence of this. Yet the aim of Drawing Futures is to illustrate how drawing works as an abundantly rich, diverse, inventive, critical and serious research domain. In this regard, it is a ground-breaking study of the point and promise of drawing; a first of its kind, which both explores the microscopic detail of the craft and envisions the radical possibilities inherent in its expression. The academics, artists and architects whose work lies within conceive of drawing as a rigorous, liberating form of expression. Their contributions work together as a manifesto for the future of an artform that is capable of both utter simplicity and infinite complexity.
Classification:
livres
livres
Publication:
décembre 2016
décembre 2016
Sujet:
Dessin d’architecture
Dessin d’architecture
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livres
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Bunpei Yorifuji propose dans ce petit livre une méthode d’apprentissage du dessin décalée et anticonformiste, pour apprendre facilement à regarder et représenter le monde qui nous entoure. Pour cet illustrateur japonais adepte du Rakugaki, dessin et imagination sont intimement liés. Cependant, la clef du succès se trouve avant tout dans notre capacité à être attentif aux(...)
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Bunpei Yorifuji propose dans ce petit livre une méthode d’apprentissage du dessin décalée et anticonformiste, pour apprendre facilement à regarder et représenter le monde qui nous entoure. Pour cet illustrateur japonais adepte du Rakugaki, dessin et imagination sont intimement liés. Cependant, la clef du succès se trouve avant tout dans notre capacité à être attentif aux(...)
Titre:
Devenir un expert du Rakugaki
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Bunpei Yorifuji propose dans ce petit livre une méthode d’apprentissage du dessin décalée et anticonformiste, pour apprendre facilement à regarder et représenter le monde qui nous entoure. Pour cet illustrateur japonais adepte du Rakugaki, dessin et imagination sont intimement liés. Cependant, la clef du succès se trouve avant tout dans notre capacité à être attentif aux formes et aux détails du monde qui nous entoure afin de reproduire, avec des dessins les plus petits et détaillés possibles, l’univers dans toute son immensité. Le trait minimaliste de l’auteur, et son sens de l’humour décapant, sont mis au service d’un véritable tour de force, où l’on apprend autant à tracer un trait qu’à mettre en scène son propre univers en miniature.
Devenir un expert du Rakugaki
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$37.95
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Résumé:
Bunpei Yorifuji propose dans ce petit livre une méthode d’apprentissage du dessin décalée et anticonformiste, pour apprendre facilement à regarder et représenter le monde qui nous entoure. Pour cet illustrateur japonais adepte du Rakugaki, dessin et imagination sont intimement liés. Cependant, la clef du succès se trouve avant tout dans notre capacité à être attentif aux formes et aux détails du monde qui nous entoure afin de reproduire, avec des dessins les plus petits et détaillés possibles, l’univers dans toute son immensité. Le trait minimaliste de l’auteur, et son sens de l’humour décapant, sont mis au service d’un véritable tour de force, où l’on apprend autant à tracer un trait qu’à mettre en scène son propre univers en miniature.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Dessin d’architecture
Dessin d’architecture
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livres
livres
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$22.95
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Florenski critique ici les fondements de la perspective et, avec eux, la conception classique de l’histoire de l’art, qui voit dans la Renaissance un acmé jamais égalé. Il analyse avec une grande finesse les icônes, qui génèrent une multitude de points de vue, au diapason avec la pensée qu’elles véhiculent. Daté de 1919, cet exposé est contemporain des recherches(...)
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Résumé:
Florenski critique ici les fondements de la perspective et, avec eux, la conception classique de l’histoire de l’art, qui voit dans la Renaissance un acmé jamais égalé. Il analyse avec une grande finesse les icônes, qui génèrent une multitude de points de vue, au diapason avec la pensée qu’elles véhiculent. Daté de 1919, cet exposé est contemporain des recherches(...)
Titre:
La Perspective inversée, n.é.
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Florenski critique ici les fondements de la perspective et, avec eux, la conception classique de l’histoire de l’art, qui voit dans la Renaissance un acmé jamais égalé. Il analyse avec une grande finesse les icônes, qui génèrent une multitude de points de vue, au diapason avec la pensée qu’elles véhiculent. Daté de 1919, cet exposé est contemporain des recherches plastiques de Malevitch. L’on tient là non seulement un texte précurseur de maintes recherches théoriques mais aussi un plaidoyer éminemment pédagogique en faveur d’un art ouvert à la vision subjective du spectateur.
La Perspective inversée, n.é.
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Florenski critique ici les fondements de la perspective et, avec eux, la conception classique de l’histoire de l’art, qui voit dans la Renaissance un acmé jamais égalé. Il analyse avec une grande finesse les icônes, qui génèrent une multitude de points de vue, au diapason avec la pensée qu’elles véhiculent. Daté de 1919, cet exposé est contemporain des recherches plastiques de Malevitch. L’on tient là non seulement un texte précurseur de maintes recherches théoriques mais aussi un plaidoyer éminemment pédagogique en faveur d’un art ouvert à la vision subjective du spectateur.
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livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
Titre:
Au-delà du croquis
Au-delà du croquis
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Qu'est-ce qu'un croquis d'architecture ? Il est commun de penser que les architectes dessinent leurs projets à partir d'un croquis fondateur, qu'ils imaginent les bâtiments instantanément en griffonnant sur un bout de papier quelques lignes les déterminant définitivement.En réalité, il semble difficile de résumer un projet à une sorte d'instantané précurseur isolé de(...)
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Résumé:
Qu'est-ce qu'un croquis d'architecture ? Il est commun de penser que les architectes dessinent leurs projets à partir d'un croquis fondateur, qu'ils imaginent les bâtiments instantanément en griffonnant sur un bout de papier quelques lignes les déterminant définitivement.En réalité, il semble difficile de résumer un projet à une sorte d'instantané précurseur isolé de(...)
Titre:
Au-delà du croquis
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Qu'est-ce qu'un croquis d'architecture ? Il est commun de penser que les architectes dessinent leurs projets à partir d'un croquis fondateur, qu'ils imaginent les bâtiments instantanément en griffonnant sur un bout de papier quelques lignes les déterminant définitivement.En réalité, il semble difficile de résumer un projet à une sorte d'instantané précurseur isolé de toute autre recherche. L'architecte n'est pas un magicien et ne détient pas l'image finale de l'objet architectural dès la genèse du projet. C'est le croquis, dessiné par sa main et son esprit, qui peu à peu, grâce à son hyper-récurrence dans le processus de conception, va forger les lignes de force du bâtiment, de son volume général jusqu'aux moindres détails. En rassemblant une foule de croquis pluriels et bavards, cet ouvrage partage l'expérience de l'Atelier Herbez Architectes pour laquelle la pratique du dessin est une valeur forte, envisagée à la fois comme la base du travail de conception et comme un champ d'expérimentation insufflant la créativité. Aller au-delà du croquis c'est en explorer les mécanismes et en chercher les limites. Croquis à main levée, croquis informatiques et croquis du regard se mêlent ici pour révéler les ressorts du médium graphique qui trouve aujourd'hui, à l'ère du numérique, de nouvelles formes d'expression.
Au-delà du croquis
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Qu'est-ce qu'un croquis d'architecture ? Il est commun de penser que les architectes dessinent leurs projets à partir d'un croquis fondateur, qu'ils imaginent les bâtiments instantanément en griffonnant sur un bout de papier quelques lignes les déterminant définitivement.En réalité, il semble difficile de résumer un projet à une sorte d'instantané précurseur isolé de toute autre recherche. L'architecte n'est pas un magicien et ne détient pas l'image finale de l'objet architectural dès la genèse du projet. C'est le croquis, dessiné par sa main et son esprit, qui peu à peu, grâce à son hyper-récurrence dans le processus de conception, va forger les lignes de force du bâtiment, de son volume général jusqu'aux moindres détails. En rassemblant une foule de croquis pluriels et bavards, cet ouvrage partage l'expérience de l'Atelier Herbez Architectes pour laquelle la pratique du dessin est une valeur forte, envisagée à la fois comme la base du travail de conception et comme un champ d'expérimentation insufflant la créativité. Aller au-delà du croquis c'est en explorer les mécanismes et en chercher les limites. Croquis à main levée, croquis informatiques et croquis du regard se mêlent ici pour révéler les ressorts du médium graphique qui trouve aujourd'hui, à l'ère du numérique, de nouvelles formes d'expression.
Classification:
livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
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$55.00
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Résumé:
Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the sixteenth and seventeenth centuries. Her book explores a vast network of manuscripts and drawings that each have information about(...)
$55.00
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Résumé:
Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the sixteenth and seventeenth centuries. Her book explores a vast network of manuscripts and drawings that each have information about(...)
Titre:
Drawing after architecture: Renaissance architectural drawings and their reception
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Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the sixteenth and seventeenth centuries. Her book explores a vast network of manuscripts and drawings that each have information about ancient and modern buildings—including the Pantheon and Saint Peter’s—that is not known from any other sources. The drawings also show how the information was recorded, transferred, and analyzed by others. Yerkes examines the nature of architectural evidence to understand how Renaissance architects used images to explore structures, create biographies, and write history.
Drawing after architecture: Renaissance architectural drawings and their reception
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$55.00
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Résumé:
Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the sixteenth and seventeenth centuries. Her book explores a vast network of manuscripts and drawings that each have information about ancient and modern buildings—including the Pantheon and Saint Peter’s—that is not known from any other sources. The drawings also show how the information was recorded, transferred, and analyzed by others. Yerkes examines the nature of architectural evidence to understand how Renaissance architects used images to explore structures, create biographies, and write history.
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
Prix:
$48.00
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Résumé:
Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside(...)
$48.00
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Résumé:
Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside(...)
Titre:
Drawing on architecture: the object of lives, 1970-1990
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes.
Drawing on architecture: the object of lives, 1970-1990
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
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$34.95
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For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway(...)
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For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway(...)
Titre:
One-track mind: drawing the New York subway
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For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway system." Along with Coppola's intricate ink drawings are anecdotes he assembled through painstaking research involving hundreds of hours poring through microfilms to discover the names behind the artisanship of what is rightly called New York's largest public art work---its legendary subway system. Philip Ashforth Coppola's drawings have been featured in the New York Times, "Hyperallergic", and on the BBC and are included in the New York Transit Museum's permanent collection. Foreword by Jonathan Lethem.
One-track mind: drawing the New York subway
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For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway system." Along with Coppola's intricate ink drawings are anecdotes he assembled through painstaking research involving hundreds of hours poring through microfilms to discover the names behind the artisanship of what is rightly called New York's largest public art work---its legendary subway system. Philip Ashforth Coppola's drawings have been featured in the New York Times, "Hyperallergic", and on the BBC and are included in the New York Transit Museum's permanent collection. Foreword by Jonathan Lethem.
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
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$65.00
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Résumé:
The Codewriting Workbook introduces students and practi-tioners to basic programming concepts for computer-aided design (CAD). Through a series of guided exercises and examples, readers learn how to develop and write procedures for creating two-dimensional drawings and three-dimensional models using a variety of algorithmic functions. Each exercise begins with a simple(...)
$65.00
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The Codewriting Workbook introduces students and practi-tioners to basic programming concepts for computer-aided design (CAD). Through a series of guided exercises and examples, readers learn how to develop and write procedures for creating two-dimensional drawings and three-dimensional models using a variety of algorithmic functions. Each exercise begins with a simple(...)
Titre:
The codewriting workbook: creating computational architecture in AutoLISP
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The Codewriting Workbook introduces students and practi-tioners to basic programming concepts for computer-aided design (CAD). Through a series of guided exercises and examples, readers learn how to develop and write procedures for creating two-dimensional drawings and three-dimensional models using a variety of algorithmic functions. Each exercise begins with a simple concept and evolves into a family of possible solutions. A primer on programming, The Codewriting Workbook presents efficient methods for computing singular results that, when compounded, generate the broadest range of design possibilities. Though exercises are presented in AutoLISP, the workbook outlines general processes for structuring procedures that can be adapted to almost any CAD-based scripting language. Robert J. Krawczyk is on the faculty of the College of Architecture at the Illinois Institute of Technology.
The codewriting workbook: creating computational architecture in AutoLISP
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The Codewriting Workbook introduces students and practi-tioners to basic programming concepts for computer-aided design (CAD). Through a series of guided exercises and examples, readers learn how to develop and write procedures for creating two-dimensional drawings and three-dimensional models using a variety of algorithmic functions. Each exercise begins with a simple concept and evolves into a family of possible solutions. A primer on programming, The Codewriting Workbook presents efficient methods for computing singular results that, when compounded, generate the broadest range of design possibilities. Though exercises are presented in AutoLISP, the workbook outlines general processes for structuring procedures that can be adapted to almost any CAD-based scripting language. Robert J. Krawczyk is on the faculty of the College of Architecture at the Illinois Institute of Technology.
Classification:
livres
livres
Publication:
novembre 2008, New York
novembre 2008, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
Prix:
$33.00
(disponible en magasin)
Résumé:
Including 4-col. Russian folktale in inside cover. Drafting Defeat is a collection of highly stylized 10th century maps of the Middle East with the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrows Safarnameh (Book of Travels).
$33.00
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Résumé:
Including 4-col. Russian folktale in inside cover. Drafting Defeat is a collection of highly stylized 10th century maps of the Middle East with the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrows Safarnameh (Book of Travels).
Titre:
Drafting defeat: 10th century road maps & 21st century disasters
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$33.00
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Including 4-col. Russian folktale in inside cover. Drafting Defeat is a collection of highly stylized 10th century maps of the Middle East with the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrows Safarnameh (Book of Travels).
Drafting defeat: 10th century road maps & 21st century disasters
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$33.00
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Including 4-col. Russian folktale in inside cover. Drafting Defeat is a collection of highly stylized 10th century maps of the Middle East with the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrows Safarnameh (Book of Travels).
Classification:
livres
livres
Publication:
octobre 2007, Moscow/Amsterdam
octobre 2007, Moscow/Amsterdam
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
Titre:
Lines: a brief history
Lines: a brief history
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Résumé:
This is the first book to explore the production and significance of lines. As walking, talking, gesticulating creatures, human beings generate lines wherever they go: here, Ingold lays the foundations for an anthropological archaeology of the line. He investigates: speech and song in the cultures of Papua New Guinea, the Navaho and Meso America; paths, trails and maps(...)
$49.50
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Résumé:
This is the first book to explore the production and significance of lines. As walking, talking, gesticulating creatures, human beings generate lines wherever they go: here, Ingold lays the foundations for an anthropological archaeology of the line. He investigates: speech and song in the cultures of Papua New Guinea, the Navaho and Meso America; paths, trails and maps(...)
Titre:
Lines: a brief history
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$49.50
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Résumé:
This is the first book to explore the production and significance of lines. As walking, talking, gesticulating creatures, human beings generate lines wherever they go: here, Ingold lays the foundations for an anthropological archaeology of the line. He investigates: speech and song in the cultures of Papua New Guinea, the Navaho and Meso America; paths, trails and maps drawing, writing and calligraphy; and the modern and postmodern world. Written by a leading expert in the field and including over seventy illustrations, this text offers a radically different approach to anthropological and archaeological studies, taking us on a journey which will change the way we look at the world and how we move within it, and archaeological studies.
Lines: a brief history
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$49.50
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Résumé:
This is the first book to explore the production and significance of lines. As walking, talking, gesticulating creatures, human beings generate lines wherever they go: here, Ingold lays the foundations for an anthropological archaeology of the line. He investigates: speech and song in the cultures of Papua New Guinea, the Navaho and Meso America; paths, trails and maps drawing, writing and calligraphy; and the modern and postmodern world. Written by a leading expert in the field and including over seventy illustrations, this text offers a radically different approach to anthropological and archaeological studies, taking us on a journey which will change the way we look at the world and how we move within it, and archaeological studies.
Classification:
livres
livres
Publication:
juillet 2007, New York
juillet 2007, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
