Sinan's Mosque
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Catalog published on the occasion of the exhibition "Ottoman architecture of the 16th century: mosques of Sinan. Drawings by Augusto Romano Burelli and Paola Gennaro", september-november 2008, Frankfurt, Deutsches Architekturmuseum. The architect (1489-1588) was a master mosque builder who employed perfect proportions to create astonishing lightness in(...)
Histoire jusqu'à 1900, Asie
janvier 1900, Berlin
Sinan's Mosque
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Catalog published on the occasion of the exhibition "Ottoman architecture of the 16th century: mosques of Sinan. Drawings by Augusto Romano Burelli and Paola Gennaro", september-november 2008, Frankfurt, Deutsches Architekturmuseum. The architect (1489-1588) was a master mosque builder who employed perfect proportions to create astonishing lightness in architecture--especially in his gravity-defying cupolas. He is renowned for having borrowed Roman and Byzantine techniques in order to create something new in mosque design--centralized organisms of absolute space, unhindered by pillars or columns. This beautifully illustrated volume, which features stunning reconstructed architectural renderings and diagrams, is the first to fully analyze his method.
Histoire jusqu'à 1900, Asie
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Continuing the "Architecture in Context" series, this second volume narrates the development of architecture across a huge swathe of the world, from the Indian subcontinent to the Japanese archipelago, over a period extending from prehistory to the arrival of Islam and its distinct traditions from the eleventh century onwards. Fantastically illustrated, with over 1,000(...)
The East: buddhists, hindus and the sons of heaven
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Continuing the "Architecture in Context" series, this second volume narrates the development of architecture across a huge swathe of the world, from the Indian subcontinent to the Japanese archipelago, over a period extending from prehistory to the arrival of Islam and its distinct traditions from the eleventh century onwards. Fantastically illustrated, with over 1,000 photographs and drawings, Christopher Tadgell covers the major architectural traditions of India, China, Thailand and Japan as well as the spectacular architecture of Sri Lanka, Nepal, Korea, Myenmar, Bhutan and Tibet. As with the first volume - "Antiquity" - "The East" presents not only the buildings themselves, but the cultures and peoples that they are a part of. Unprecedented in its scope, this volume is a beautiful guide to the fascinating history of Eastern architecture.
Histoire jusqu'à 1900, Asie
Uncrating the Japanese house
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In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two(...)
Uncrating the Japanese house
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In 1953, Japanese architect Junzo Yoshimura designed a now-classic Japanese house and garden that he called Shofuso. It was built in Nagoya, Japan, and shipped to New York in 1954, where it was exhibited at the Museum of Modern Art and then relocated to Philadelphia’s Fairmount Park. This extensively illustrated volume centers on Yoshimura’s design for Shofuso and two allied sites located in New Hope, Bucks County, Pennsylvania: Raymond Farm (1939–41); and Nakashima Studios. Each site, in its own way, is the embodiment of the personal relationships and cross-cultural collaborations among this group of architects and designers. This volume documents an exhibition of objects and ephemera mounted at Shofuso. Architectural photographer Elizabeth Felicella captures each site in a portfolio of newly commissioned images. Essays by Ken Tadashi Oshima and William Whitaker, illustrated with historical photographs, family snapshots and architectural drawings, further elucidate this important chapter in the history of modern architecture and design.
Histoire jusqu'à 1900, Asie
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Lors de la réoccupation des villes de Palestine au printemps 2002, l'armée israélienne a utilisé une tactique inédite: au lieu de progresser dans les rues tortueuses des vieux quartiers ou des camps de réfugiés, les soldats passaient de maison en maison, à travers murs et planchers, évitant ainsi de servir de cibles aux résistants palestiniens. Cette méthode,(...)
À travers les murs: l'architecture de la nouvelle guerre urbaine
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Lors de la réoccupation des villes de Palestine au printemps 2002, l'armée israélienne a utilisé une tactique inédite: au lieu de progresser dans les rues tortueuses des vieux quartiers ou des camps de réfugiés, les soldats passaient de maison en maison, à travers murs et planchers, évitant ainsi de servir de cibles aux résistants palestiniens. Cette méthode, "conceptualisée" sous le nom de "géométrie inversée" par des généraux qui aiment à citer Debord, Deleuze et Guattari ou Derrida, représente un tournant postmoderne dans la guerre des villes.
Histoire jusqu'à 1900, Asie
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Basrayatha is a literary tribute by author Muhammad Khudayyir to the city of his birth, Basra, on the Shatt al-Arab waterway in southern Iraq. Just as a city's inhabitants differ from outsiders through their knowledge of its streets and stories, so Khudayyir distinguishes between the real city of Basra and the imagined city he created through stories, experiences, and(...)
Histoire jusqu'à 1900, Asie
avril 2008, London, New York
Basrayatha: the story of a city
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Basrayatha is a literary tribute by author Muhammad Khudayyir to the city of his birth, Basra, on the Shatt al-Arab waterway in southern Iraq. Just as a city's inhabitants differ from outsiders through their knowledge of its streets and stories, so Khudayyir distinguishes between the real city of Basra and the imagined city he created through stories, experiences, and folklore. By turns a memoir, a travelog, a love letter, and a meditation, Basrayatha summons up a city long gone, yet which lives on in the memories and imaginations of its people. In the tradition of Calvino and Borges, Khudayyir's mesmerizing work itself illuminates and enriches the story of this magnificent city.
Histoire jusqu'à 1900, Asie
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges(...)
Histoire jusqu'à 1900, Asie
mai 2008, Tokyo, Rutland, Singapore
Chinese bridges: living architecture from China's past
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges of China move beyond that stereotype, as many are undeniably dramatic, even majestic and daring. Chinese Bridges illustrates in detail 20 well-preserved ancient bridges, along with descriptions and essays on the distinctive architectural elements shared by the various designs. For the first time in an English-language book, Chinese Bridges records scores of newly discovered bridges across China's vast landscape, illustrated with over 400 color photographs, as well as woodblock prints, historic images, paintings and line drawings. Ronald G. Knapp has been carrying out research on cultural and historical geography in China's countryside since 1965. Currently SUNY Distinguished Professor Emeritus at the State University of New York, New Paltz, he is the author or contributing editor of more than a dozen books.
Histoire jusqu'à 1900, Asie
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality,(...)
Imagining the turkish house: collective visions of home
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.
Histoire jusqu'à 1900, Asie
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Comment se traduit la méditation sur le temps qui passe en Occident et en Orient ? Quels sont les rapports entre l'architecture et le temps ? Si pour les occidentaux, la figure de la ruine reste un des lieux communs les plus propices à cette réflexion, d'autres figures traversent l'esthétique japonaise, du théâtre nô à la poésie en passant par l'art des jardins et(...)
Traces et fragments dans l'esthétique japonaise
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Comment se traduit la méditation sur le temps qui passe en Occident et en Orient ? Quels sont les rapports entre l'architecture et le temps ? Si pour les occidentaux, la figure de la ruine reste un des lieux communs les plus propices à cette réflexion, d'autres figures traversent l'esthétique japonaise, du théâtre nô à la poésie en passant par l'art des jardins et l'architecture. Le jardin à l'abandon (haien), la trace (ato) et la demeure provisoire (yado) révèlent une manière éphémère et transitoire d'habiter le monde. Alors qu'en Occident, la menace du temps ne devient effective qu'une fois l'acte de création terminé, on constate au Japon une fragilisation volontaire de l'oeuvre dès son édification. Le dialogue esthétique entre deux cultures instauré par l'auteur se prolonge auprès des artistes contemporains dont le travail, par-delà les frontières et les traditions, s'inscrit lui aussi dans une réflexion sur le passage du temps.
Histoire jusqu'à 1900, Asie
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This book examines the architectural tradition which developed with the religious culture of Islam. Essentially heir to the Roman development of space, it had its source in the ubiquitous courtyard house, while the development of the mosque as both place of worship and the centre of the community, it forms a response to the requirements of prayer set out in the Koran, was(...)
Histoire jusqu'à 1900, Asie
mai 2008, Oxon, New York
Islam from the Medina to the Magreb and from the Indies to Istanbul
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This book examines the architectural tradition which developed with the religious culture of Islam. Essentially heir to the Roman development of space, it had its source in the ubiquitous courtyard house, while the development of the mosque as both place of worship and the centre of the community, it forms a response to the requirements of prayer set out in the Koran, was given a range of forms as the conquests of Islam came up against the traditions of Egypt, Persia, India and China. The tradition developed further in tombs, palaces and fortifications, all of which are described and illustrated here. The architecture of "Islam" encompasses a high proportion of the world's most beautiful buildings. This book covers the whole range in unprecedented breadth and depth.
Histoire jusqu'à 1900, Asie
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and(...)
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy. The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion.
Histoire jusqu'à 1900, Asie