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Titre:
Early art and architecture of Africa

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Résumé:
This new history of over 5000 years of African art reveals its true diversity for the first time. Challenging centuries of misconceptions that have obscured the sophisticated nature of African art, Peter Garlake uses the latest research and archaeological finding to offer exciting new insights into the period between 2000BC and 1500AD. All the main regions are covered : southern Africa, Nubia, Aksum, the Niger River, West Africa, Great Zimbabwe, and the East African coast. Aknowledging the universal allure of the African art object, this book restores it to its original social and historical context, helping us to understand more about the ways in which this art was produced, used, and received.

Titre:
Maroc : les palais et jardins royaux

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$115.00
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Résumé:
Les palais et jardins royaux du Maroc, le titre invite à la rêverie, surtout lorsqu'on parle d'une contrée au climat relativement aride. Ériger de beaux édifices et tenter de faire reculer le désert dans ce pays est le défi permanent de l'homme : creuser des puits, faire jaillir de l'eau, aménager des canaux et des ruisseaux, pour, enfin, créer des jardins, univers fertiles et luxuriants... Comment l'art des jardins a-t-il pu naître et se développer dans de telles Conditions ? Tout d'abord grâce au pouvoir monarchique qui régna sans discontinuer pendant plus de mille ans, assurant par la maîtrise politique et technique de l'eau, le développement de ces résidences royales aux jardins merveilleux, tant chantés par les lettrés musulmans. De ce point de vue, les sites de Fès, Marrakech, Rabat et Meknès, capitales d'empire, furent remarquablement choisis. Véritables cités hydrauliques, ces quatre villes et leurs palais étaient dotés de différentes techniques d'adduction d'eau. Ensuite, l'héritage spirituel, empreint d'images du paradis tel que promis aux fidèles, incita les musulmans à créer et à multiplier les jardins terrestres supposés imiter, certes de façon toujours imparfaite, le jardin d'Éden. Enfin, les apports culturels d'Orient suscitèrent une floraison d'œuvres majestueuses que le Maroc musulman réalisa admirablement, dans le cadre d'une civilisation hispano-mauresque brillante dont il est encore le principal héritier. Ce livre explore les jardins royaux du Maroc selon un cheminement à la fois généalogique, patrimonial et esthétique. De l'agdâl, grand jardin planté aux bassins immenses où se reflètent les pavillons exquis destinés aux plaisirs des princes, aux riyâd, jardins intérieurs aux jets d'eau rafraîchissants, toute une combinaison hiérarchisée d'espaces verdoyants se compose harmonieusement, selon une logique de structuration de l'architecture des palais royaux marocains : extérieur/intérieur et privé/public. Au confluent de 1'Espagne mauresque et de l'Orient arabe, une riche tradition artistique s'y est développée; palais et jardins témoignent donc d'une virtuosité exceptionnelle et d'un savoir-faire remarquable. Cet ouvrage en restitue la beauté et la magnificence.

Titre:
Asmara : Africa's secret modernist city

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Résumé:
Asmara, the capital of the small east African country of Eritrea, bordering the Red Sea, is one of the most important and exciting architectural ‘discoveries’ of recent years. Built almost entirely in the 1930s by the Italians, Asmara has one of the highest concentrations of modernist architecture anywhere in the world, and has evocatively been described as “the Miami of Africa”. Desperate to build quickly, the colonial government of the time allowed radical architectural experimentation that would not have found favour in the more conservative European environment. Asmara therefore became one of the world’s prime locations for architectural innovation during the Modern Movement. That this occurred at all is remarkable enough, but that these buildings should have survived in such numbers today makes it one of the finest modernist cities in the world. This is a building-by-building survey, illustrated with rare archival material and specially commissioned photographs

Titre:
Up up: stories of Johannesburg’s highrises

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Résumé:
''Up Up'' presents a selection of buildings in the inner city of Johannesburg, focusing on the tall modernist towers that stood out at the time they were constructed. Witnesses to profound shifts in the political history of the metropolis, the buildings have gone through immense changes. They are documented in two distinct sections: the architecture is presented with facts, floor plans, archival discoveries and contemporary images of the interior and the exterior; additionally, each building is accompanied by a reportage or subjective essay on the inner workings of the building.

Titre:
Houses in motion : the experience of place and the problem of belief in urban Malaysia

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This publication is about the transformation of urban space and the reordering of the demographic character of Brickfields, one of the oldest neighborhoods in Kuala Lumpur. The author offers an ethnographic account of the complex attempts on the part of the state and the community to reconcile techno-rational conceptions of law, development, and city planning with local experiences of place, justice, relatedness, and possibilities for belief in an aggressively changing world.

Titre:
Architecture for the Dead: Cairo's Medieval Necropolis

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Résumé:
In Architecture of the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailled and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest, but elaborately decorated, wooden structures.

Titre:
Taming the disorderly city: the spatial landscape of Johannesburg after Apartheid

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Résumé:
In postapartheid Johannesburg, tensions of race and class manifest themselves starkly in struggles over "rights to the city." Real-estate developers and the very poor fight for control of space as the municipal administration steps aside, almost powerless to shape the direction of change. Having ceded control of development to the private sector, the Johannesburg city government has all but abandoned residential planning to the unpredictability of market forces. This failure to plan for the civic good--and the resulting confusion--is a perfect example of the entrepreneurial approaches to urban governance that are sweeping much of the Global South as well as the cities of the North. Martin J. Murray brings together a wide range of urban theory and local knowledge to draw a nuanced portrait of contemporary Johannesburg. In Taming the Disorderly City, he provides a focused intellectual and political critique of the often-ambivalent urban dynamics that have emerged after the end of apartheid. Exploring the behaviors of the rich and poor, each empowered in their own way, as they rebuild a new Johannesburg, we see the entrepreneurial city: high-rises, shopping districts, and gated communities surrounded by and intermingled with poverty. In graceful prose, Murray offers a compelling portrait of the everyday lives of the urban poor as seen through the lens of real-estate capitalism and revitalization efforts.

Titre:
Street archives and city life: popular intellectuals in postcolonial Tanzania

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Résumé:
In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of what Callaci calls street archives. These urban intellectuals neither supported nor contested the ruling party's anti-city philosophy; rather, they navigated the complexities of inhabiting unplanned African cities during economic crisis and social transformation through various forms of popular texts that included women's Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals in Dar es Salaam fashioned a collective ethos of postcolonial African citizenship. This spirit ushered in a revolution rooted in the city and its networks—an urban revolution that arose in spite of the nation-state's pro-rural ideology.

Titre:
African metropolis: Una citta immaginaria / An imaginary city

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Résumé:
A land of promise, of contrasts between tradition and innovation, an example of a new social model based on the concept of human community, the African continent, protagonist of the exhibition at MAXXI in 2018, is examined from an innovative point of view which leads to questioning visitors on their knowledge of the places. The museum houses the site-specific works and projects from 40 artists who communicate their continent and investigate it in the dimension of urban space. The volume that accompanies the exhibitions contains essays and interview with international authors such as Marco Scotini, Sumesh Sharma, Edgar Pieterse, Akinbode Akinbiyi, and Bonaventure Ndikung.

Titre:
Le crac des chevaliers : chroniques d'un rêve de pierre

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Résumé:
Forteresse croisée dressée depuis huit siècles au coeur de la Syrie, le Crac des Chevaliers est un symbole permanent des échanges entre Orient et Occident, et de la fascination de deux mondes qui ne cessent de s'observer, de part et d'autre de la Méditerranée. Entièrement rebâti au XIIe siècle par les moines-soldats de l'ordre des Hospitaliers, le Crac est pris en 1271 par les mamelouks du sultan Baybars. En 2006, le Crac est inscrit au patrimoine mondial de l'Unesco ; il fait encore aujourd'hui l'objet de recherches archéologiques et historiques. Le présent ouvrage offre une synthèse claire et illustrée de son histoire, où l'expression du château idéal se mêle sans cesse au rêve oriental.