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Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the(...)
Venice and Vitruvius: reading Venice with Daniele Barbaro and Andrea Palladio
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Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.
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Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive(...)
juillet 2012
J.B. Fischer von Erlach: architecture as theater in the baroque era
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Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive volume. In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, and drama.
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This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico(...)
Baldessare Longhena and Venetian Baroque architecture
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This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico palaces along the Grand Canal, he created a plethora of other works over the course of a career that spanned half a century. Andrew Hopkins's thought-provoking text considers the full span of Longhena's illustrious career, from his monumental staircases and libraries to the palaces commissioned by private patrons and his projects for Venice's Greek and Jewish communities. This lively account is accompanied by more than sixty color and 300 black-and-white photographs commissioned especially for the book. A complete list of Longhena's work is included in an appendix.
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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied(...)
Re-reading Leonardo: the treatise on painting across Europe, 1550-1900
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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors.
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juillet 2009
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Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
Cités de la Renaissance: Civitates orbis terrarum
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Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
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novembre 2009
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Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on(...)
Venice's most loyal city: Civic identity in Renaissance Brescia
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Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.
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The notion that numerical proportional systems contribute to the serene, orderly appearance of the basilica of San Lorenzo has long stood as a virtual axiom of architectural history. In this book, Cohen challenges this and many other long-standing preconceptions about proportional systems in the history of architecture. Using Brunelleschi's basilicas of San Lorenzo and(...)
Beyond beauty: re-examining architectural proportion through the basilicas of San Lorenzo and Santo Spirito in Florence
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The notion that numerical proportional systems contribute to the serene, orderly appearance of the basilica of San Lorenzo has long stood as a virtual axiom of architectural history. In this book, Cohen challenges this and many other long-standing preconceptions about proportional systems in the history of architecture. Using Brunelleschi's basilicas of San Lorenzo and Santo Spirito as case studies, the author presents a detailed analysis of his comprehensive measurements of these buildings, which he recorded from scaffolding, meticulous observations of the built fabric, and a variety of documentary sources. This book presents a rigorous new approach to an important but little studied area of architectural history and is essential reading for anyone interested in medieval and Renaissance architecture.
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This book discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and analyses the ways of thinking and seeing that characterized this period of artistic creativity.
The Italian renaissance: culture and society in Italy
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This book discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and analyses the ways of thinking and seeing that characterized this period of artistic creativity.
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During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas.(...)
Frescos within Palladio's architecture : Malcontenta, 1557-1575
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During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas. In Frescos, Antonio Foscari analyzes this fresco cycle, one that not only represents an outstanding example of trompe l’oeil based on architectural structures – and which is closely modeled on Palladio’s ideals – but also sheds light on formative events within the family that commissioned Palladio. This publication contains a wealth of historical documents as well as photographs of the frescos by Matthias Schaller.
Play in Renaissance Italy
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From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years’ research, explores the various forms of play in(...)
Play in Renaissance Italy
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From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years’ research, explores the various forms of play in this period, and offers an overview that reveals the many connections between its different domains. While play could be rough, the Church played an increasing role in determining acceptable and unacceptable forms of play, and, after campaigns against violence and obscenity, much of the licentiousness characteristic of the early Renaissance was tamed.