Collective Creativity
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This catalogue is published on the occasion of the exhibition Collective Creativity, Kassel, Kunsthalle Fridericianum, may to july 2005.
Expositions collectives
janvier 1900, Frankfurt
Collective Creativity
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This catalogue is published on the occasion of the exhibition Collective Creativity, Kassel, Kunsthalle Fridericianum, may to july 2005.
Expositions collectives
Brussels biennial
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The 2008 Brussels Biennial focuses on collaboration, globalization and mobilization. This generously illustrated volume features the work of the Biennial's nearly 100 international artists, including Simon Starling, Joëlle Tuerlinckx, Pawel Althamer, Art & Language, Nicolas Uriburu, Shahidul Alam, Kostis Velonis, Stelios Votsis and Luc Deleu & T.O.P. Office.
Brussels biennial
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The 2008 Brussels Biennial focuses on collaboration, globalization and mobilization. This generously illustrated volume features the work of the Biennial's nearly 100 international artists, including Simon Starling, Joëlle Tuerlinckx, Pawel Althamer, Art & Language, Nicolas Uriburu, Shahidul Alam, Kostis Velonis, Stelios Votsis and Luc Deleu & T.O.P. Office.
Expositions collectives
$23.00
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal(...)
Surface Tension's Supplement 3 :Manual for the construction of a cart as a device to elaborate social connection
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal favela dwellers, who venture throughout the public spaces of Curitiba in search of recyclable materials. Documentation and texts elaborate on the cultural and political issues that come to light through various uses of public space. Originally developed as a collaborative installation between international and local artists--including Ken Ehrlich, Brandon LaBelle, Octávio Camargo and Guilherme Soares--exhibited at Curitiba's Ybakatu Gallery, this publication raises pertinent questions about the consequences of cross-cultural and site-specific collaboration and proffers an experimental approach toward political inquiry and intermedia practice.
The wizard of Oz
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This catalog accompanies the exhibition The Wizard of Oz at the CCA Wattis Institute for Contemporary Arts, on view from September 2 through December 13, 2008 in the lower of the Logan Galleries in the San Francisco campus of California College of Art.
Expositions collectives
février 2009, San Francisco
The wizard of Oz
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This catalog accompanies the exhibition The Wizard of Oz at the CCA Wattis Institute for Contemporary Arts, on view from September 2 through December 13, 2008 in the lower of the Logan Galleries in the San Francisco campus of California College of Art.
Expositions collectives
$66.00
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Featuring essays by experts in architecture, urbanism and contemporary culture, this book documents 28 site-specific installations and temporary interventions in Germany and Australia, which offer interesting prospects for the revitalization of empty land, neatly demonstrating the great potential of provisional usage of urban spaces. All projects date from 2002 to 2008,(...)
Back to the City : stategies for informal urban interventions
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Featuring essays by experts in architecture, urbanism and contemporary culture, this book documents 28 site-specific installations and temporary interventions in Germany and Australia, which offer interesting prospects for the revitalization of empty land, neatly demonstrating the great potential of provisional usage of urban spaces. All projects date from 2002 to 2008, as curated by architect and urban planner Steffen Lehmann, Professor at the University of Newcastle, Australia,
Expositions collectives
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
Un coup de dés: writing turned image, an alphabet of pensive language
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
Expositions collectives
livres
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
Younger than Jesus: the reader
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
livres
janvier 2009
Expositions collectives
livres
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du(...)
janvier 2009
Architecture sculpture : collections Frac centre et Centre Pompidou
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du Fonds Cardot-Joly, les projets les plus emblématiques de ces artistes-architectes, source d'inspiration de l'architecture prospective d'aujourd'hui.
livres
janvier 2009
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Expositions collectives
janvier 1900, Luzern
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Expositions collectives
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8(...)
Expositions collectives
novembre 2008, Berlin
Who says concrete doesn't burn, have you tried? west Berlin film in the '80s
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8 installations, music, and performance bred each other. The book expands on the film series of the same name screened at Kino Arsenal in October 2006. Rainer Bellenbaum, Justin Hoffmann, Matthias Heyden & Ines Schaber, Dirk Schaefer, Stefanie Schulte Strathaus, Marc Siegel, Nicole Wolf, and Florian Wüst address the specific social and cultural conditions of the enclosed city in a variety of ways seen from the present, while the artist Krimo contributed a map of memory to the book.
Expositions collectives