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The gardener labours to harmonize nature's most subtle forms with his or her own most elaborate plans. Gardens present a succession of ever-rephrased dialogues between nature and culture, design and delight, work and play. Yet they are also mutable and fragile, vulnerable to the rigors of the changing seasons. The most stimulating thought and research on the history(...)
The history of garden design : the Western tradition from the Renaissance to the present day
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The gardener labours to harmonize nature's most subtle forms with his or her own most elaborate plans. Gardens present a succession of ever-rephrased dialogues between nature and culture, design and delight, work and play. Yet they are also mutable and fragile, vulnerable to the rigors of the changing seasons. The most stimulating thought and research on the history of the garden from the fifteenth century to the present day are organized chronologically here in sections that cover the humanist garden in Renaissance Italy; the Baroque garden and classical park; picturesque, arcadian, and sublime gardens of the Enlightenment; mazes, grottoes, and other curiosities; town and city parks; and even Disneyland. In each section, individual gardens are analyzed as paradigms of their type: the Hortus Palatinus in Heidelberg, the Parc Monceau in Paris, Stowe in England, and many others, including contemporary gardens designed by Roberto Burle Marx, Ian Hamilton Finlay, and Geoffrey Jellicoe. Many hitherto unrecorded examples are detailed, and well-known aspects of the history of the garden are reinterpreted from totally new perspectives. The essays are supported by paintings, reliefs, and drawings as well as figurative illustrations and photographs. A specially commissioned series of fifty-one plans of each epoch's most significant gardens completes this survey of the evolution of the Western garden.
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mai 2000, New York
Jardins
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This book presents the various solutions that were proposed for the planning of a section of land between Rotterdam and Antwerp. Eight design temans from the Netherlands and abroad came up with designs and strategies for a new relation between city and countryside.
Jardins
avril 2000, Bussum
Air-southbound : new landscape frontiers
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This book presents the various solutions that were proposed for the planning of a section of land between Rotterdam and Antwerp. Eight design temans from the Netherlands and abroad came up with designs and strategies for a new relation between city and countryside.
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avril 2000, Bussum
Jardins
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The founders of Dumbarton Oaks, Mildred and Robert W. Bliss, were important American philanthropists; the garden was developed between 1920 and 1965 by Mildred Bliss. She worked with several designers, the most significant of whom was the American landscape gardener Beatrix Farrand. The romantic but disciplined design, a series of small individual terraces and winding(...)
Dumbarton Oaks : garden into art
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The founders of Dumbarton Oaks, Mildred and Robert W. Bliss, were important American philanthropists; the garden was developed between 1920 and 1965 by Mildred Bliss. She worked with several designers, the most significant of whom was the American landscape gardener Beatrix Farrand. The romantic but disciplined design, a series of small individual terraces and winding walkways, reflects the character of Mildred Bliss: her place in society, her travels, and her spiritual ideals. Cool formality, joyful opulence, and feelings of intimacy, reticence, and artlessness are all present in the garden. Private, public, and utilitarian areas coexist within the integrated whole. This volume, the first to present the gardens of Dumbarton Oaks, features more than 100 color photographs of the garden in all seasons. Photographer Ping Amranand has documented the garden over the course of more than a decade, and his exceptional images capture all aspects of the garden. Susan Tamulevich’s text details the original conception of the garden, its implementation over the course of half a century, and its continuing inspiration as an unparalleled American landscape.
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février 2002, New York
Jardins
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This book combines breathtaking aerial photographs and exquisite map-drawings of the American landscape with thoughtful essays that explore how various cultures have forged the landscapes in different regions of the country and what the possibilities are for(...)
Taking measures across the American landscape
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This book combines breathtaking aerial photographs and exquisite map-drawings of the American landscape with thoughtful essays that explore how various cultures have forged the landscapes in different regions of the country and what the possibilities are for future landscape design. The authors demonstrate that landscape representation is more than descriptive--it can also instruct and construct how people perceive, shape, and transform the land. Essays, Drawings, and Commentary by James Corner; photographs by Alex S. MacLean; foreword by Michael Van Valkenburgh.
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octobre 2000, New Haven
Jardins
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The artist & the garden
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This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his(...)
The artist & the garden
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This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his expertise in both art history and garden history, surveys garden pictures ranging from Elizabethan miniatures to eighteenth-century alfresco conversation pieces, from suites of paintings of a single garden to amateur watercolors. He inquires into the origin of the English garden picture genre, its development prior to the invention of photography, its greatest exponents, its reliability as historical evidence of actual gardens, and its place within the larger European tradition of picturing the garden. The English, Strong observes, were slow in picturing the reality of their gardens. Until well into the Stuart age, the garden in art served as a symbol, and only gradually did this give way to the impulse to record the facts of contemporary garden-making. In the backgrounds of portraits of Jacobean and Caroline garden owners, the garden is no longer an emblem; it becomes instead a document demonstrating the owners' pride in their gardens made in the new Renaissance manner. By the Georgian age the garden has moved from the back to the foreground of pictures, and whole families place themselves amid the glory of their self-fashioned landscapes. Both house and garden at this point assume a separate identity, each calling for an individual record. And by the nineteenth century, the author shows, the garden detaches itself from owner and house to be recorded for its own sake, as a single image at first, and later in a series. With some 350 fully annotated illustrations, this lovely book offers a unique record of three hundred years of English gardens and what they meant to those who owned and portrayed them.
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octobre 2000, New Haven
Jardins
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The heem parks (parks that predominately feature native wild plants) De Braak, the K. Landwehrpark and, especially, the Jac.P. Thijsse Park in Amstelveen in the Netherlands, have been important sources of inspiration for landscape architects, gardeners, and nature lovers throughout the world since they were first laid out over fifty years ago. This new book looks at the(...)
Jac. P. Thijsse Park : designed Dutch landscape
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The heem parks (parks that predominately feature native wild plants) De Braak, the K. Landwehrpark and, especially, the Jac.P. Thijsse Park in Amstelveen in the Netherlands, have been important sources of inspiration for landscape architects, gardeners, and nature lovers throughout the world since they were first laid out over fifty years ago. This new book looks at the extraordinary history of these parks and the work of the landscape architect Christiaan Broerse and his colleague, the botanist Koos Landwehr. It also details Broerse and Landwehr’s creative and highly original use of a great variety of native plants in these parks. Bekkers analyses the parks as integral elements of Amsterdam’s urban expansion plans and demonstrates how successfully Broerse and Landwehr resolved the tension between the conservation movement and city planners. He shows too how interest in the Amstelveen heem parks have grown over time. These parks have played a key role, for instance, in the increasing emphasis on the use of native plants in the layout of green areas. The book is richly illustrated, with specially commissioned full-colour photographs by Jan Derwig and aerial photographs by Jan Schot. Also included are historical illustrations and sketches.
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The modern garden
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"The Modern Garden" is the first fully illustrated overview of the great gardens of the 20th century. It portrays hundreds of gardens, from the works of Geoffrey Jellicoe to Roberto Burle Marx, Russell Page to Dan Kiley, Isamu Noguchi to Richard Haag, (...)
The modern garden
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"The Modern Garden" is the first fully illustrated overview of the great gardens of the 20th century. It portrays hundreds of gardens, from the works of Geoffrey Jellicoe to Roberto Burle Marx, Russell Page to Dan Kiley, Isamu Noguchi to Richard Haag, created throughout the century and around the world. Twelve "masterwork" gardens are explored in special detail. Masterwork gardens featured: Guevrekian's Hyeres, France; Ludwig Gerns garden, Germany; Geoffrey Jellicoe garden, London; Fletcher Steele, Naumkeag, Massachusetts; Dan Kiley, Miller House, Indiana; Walter Gropius at home, Massachusetts; Mien Ruys, Dedmsvaart Garden, the Netherlands; Roberto Burle Marx, Brazil; Pietro Porcinai, Villa Il rosetto, Italy; Russell Page, Villa Silvio Pellico, Italy; Arne Jacobsen,St. Catherine's College England; Isamu Noguchi, the California Scenario.
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novembre 2000, New York
Jardins
$157.00
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Ce volume relatif au jardin et à ses composantes esthétiques autant que techniques recense méthodiquement tous les termes -- environ trois mille mots du langage commun, scientifique, professionnel et littéraire-- pour analyser et décrire l'ensemble des éléments qui constituent un jardin.
Jardin : vocabulaire typologique et technique
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Ce volume relatif au jardin et à ses composantes esthétiques autant que techniques recense méthodiquement tous les termes -- environ trois mille mots du langage commun, scientifique, professionnel et littéraire-- pour analyser et décrire l'ensemble des éléments qui constituent un jardin.
Jardins
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Ancient Roman gardens
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Drawing upon information found in literature, frescoes, mosaics, and archeological research, Farrar traces the history of Roman gardens from the vegetable patch through to the sophisticated forms seen at the height of the Empire.
Ancient Roman gardens
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Drawing upon information found in literature, frescoes, mosaics, and archeological research, Farrar traces the history of Roman gardens from the vegetable patch through to the sophisticated forms seen at the height of the Empire.
livres
mai 2000, Frome
Jardins
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$112.00
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Landscape architecture is a unique discipline where art, nature and the city converge and enter into an exciting dialogue. In the USA, the country of vast open plains and spacious towns, the great tradition of life in confrontation with nature plays an equally (...)
On the nature of things : contemporary american landscape architecture
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Landscape architecture is a unique discipline where art, nature and the city converge and enter into an exciting dialogue. In the USA, the country of vast open plains and spacious towns, the great tradition of life in confrontation with nature plays an equally important role in landscape architecture as the acute problems of the built environment or social problems within the community. Design methods and practise in landscape architecture form the focus of this book, complemented by an analysis of the theoretical aspects of the subject. Perceptive portraits of 13 offices span the whole breadth of landscape design, from the post-ecological utopia of Michael Sorkin (New York/Vienna) to the urban pragmatism of the Roma Design group (San Francisco), from the ecological approach of the Philadelphia group Andropogon, also active in Japan, to the minimalist landscape art of Kathryn Gustafson (Seattle/London/Paris).
livres
janvier 2001, Basel
Jardins