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Dutch architect Anne Holtrop started his own practice in 2009 and completed his first two major projects in 2015, Museum Fort Vechten in the Netherlands and the National Pavilion of the Kingdom of Bahrain. In some of his works, form is explored through appropriations from natural occurrences and random drawings, while others focus on the unique gestures dictated by a(...)
El Croquis 206 : Studio Anne Holtrop (2009-2020)
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Dutch architect Anne Holtrop started his own practice in 2009 and completed his first two major projects in 2015, Museum Fort Vechten in the Netherlands and the National Pavilion of the Kingdom of Bahrain. In some of his works, form is explored through appropriations from natural occurrences and random drawings, while others focus on the unique gestures dictated by a particular material. This overview of his practice to date features nineteen projects spread among the Netherlands, United Kingdom, Middle East, and Japan. Included are several projects designed and built in Bahrain, where the studio maintains its second office, such as the shopping district Qaysariyah Suq.
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Based in São Paulo, Gustavo Utrabo was formerly part of Aleph Zero, a practice he founded in 2012 that won the 2018 RIBA International Emerging Architect prize. Now on his own, Utrabo sees his work as a means to connect people and imagine the future through sustainable and inclusive approaches. In his practice, he strives to consolidate his interests with a social impact,(...)
El Croquis 207 : Estudio Gustavo Utrabo 2015 - 2020
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Based in São Paulo, Gustavo Utrabo was formerly part of Aleph Zero, a practice he founded in 2012 that won the 2018 RIBA International Emerging Architect prize. Now on his own, Utrabo sees his work as a means to connect people and imagine the future through sustainable and inclusive approaches. In his practice, he strives to consolidate his interests with a social impact, often engaging in remote constructions for indigenous people in the Amazon. This edition presents fourteen recent works, from private houses, a public market, and a cultural centre, to shading structures and children’s villages in the jungle. Includes an interview with the architect and an essay by Marta Bogéa.
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This edition begins with a conversation with Pier Vittorio Aureli and MartinoTattara, the founders of Dogma, an architectural firm concerned with the relationship between architecture and the city. By focusing mostly on urban design and large-scale projects, they consult with municipalities and agencies for urban planning and architectural issues. Atypically, El Croquis(...)
El Croquis 208 : Dogma (2002-2021) familiar / unfamiliar
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This edition begins with a conversation with Pier Vittorio Aureli and MartinoTattara, the founders of Dogma, an architectural firm concerned with the relationship between architecture and the city. By focusing mostly on urban design and large-scale projects, they consult with municipalities and agencies for urban planning and architectural issues. Atypically, El Croquis is this time only featuring plans not yet constructed, including a model for a city of 4,000,000 Inhabitants, a proposal for 44 social housing units, and a prototype for boarding houses in London. Timely articles about urban transformation follow, including an interesting genealogy of housing for the laboring classes.
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Covering almost two decades of work by Roger Boltshauser, this issue takes a look at the Zurich-based architect’s uniquely contemporary manner of expression. With profiles of more than 20 projects conceived since the turn of the century, it outlines Boltshauser’s approach to materials and the methods he uses to reveal their intrinsic constructive and structural(...)
El Croquis 209: Roger Boltshauser (2002-2021) Impure Materiality
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Covering almost two decades of work by Roger Boltshauser, this issue takes a look at the Zurich-based architect’s uniquely contemporary manner of expression. With profiles of more than 20 projects conceived since the turn of the century, it outlines Boltshauser’s approach to materials and the methods he uses to reveal their intrinsic constructive and structural possibilities. Among the highlights are the rammed earth Rauch House, a clay observation tower at the Brickworks Museum in Cham, Oerlikon Sports and Swimming Centre, Ozeanium at Basel Zoo, and more. The issue also features a conversation with the architect and Jonathan Sergison, plus an essay by Jesús Vassallo.
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The Chilean practice of Pezo von Ellrichshausen takes centre stage in this issue. Founded in 2002 by Mauricio Pezo and Sofia von Ellrichshausen, the studio’s work is characterised by its focus on a combination of residential and small-scale architecture and artistic endeavours. Presented here is selection of more than 20 works spread across multiple continents, including(...)
El Croquis 214: Pezo Von Ellrichshausen
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The Chilean practice of Pezo von Ellrichshausen takes centre stage in this issue. Founded in 2002 by Mauricio Pezo and Sofia von Ellrichshausen, the studio’s work is characterised by its focus on a combination of residential and small-scale architecture and artistic endeavours. Presented here is selection of more than 20 works spread across multiple continents, including several cultural centres and pavilions in the Americas and Europe, a visitor centre in Canberra, an innovation centre in their home base of Concepción, and a diverse array of houses. An added highlight is the contribution of two essays by Pezo and Von Ellrichshausen themselves.
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The magazine profiles Alvaro Siza’s recent work in this special edition. Featuring projects since 2015, it underlines why the Portuguese architect remains one of the most respected designers today. A variety of typologies and scales are covered, from extremely compact works such as the Clay Pavilion for teaching local earthenware techniques in Oaxaca (Mexico), a chapel in(...)
El Croquis 215/216 : Alvaro Siza 2015-2022, self-portrait
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The magazine profiles Alvaro Siza’s recent work in this special edition. Featuring projects since 2015, it underlines why the Portuguese architect remains one of the most respected designers today. A variety of typologies and scales are covered, from extremely compact works such as the Clay Pavilion for teaching local earthenware techniques in Oaxaca (Mexico), a chapel in Miljana (Croatia) as part of a farmhouse restoration project, and an observation tower with lookout post in the Portuguese mountains, to prominent works like the Huamao Museum of Art Education (China) and the Gramaxo Foundation Headquarters in Maia (Portugal), and many more.
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This instalment of ‘El Croquis’ is made up of two volumes featuring special selections of outstanding works and projects from two architecture offices. In the first volume are the works by Swedish architects Johan Arrhov and Henrik Frick of Arrhov Frick between 2015–2022. Also included is 'How simple Can We Build,’ a conversation led by Ilka and Andreas Ruby, as well as(...)
El Croquis 217: [I] Arrhov Frick + [II] Groupwork
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This instalment of ‘El Croquis’ is made up of two volumes featuring special selections of outstanding works and projects from two architecture offices. In the first volume are the works by Swedish architects Johan Arrhov and Henrik Frick of Arrhov Frick between 2015–2022. Also included is 'How simple Can We Build,’ a conversation led by Ilka and Andreas Ruby, as well as an essay by Professor Philip Ursprung. The second volume showcases the works and awards of London-based architectural practice Groupwork between 2012–2022. Amin Taha, director of Groupwork is interviewed by Cristina Díaz Moreno and Efrén García Grinda in 'Tectonics and History.’
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A selection of the most prominent works of architecture selected by El Croquis with an introduction by Juan Antonio Cortés and an essay by William Curtis. Among the works are the Sendai Mediatheque by Toyo Ito, the Dutch Embassy in Berlin by Rem Koolhaas, the Braga Municipal Stadium by Eduardo Souto de Moura, the Prada Aoyama Epicenter by Herzog & De Meuron in Tokyo, the(...)
El Croquis: The very best works at the turn of the century
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A selection of the most prominent works of architecture selected by El Croquis with an introduction by Juan Antonio Cortés and an essay by William Curtis. Among the works are the Sendai Mediatheque by Toyo Ito, the Dutch Embassy in Berlin by Rem Koolhaas, the Braga Municipal Stadium by Eduardo Souto de Moura, the Prada Aoyama Epicenter by Herzog & De Meuron in Tokyo, the Nelson Atkins Museum of Art expansion by Steven Holl, the Neues Museum by David Chipperfield, the Toledo Glass Pavilion by SANAA-Sejima & Nishizawa and others.
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Starting with a conversation between Enrique Walker and the Dutch architects, and an introduction by Aaron Betsky this issue of El Croquis presents the buildings and projects done in the last nine years by Neutelings Riedijk. Featured are, among others, the Institute for Sound and Vision in Hilversum, The Museum aan de Stroom (MAS) in Antwerp, the Forum for(...)
El croquis 159: Neutelings Riedijk 2003-2012
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Starting with a conversation between Enrique Walker and the Dutch architects, and an introduction by Aaron Betsky this issue of El Croquis presents the buildings and projects done in the last nine years by Neutelings Riedijk. Featured are, among others, the Institute for Sound and Vision in Hilversum, The Museum aan de Stroom (MAS) in Antwerp, the Forum for Music, Dance and Visual Culture in Ghent, the Sphinxes Lakeshore Housing and the Shipping and Transport College in Rotterdam.
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El Croquis 160 : Bevk Perovic 2004-2012, conditionalism
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