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At last available in English, this classic text was originally published in Germany in 1951 and has been continuously in print since then. Gunter Bandmann analyzes the architecture of societies in western Europe up to the twelfth century that aspired to be the heirs to the Roman empire. He examines the occurrence and recurrence of basic forms not as stylistic evolutions(...)
Early medieval architecture as bearer of meaning
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At last available in English, this classic text was originally published in Germany in 1951 and has been continuously in print since then. Gunter Bandmann analyzes the architecture of societies in western Europe up to the twelfth century that aspired to be the heirs to the Roman empire. He examines the occurrence and recurrence of basic forms not as stylistic evolutions but as meaningful expressions of meta-material content and develops an architectural iconography of symbolic, historical, and aesthetic elements.
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One of the most famous books in the world, the ''Hypnerotomachia Poliphili,'' read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for(...)
Hypnerotomachia poliphili : the strife of love in a dream
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One of the most famous books in the world, the ''Hypnerotomachia Poliphili,'' read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for his beloved Polia. The author (presumed to be Francesco Colonna, a friar of dubious reputation) was obsessed by architecture, landscape, and costume- it is not going too far to say sexually obsessed- and its 174 woodcuts are a primary source for Renaissance ideas on both buildings and gardens. In 1592 an attempt was made to produce an English version but the translator gave up. The task has been triumphantly accomplished by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader.
La ville médiévale
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Au cours du Moyen Âge se dessinent les contours d'une nouvelle Europe urbaine. Elle constitue l'armature du réseau des villes actuelles. Peut-on parler de « ville médiévale » ? En tout cas avec l'implosion du monde romain, la ville de l'Antiquité disparaît lentement tandis qu'apparaissent de nouvelles réalités urbaines qui ne se laissent plus circonscrire par le cadre(...)
La ville médiévale
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Au cours du Moyen Âge se dessinent les contours d'une nouvelle Europe urbaine. Elle constitue l'armature du réseau des villes actuelles. Peut-on parler de « ville médiévale » ? En tout cas avec l'implosion du monde romain, la ville de l'Antiquité disparaît lentement tandis qu'apparaissent de nouvelles réalités urbaines qui ne se laissent plus circonscrire par le cadre politique et spatial de la cité. Entre les VIIe et Xe siècles, des modèles originaux d'urbanisation se développent, le plus souvent hors du bassin méditerranéen qui fut le berceau de la civitas. Les siècles du « grand progrès » (XIe-début XIVe siècle) sont aussi ceux du développement de nouvelles communautés urbaines. S'y inventent non seulement des manières particulières de travailler, d'habiter et de cohabiter, mais aussi de nouvelles pratiques de gouvernement. Aussi les villes ont-elles peut-être été, dans l'Europe des États monarques que le Moyen Âge lègue à l'époque moderne, les laboratoire des sociétés politiques.
The Alhambra
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The Alhambra has long been a byword for exotic and melancholy beauty. In his new book, Robert Irwin, Arabist and novelist, examines its history and allure. As guide to this architectural masterpiece, Irwin allows us to fully understand the impact of the Alhambra.
The Alhambra
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The Alhambra has long been a byword for exotic and melancholy beauty. In his new book, Robert Irwin, Arabist and novelist, examines its history and allure. As guide to this architectural masterpiece, Irwin allows us to fully understand the impact of the Alhambra.
Bâtir au Moyen Âge
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Charpentiers, maçons, tailleurs de pierre, etc. : c'est toute la vie quotidienne des chantiers du Moyen-Age qui est restituée ici. Importance de la main-d'oeuvre, fourniture et prix des matériaux, outillage, transport, répartition du travail, hiérarchie et salaires, place de l'architecte, diversité des lieux investis par les constructeurs et rôle de la loge où(...)
Bâtir au Moyen Âge
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Charpentiers, maçons, tailleurs de pierre, etc. : c'est toute la vie quotidienne des chantiers du Moyen-Age qui est restituée ici. Importance de la main-d'oeuvre, fourniture et prix des matériaux, outillage, transport, répartition du travail, hiérarchie et salaires, place de l'architecte, diversité des lieux investis par les constructeurs et rôle de la loge où travaillent apprentis et compagnons : Philippe Bernardi raconte comment l'on bâtissait au temps des cathédrales. Traitant des divers types de constructions de l'Europe occidentale, et des apports les plus récents de la recherche (sources écrites, iconographiques, archéologiques ou issues des laboratoires), il rend vivante autant qu'il l'élargit l'histoire de ces artisans du Moyen-Âge.
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The Gothic cathedrals of the middle ages are among the world's greatest architectural achievements. Looking up at the soaring vaulted ceiling of a gothic church, it is impossible not to marvel at the seemingly unending design variations of these transcendent structures. Photographer David Stephenson continues his exploration of the architecturally sublime by focusing his(...)
Heavenly vaults, from Romanesque to Gothic in european architecture
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The Gothic cathedrals of the middle ages are among the world's greatest architectural achievements. Looking up at the soaring vaulted ceiling of a gothic church, it is impossible not to marvel at the seemingly unending design variations of these transcendent structures. Photographer David Stephenson continues his exploration of the architecturally sublime by focusing his camera on the amazing vaulted ceilings of the medieval churches, cathedrals, and basilicas of Europe. Stephenson presents more than eighty romanesque and gothic vaults in kaleidoscopic photographs that reveal their complex geometrical structures, decorative detailing, and ornamental painting in ways they have never before been seen.
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The popular image of the traditional western city has usually been dominated by the cathedral, whose sheer size seemed to create an isolated physical and spiritual focal point. In this iconoclastic study, the author sets out to reverse some of the romantic myths which have accrued about the medieval cathedral, in particular that the cathedral was a separate entity,(...)
The cathedral: the social and architectural dynamics of construction
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The popular image of the traditional western city has usually been dominated by the cathedral, whose sheer size seemed to create an isolated physical and spiritual focal point. In this iconoclastic study, the author sets out to reverse some of the romantic myths which have accrued about the medieval cathedral, in particular that the cathedral was a separate entity, self-sufficient, sublime and apart. Here the cathedral is shown to be a dynamic, evolving and unpredictable force in the development of the medieval city. Taking France as the main focus, but including material on England, Germany, Italy, Spain and Bohemia, the author describes the growth of diocesan authority and the consequent experiments in the layout of cathedral plans.
Larousse des cathédrales
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La découverte de près de 100 cathédrales depuis les origines chrétiennes jusqu'à aujourd'hui. Les grandes étapes de leur construction, leurs caractéristiques architecturales et décoratives sont présentées.
Larousse des cathédrales
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La découverte de près de 100 cathédrales depuis les origines chrétiennes jusqu'à aujourd'hui. Les grandes étapes de leur construction, leurs caractéristiques architecturales et décoratives sont présentées.
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Nearly a century after it was first published in 1925, Medieval Cities remains one of the most provocative works of medieval history ever written. Here, Henri Pirenne argues that it was not the invasion of the Germanic tribes that destroyed the civilization of antiquity, but rather the closing of Mediterranean trade by Arab conquest in the seventh century. The consequent(...)
Medieval cities: their origins and the revival of trade
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Nearly a century after it was first published in 1925, Medieval Cities remains one of the most provocative works of medieval history ever written. Here, Henri Pirenne argues that it was not the invasion of the Germanic tribes that destroyed the civilization of antiquity, but rather the closing of Mediterranean trade by Arab conquest in the seventh century. The consequent interruption of long-distance commerce accelerated the decline of the ancient cities of Europe. Pirenne challenges conventional wisdom by attributing the origins of medieval cities to the revival of trade, tracing their growth from the tenth century to the twelfth.
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges(...)
Gothic wonder: art, artifice, and the decorated style, 1290–1350
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.