Dans l'œil de Vittorio
$39.95
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À partir du milieu des années 1960, Vittorio a régné durant trois décennies sur l'affiche au Québec et au Canada, où ses photographies, ses illustrations et ses bandes dessinées ont également été exposées et primées. Créateur au regard candide, souvent malicieux, voire provocateur, son style ludique et très coloré se démarque et témoigne d'une création libre, fraîche, à(...)
avril 2016
Dans l'œil de Vittorio
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$39.95
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À partir du milieu des années 1960, Vittorio a régné durant trois décennies sur l'affiche au Québec et au Canada, où ses photographies, ses illustrations et ses bandes dessinées ont également été exposées et primées. Créateur au regard candide, souvent malicieux, voire provocateur, son style ludique et très coloré se démarque et témoigne d'une création libre, fraîche, à mille lieues des canons graphiques de l'époque. Cet ouvrage est l'aboutissement de recherches, de rencontres et d'entrevues avec ses amis les plus intimes, et de fouilles quasi archéologiques dans les milliers de documents laissés par l'artiste. Ses œuvres incontournables et connues de ses admirateurs y sont regroupées, de même que nombre de créations jamais exposées ni publiées, dont la qualité graphique confirme la place de Vittorio parmi les plus grands créateurs.
Max Huber
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The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate(...)
mars 2011
Max Huber
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The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate typography and identity design. Three essays cover Huber's entire career from the early 1940s, including his wide-ranging work in the fields of magazine, identity and exhibition design as well as expanding on his close links with a circle of brilliant artists, designers and intellectuals such as Josef Muller-Brockmann, Achille Castiglioni and Italo Calvino, among others.
Gerd Arntz: graphic designer
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As an engaged graphic artist and designer Gerd Arntz (1900-1988) portrayed the world in wood and linoleum cuts. Together with Otto Neurath he designed the symbols for the International System Of Typographic Picture Education (ISOTYPE). This book displays many Isotypes and explains the system and its context, and an overview of Arntzs life and work.
Gerd Arntz: graphic designer
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As an engaged graphic artist and designer Gerd Arntz (1900-1988) portrayed the world in wood and linoleum cuts. Together with Otto Neurath he designed the symbols for the International System Of Typographic Picture Education (ISOTYPE). This book displays many Isotypes and explains the system and its context, and an overview of Arntzs life and work.
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In this publication, designer James Victore gives a survey of his work and his no-holds-barred take on the practice, business, and teaching of graphic design today. Known for making vivid, memorable, and often controversial work, Victore has sought comrades, smart collaborators who have encouraged him to reinterpret old design solutions and to pressure viewers to think(...)
Victore or, who died and made you boss
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In this publication, designer James Victore gives a survey of his work and his no-holds-barred take on the practice, business, and teaching of graphic design today. Known for making vivid, memorable, and often controversial work, Victore has sought comrades, smart collaborators who have encouraged him to reinterpret old design solutions and to pressure viewers to think about issues in a new way. Victore tells the stories behind his inspirations, his process, and the lessons learned. The result is a funny and honest book which showcases a body of work that has been plastered on the streets of New York, hung at MoMA, and featured in magazines.
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The role played by R.D.E. (Ootje) Oxenaar in the development of Dutch graphic design is a fascinating one. In 1970 he joined the Department of Art and Design at what was then the Dutch Postal and Telecommunications Service (PTT). He was head of the department from 1976 until 1994. It would be hard to overstate his importance as one of the key public principals of Dutch(...)
Ootje Oxenaar: designer and commisioner
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The role played by R.D.E. (Ootje) Oxenaar in the development of Dutch graphic design is a fascinating one. In 1970 he joined the Department of Art and Design at what was then the Dutch Postal and Telecommunications Service (PTT). He was head of the department from 1976 until 1994. It would be hard to overstate his importance as one of the key public principals of Dutch graphic design in those years. That success can be attributed to Oxenaar’s own visual production from the early 1950s onward, and the position on this earned him in the design field as a front-rank graphic designer. It enabled him to enlist the services at the PTT of many a prominent designer.
Sagmeister : another book
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Created to accompany an international traveling exhibition, Another Book about Promotion and Sales Material explores the work of one of the world’s most famous graphic designers—Stefan Sagmeister. Divided into four sections, and including commissioned work from ten years of graphic design, this book explores how Sagmeister creates greater awareness for corporations, his(...)
Sagmeister : another book
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Created to accompany an international traveling exhibition, Another Book about Promotion and Sales Material explores the work of one of the world’s most famous graphic designers—Stefan Sagmeister. Divided into four sections, and including commissioned work from ten years of graphic design, this book explores how Sagmeister creates greater awareness for corporations, his friends, his own work, and cultural events and products.
$62.00
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Monguzzi studied graphic design at Geneva in the later 1950s, then typography, photography, and Gestalt psychology in London. In 2003, the Royal Society of Arts in London nominated him Royal Designer for Industry. From his early professional work, first in London and then at the legendary Studio Boggeri in Milan in the early sixties, where Max Huber had arrived from(...)
octobre 2011
Bruno Monguzzi : fifty years of paper, 1961-2011
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Monguzzi studied graphic design at Geneva in the later 1950s, then typography, photography, and Gestalt psychology in London. In 2003, the Royal Society of Arts in London nominated him Royal Designer for Industry. From his early professional work, first in London and then at the legendary Studio Boggeri in Milan in the early sixties, where Max Huber had arrived from Switzerland twenty years earlier, this monograph retraces the most significant phases of a language that has influenced graphic design well beyond Switzerland, with an impression of great precision and uncontaminated by the recurrent caprices of fashion.
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Beyond books covers the intense activity of printer Alighiero Boetti, from his artists’ books to posters and exhibition invitations, taking a look along the way at his long association with newspaper “Il Manifesto”. Boetti was both typesetter and director of his work, shifting from the role of creator to graphic artist to rewrite and redesign the informative materials on(...)
novembre 2011
Alighiero E. Boeti: beyond books, oltre il libro
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Beyond books covers the intense activity of printer Alighiero Boetti, from his artists’ books to posters and exhibition invitations, taking a look along the way at his long association with newspaper “Il Manifesto”. Boetti was both typesetter and director of his work, shifting from the role of creator to graphic artist to rewrite and redesign the informative materials on his work. And this is how the artists’ books were born. A limited number of books with hard red cloth covers – Boetti’s trademark – linked by one common feature: they were pieces of real craftsmanship and a fusion of the traditions of printing and art.
Ed Fella : documents
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À plus de soixante-dix ans, Edward Fella (né en 1938 dans le Michigan) est toujours « en activité » (« I’m still running », comme il aime à le dire). Il demeure l’un des auteurs de design graphique les plus emblématiques du postmoderne américain. L’hybridation de matières, de formes, de couleurs, de sujets, et l’aisance avec laquelle il navigue d’un medium à l’autre,(...)
Ed Fella : documents
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À plus de soixante-dix ans, Edward Fella (né en 1938 dans le Michigan) est toujours « en activité » (« I’m still running », comme il aime à le dire). Il demeure l’un des auteurs de design graphique les plus emblématiques du postmoderne américain. L’hybridation de matières, de formes, de couleurs, de sujets, et l’aisance avec laquelle il navigue d’un medium à l’autre, donnent à son art une originalité et une profondeur qui marqueront durablement l’histoire du design graphique.
Josef Albers
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The most wide-ranging retrospective ever held in Italy dedicated to Josef Albers, consisting of 175 works; his paintings, drawings, engravings, furniture, glass works and photography which - as Wassily Kandinsky wrote - reflect all the many qualities of the artist : "inventiveness, clear and convincing compositio, simple but effective means, and a perfect technique".
mars 2012
Josef Albers
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The most wide-ranging retrospective ever held in Italy dedicated to Josef Albers, consisting of 175 works; his paintings, drawings, engravings, furniture, glass works and photography which - as Wassily Kandinsky wrote - reflect all the many qualities of the artist : "inventiveness, clear and convincing compositio, simple but effective means, and a perfect technique".