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Bunpei Yorifuji, auteur et illustrateur japonais, propose dans 'Le dessin et les mots' une réflexion personnelle et éclairée sur son métier de designer graphique. En interrogeant sa pratique, il revient sur des thématiques propres à ce domaine comme le rapport texte-image, l’influence des technologies sur le travail du designer, l’équilibre fragile entre esthétique et(...)
août 2021
Le dessin et les mots : réflexions sur la pratique du design
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Bunpei Yorifuji, auteur et illustrateur japonais, propose dans 'Le dessin et les mots' une réflexion personnelle et éclairée sur son métier de designer graphique. En interrogeant sa pratique, il revient sur des thématiques propres à ce domaine comme le rapport texte-image, l’influence des technologies sur le travail du designer, l’équilibre fragile entre esthétique et lisibilité, ou encore le rôle social du designer. Ces réflexions exprimées sous forme d’un carnet de notes personnelles sont nourries d’anecdotes et d’exemples illustrés. Pour compléter ces thématiques générales, une partie de l’ouvrage se concentre plus précisément sur le design de livres et la conception de couvertures. L’auteur y décrit avec beaucoup de pédagogie et d’humour différentes manières d’aborder ce travail si particulier d’alliance des mots et du dessin. La question que pose Bunpei Yorifuji pourrait être : qu’est-ce que le design graphique, et comment exercer la profession de graphiste aujourd’hui? L’auteur propose d’y répondre comme à son habitude, en texte et en image, mêlant dessins pédagogiques et recherche approfondie.
Norm: Dimension of two
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Norm was formed in 1999, and today involves the graphic designers Dimitri Bruni, Manuel Krebs, and Ludovic Varone. The Swiss studio’s precise solutions are characterised by reduction and strict rules like grids, proportions, and modularity, based on a rich structure of ideas. While producing innovative typefaces, books, posters, and corporate designs, the studio also(...)
septembre 2020
Norm: Dimension of two
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Norm was formed in 1999, and today involves the graphic designers Dimitri Bruni, Manuel Krebs, and Ludovic Varone. The Swiss studio’s precise solutions are characterised by reduction and strict rules like grids, proportions, and modularity, based on a rich structure of ideas. While producing innovative typefaces, books, posters, and corporate designs, the studio also pursues research projects that explore the limits of graphic design. ‘Dimension of two’ accompanies Norm’s first museum exhibition, ‘It’s not complicated’, at the Museum of Design Zurich. This book presents their vision of the most fundamental elements and laws of graphic art, both today and in the future.
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass(...)
Modern man in the making. Facsimile
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass media making hitherto unthinkable amounts of information available, Neurath felt the need for a systematic visualization explaining facts, statistical data and comparative numbers in simple ways. The book can be seen as one of the most influential predecessors of today’s infographics. In the visuals, each symbol and color represents a certain group of objects or people, often compared repetitively over a certain time span. The topics covered in the book include diverse social issues of the time like mortality, health, employment, trade, education, mobility, migration and demographics. "Modern man in the making" shows Neurath’s democratic endeavor to make knowledge intelligible and available to all. It is a reminder of graphic art’s ability to inform and create context instead of presenting aesthetic qualities only. The book has inspired generations of designers and has led to sometimes peculiar imitations and further developments.
Karel Martens: Uranus
$195.00
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This book is an exhibition. The pages can be arranged in sequence on a wall, creating a site-specific installation of 340 individual images over 21 square meters. Distributed in a limited edition of 750 copies, Martens invites participation in the transformation of the book as an object and the movement of the exhibition through time and space. You can use this book as(...)
Karel Martens: Uranus
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$195.00
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This book is an exhibition. The pages can be arranged in sequence on a wall, creating a site-specific installation of 340 individual images over 21 square meters. Distributed in a limited edition of 750 copies, Martens invites participation in the transformation of the book as an object and the movement of the exhibition through time and space. You can use this book as your own statement. Produced on the occasion of the exhibition "Karel Martens: Re-Production" at IS A GALLERY in Shanghai.
Get your sh*t together
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This is the first book that exclusively features recent artwork in color by British artist David Shrigley. This volume celebrates Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text. Organized by chapters with titles such as Stupid, Nonsense, Dirt, Fear, Paranoia, Love, and Self Delusion, this collection is sure to delight(...)
Get your sh*t together
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This is the first book that exclusively features recent artwork in color by British artist David Shrigley. This volume celebrates Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text. Organized by chapters with titles such as Stupid, Nonsense, Dirt, Fear, Paranoia, Love, and Self Delusion, this collection is sure to delight die-hard Shrigley fans and new ones alike. This is the largest-format book to date on Shrigley's prolific work, and features design details such as a ribbon marker with one of his mordant sayings printed on it, as well as hand-written, humorous essays throughout.
La Fabrique d'Etienne Robial
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La maison d’Etienne Robial, collectionneur aguerri, regorge d’objets chinés çà et là, d’époques, de formes et d’usages divers, qui font écho à ses multiples aventures graphiques et éditoriales. À travers sa pratique, il a considérablement fait évoluer le domaine du design graphique et des arts visuels en France en mettant en place une approche transversale dont la(...)
La Fabrique d'Etienne Robial
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La maison d’Etienne Robial, collectionneur aguerri, regorge d’objets chinés çà et là, d’époques, de formes et d’usages divers, qui font écho à ses multiples aventures graphiques et éditoriales. À travers sa pratique, il a considérablement fait évoluer le domaine du design graphique et des arts visuels en France en mettant en place une approche transversale dont la géométrie, les soucis de la lisibilité et de l’équilibre constituent la colonne vertébrale. Dans cet entretien, il revient sur sa formation, son goût pour les collections, sa carrière d’éditeur de bande dessinée et son travail sur les identités visuelles.
Scott Massey: The nest
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Conceived and designed by Scott Massey, this book is about process—the process of designing, and how it changes both what we make and who we are. It is also a book about memory—how memory builds up in layers and influences our experiences, as well as the things we make. Its focus is a series of posters created in celebration of the exhibition Inside Out & Upside Down:(...)
Scott Massey: The nest
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Conceived and designed by Scott Massey, this book is about process—the process of designing, and how it changes both what we make and who we are. It is also a book about memory—how memory builds up in layers and influences our experiences, as well as the things we make. Its focus is a series of posters created in celebration of the exhibition Inside Out & Upside Down: Posters from CalArts 1970–2019. The Nest documents Scott Massey’s use of appropriation, collage, layering and re-working to generate 200 unique and vibrant compositions that each tell a different story about creative discovery.
$65.00
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Beyond books covers the intense activity of printer Alighiero Boetti, from his artists’ books to posters and exhibition invitations, taking a look along the way at his long association with newspaper “Il Manifesto”. Boetti was both typesetter and director of his work, shifting from the role of creator to graphic artist to rewrite and redesign the informative materials on(...)
novembre 2011
Alighiero E. Boeti: beyond books, oltre il libro
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Beyond books covers the intense activity of printer Alighiero Boetti, from his artists’ books to posters and exhibition invitations, taking a look along the way at his long association with newspaper “Il Manifesto”. Boetti was both typesetter and director of his work, shifting from the role of creator to graphic artist to rewrite and redesign the informative materials on his work. And this is how the artists’ books were born. A limited number of books with hard red cloth covers – Boetti’s trademark – linked by one common feature: they were pieces of real craftsmanship and a fusion of the traditions of printing and art.
Ed Fella : documents
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À plus de soixante-dix ans, Edward Fella (né en 1938 dans le Michigan) est toujours « en activité » (« I’m still running », comme il aime à le dire). Il demeure l’un des auteurs de design graphique les plus emblématiques du postmoderne américain. L’hybridation de matières, de formes, de couleurs, de sujets, et l’aisance avec laquelle il navigue d’un medium à l’autre,(...)
Ed Fella : documents
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À plus de soixante-dix ans, Edward Fella (né en 1938 dans le Michigan) est toujours « en activité » (« I’m still running », comme il aime à le dire). Il demeure l’un des auteurs de design graphique les plus emblématiques du postmoderne américain. L’hybridation de matières, de formes, de couleurs, de sujets, et l’aisance avec laquelle il navigue d’un medium à l’autre, donnent à son art une originalité et une profondeur qui marqueront durablement l’histoire du design graphique.
Josef Albers
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The most wide-ranging retrospective ever held in Italy dedicated to Josef Albers, consisting of 175 works; his paintings, drawings, engravings, furniture, glass works and photography which - as Wassily Kandinsky wrote - reflect all the many qualities of the artist : "inventiveness, clear and convincing compositio, simple but effective means, and a perfect technique".
mars 2012
Josef Albers
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The most wide-ranging retrospective ever held in Italy dedicated to Josef Albers, consisting of 175 works; his paintings, drawings, engravings, furniture, glass works and photography which - as Wassily Kandinsky wrote - reflect all the many qualities of the artist : "inventiveness, clear and convincing compositio, simple but effective means, and a perfect technique".