48 Résultats
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
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Un coup de dés: writing turned image, an alphabet of pensive language
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
Un coup de dés: writing turned image, an alphabet of pensive language
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
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livres
Publication:
février 2009, Wien, Köln
février 2009, Wien, Köln
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Expositions collectives
Expositions collectives
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livres
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
Titre:
Younger than Jesus: the reader
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
Younger than Jesus: the reader
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Expositions collectives
Expositions collectives
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du(...)
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du(...)
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janvier 2009
janvier 2009
Titre:
Architecture sculpture : collections Frac centre et Centre Pompidou
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du Fonds Cardot-Joly, les projets les plus emblématiques de ces artistes-architectes, source d'inspiration de l'architecture prospective d'aujourd'hui.
Architecture sculpture : collections Frac centre et Centre Pompidou
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du Fonds Cardot-Joly, les projets les plus emblématiques de ces artistes-architectes, source d'inspiration de l'architecture prospective d'aujourd'hui.
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livres
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janvier 2009
janvier 2009
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livres
livres
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Bunker: unloaded
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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Expositions collectives
Expositions collectives
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
Titre:
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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livres
livres
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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$40.00
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8(...)
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8(...)
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Expositions collectives
Expositions collectives
Publication:
novembre 2008, Berlin
novembre 2008, Berlin
Titre:
Who says concrete doesn't burn, have you tried? west Berlin film in the '80s
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8 installations, music, and performance bred each other. The book expands on the film series of the same name screened at Kino Arsenal in October 2006. Rainer Bellenbaum, Justin Hoffmann, Matthias Heyden & Ines Schaber, Dirk Schaefer, Stefanie Schulte Strathaus, Marc Siegel, Nicole Wolf, and Florian Wüst address the specific social and cultural conditions of the enclosed city in a variety of ways seen from the present, while the artist Krimo contributed a map of memory to the book.
Who says concrete doesn't burn, have you tried? west Berlin film in the '80s
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8 installations, music, and performance bred each other. The book expands on the film series of the same name screened at Kino Arsenal in October 2006. Rainer Bellenbaum, Justin Hoffmann, Matthias Heyden & Ines Schaber, Dirk Schaefer, Stefanie Schulte Strathaus, Marc Siegel, Nicole Wolf, and Florian Wüst address the specific social and cultural conditions of the enclosed city in a variety of ways seen from the present, while the artist Krimo contributed a map of memory to the book.
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livres
livres
Publication:
novembre 2008, Berlin
novembre 2008, Berlin
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
Titre:
A.C.A.D.E.M.Y
A.C.A.D.E.M.Y
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
Titre:
A.C.A.D.E.M.Y
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$42.00
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
A.C.A.D.E.M.Y
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
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livres
livres
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novembre 2008, Frankfurt
novembre 2008, Frankfurt
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Expositions collectives
Expositions collectives
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livres
livres
Titre:
Archaeologies of the future
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized(...)
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized(...)
Titre:
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized advocation of time.
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized advocation of time.
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livres
Publication:
novembre 2008, Frankfurt
novembre 2008, Frankfurt
Sujet:
Expositions collectives
Expositions collectives
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livres
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$55.00
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
Sujet:
Expositions collectives
Expositions collectives
Publication:
septembre 2008, Köln
septembre 2008, Köln
Titre:
Elmgreen & Dragset: home is the place you left
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
Elmgreen & Dragset: home is the place you left
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
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livres
livres
Publication:
septembre 2008, Köln
septembre 2008, Köln
Sujet:
Expositions collectives
Expositions collectives
Classification:
livres
livres
Titre:
The paper sculpture book
The paper sculpture book
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$36.00
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29(...)
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29(...)
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Expositions collectives
Expositions collectives
Publication:
octobre 2003, Brooklyn
octobre 2003, Brooklyn
Titre:
The paper sculpture book
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$36.00
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29 established and emerging contemporary artists, including The Art Guys, Minerva Cuevas, Seong Chun, Nicole Eisenman, Spencer Finch, Rachel Harrison, Stephen Hendee, Patrick Killoran, Glenn Ligon, Helen Mirra, David Shrigley, Sarah Sze, Chris Ware and Allan Wexler. Fred Tomaselli merges images from a birding book and an outdoor-clothing catalogue to create an ironic yet beautiful aviary. Janine Antoni's Crumple provides precise instructions for recreating a crumpled ball of paper, while Luca Buvoli invites the reader to take a pop-up flying lesson from the mysterious Professor M.a.S.
The paper sculpture book
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$36.00
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29 established and emerging contemporary artists, including The Art Guys, Minerva Cuevas, Seong Chun, Nicole Eisenman, Spencer Finch, Rachel Harrison, Stephen Hendee, Patrick Killoran, Glenn Ligon, Helen Mirra, David Shrigley, Sarah Sze, Chris Ware and Allan Wexler. Fred Tomaselli merges images from a birding book and an outdoor-clothing catalogue to create an ironic yet beautiful aviary. Janine Antoni's Crumple provides precise instructions for recreating a crumpled ball of paper, while Luca Buvoli invites the reader to take a pop-up flying lesson from the mysterious Professor M.a.S.
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livres
livres
Publication:
octobre 2003, Brooklyn
octobre 2003, Brooklyn
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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$44.95
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Résumé:
Que génère une grande ville ? Comment la dévoiler intimement ? Qu'est-ce que la ville engendre comme mélange d'abstraction, de contradiction et de situations concrètes ? Quelle est la nature de ce qu'elle porte en elle de violences, de frustrations, de lien social plus ou moins mis à mal ? Sont ici réunis un ensemble d'artistes qui donnent leur vision de la ville. Un(...)
$44.95
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Que génère une grande ville ? Comment la dévoiler intimement ? Qu'est-ce que la ville engendre comme mélange d'abstraction, de contradiction et de situations concrètes ? Quelle est la nature de ce qu'elle porte en elle de violences, de frustrations, de lien social plus ou moins mis à mal ? Sont ici réunis un ensemble d'artistes qui donnent leur vision de la ville. Un(...)
Titre:
La dimension cachée : un regard intime sur la ville
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Que génère une grande ville ? Comment la dévoiler intimement ? Qu'est-ce que la ville engendre comme mélange d'abstraction, de contradiction et de situations concrètes ? Quelle est la nature de ce qu'elle porte en elle de violences, de frustrations, de lien social plus ou moins mis à mal ? Sont ici réunis un ensemble d'artistes qui donnent leur vision de la ville. Un ouvrage qui démontre avec force que la ville développe en son sein depuis des millénaires ce que l'humain porte en lui de plus sombre, mais également de plus complexe et de plus ouvert sur le monde. Ce catalogue est la réunion de deux expositions : l'une, collective réunissant une trentaire d'artistes au Centre culturel Boris Vian aux Ulis du 26 février au 25 mars 2007, et l'autre, personnelle, des œuvres de Pascale Lafay au Centre culturel André Malraux au Kremlin-Bicêtre du 26 avril au 25 mai 2007.
La dimension cachée : un regard intime sur la ville
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Que génère une grande ville ? Comment la dévoiler intimement ? Qu'est-ce que la ville engendre comme mélange d'abstraction, de contradiction et de situations concrètes ? Quelle est la nature de ce qu'elle porte en elle de violences, de frustrations, de lien social plus ou moins mis à mal ? Sont ici réunis un ensemble d'artistes qui donnent leur vision de la ville. Un ouvrage qui démontre avec force que la ville développe en son sein depuis des millénaires ce que l'humain porte en lui de plus sombre, mais également de plus complexe et de plus ouvert sur le monde. Ce catalogue est la réunion de deux expositions : l'une, collective réunissant une trentaire d'artistes au Centre culturel Boris Vian aux Ulis du 26 février au 25 mars 2007, et l'autre, personnelle, des œuvres de Pascale Lafay au Centre culturel André Malraux au Kremlin-Bicêtre du 26 avril au 25 mai 2007.
Classification:
livres
livres
Publication:
janvier 2007, Paris
janvier 2007, Paris
Sujet:
Expositions collectives
Expositions collectives
