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The first publication in a a new series entitled Source Books in Landscape Architecture focusses on Michael Van Valkenburgh's recently completed Allegheny Riverfront Park project for Pittsburgh, Pennsylvania. As part of the city's efforts to restore its downtown district and riverfront, Van Valkenburgh, along with artists Ann Hamilton and Michael Mercil, developed an(...)
Michael Van Valkenburg Associates : Allegheny Riverfront Park
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The first publication in a a new series entitled Source Books in Landscape Architecture focusses on Michael Van Valkenburgh's recently completed Allegheny Riverfront Park project for Pittsburgh, Pennsylvania. As part of the city's efforts to restore its downtown district and riverfront, Van Valkenburgh, along with artists Ann Hamilton and Michael Mercil, developed an ambitious plan to reform the wasted land along the river into an urban refuge. This collaboration between landscape architect and artists produced a thoughtful, useful, and beautiful park that has successfully renewed the city's core.
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The mysterious world beneath the ocean's surface has captivated people for centuries - the Egyptians, Greeks, Romans, and ancient Chinese all kept fish in their homes for purposes other than the culinary. But it was not until the nineteenth-century invention of the aquarium that the deep was truly domesticated, offering the curiously inclined a chance to invent their very(...)
The ocean at home : an illustrated history of the aquarium
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The mysterious world beneath the ocean's surface has captivated people for centuries - the Egyptians, Greeks, Romans, and ancient Chinese all kept fish in their homes for purposes other than the culinary. But it was not until the nineteenth-century invention of the aquarium that the deep was truly domesticated, offering the curiously inclined a chance to invent their very own exotic sea world within their own walls. In this fascinating history of the aquarium, Bernd Brunner traces the development of this most wonderful invention, giving insight into the cultural and social circumstances that accompanied its swift rise in popularity. Brunner tells a compelling story of obsession, beauty, discovery, and delight, from the aquarium's humble origins as a tool for scientific observation to the Victorian era's elaborately decorated containers of oceanic curiosity, to the great public aquaria of the twentieth century.
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Standing on Mont Ventoux near Avignon, the fourteenth-century poet Petrarch experienced an entirely new sensation that he described as 'stepping out of time and space'. On the mountain's summit he was as far as he could be from the 'world's stage all around'. The huge distance reduced reference points to insignificant specks down below, and everything in the panorama(...)
The invented land : a bird's-eye view of Dutch landscape architecture
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Standing on Mont Ventoux near Avignon, the fourteenth-century poet Petrarch experienced an entirely new sensation that he described as 'stepping out of time and space'. On the mountain's summit he was as far as he could be from the 'world's stage all around'. The huge distance reduced reference points to insignificant specks down below, and everything in the panorama seemed motionless, dispelling any notion of time. Petrarch had placed himself outside reality. That is what makes aerial photography so fascinating, writes Clemens M. Steenbergen, professor of landscape architecture at Delft University of Technology, in his introduction. The higher the viewpoint the greater the visual control and the more abstract the image. We can see whether a landscape has been shaped by man or is pure nature, how space and mass form one composition. Aerial photographer and landscape architect Peter van Bolhuis captures on camera the Dutch landscape: areas devoted to agriculture, forestry, nature, infrastructure and urban development. The pictures show us the achievements of a half century of landscape architecture. We see a landscape in which everything is precisely measured and demarcated, everything is planned and calculated, with no space left unattended. We see, writes Tracy Metz in one of the essays, 'a landscape that is the sum of negotiations about ever smaller parts'.
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décembre 2004, Wageningen, Netherlands
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À l’ère des mégapoles, de l’agriculture hors sol, des manipulations génétiques et du contrôle du territoire, il est tentant de dire que le mot de nature ne désigne plus rien. Pourtant, il fonctionne en continu comme un opérateur de nostalgie. Ici, dans ce numéro 3, nous avons voulu réfléchir, non en prétendant qu’existe et que doit être sauvée une essence de la nature(...)
Les cahiers de l'École de Blois 3
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À l’ère des mégapoles, de l’agriculture hors sol, des manipulations génétiques et du contrôle du territoire, il est tentant de dire que le mot de nature ne désigne plus rien. Pourtant, il fonctionne en continu comme un opérateur de nostalgie. Ici, dans ce numéro 3, nous avons voulu réfléchir, non en prétendant qu’existe et que doit être sauvée une essence de la nature ou du naturel, mais en observant ou en décrivant des fonctionnements ou en ouvrant des chemins de traverse : la forêt et la ville, les jardins anglais revisités, des projets pour un tramway en banlieue, une abbaye en Normandie, le cube rouge dans la vallée, etc. Textes et images en opus incertum dans ces cahiers où paysages et disciplines se croisent et se saluent mutuellement.
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Depuis dix ans, la Provence connaît une vague exceptionnelle de créations de jardins, se plaçant désormais au cœur des tendances actuelles. Tous les genres s'y expriment (paysage miniature, jardin narratif, minimalisme, nouveau pittoresque, jardin-sculpture, jardin-paysage, /and art...), révélant un autre jardin provençal, à la fois contemporain et fortement lié au(...)
Du jardin au paysage : 30 créations contemporaines en Provence
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Depuis dix ans, la Provence connaît une vague exceptionnelle de créations de jardins, se plaçant désormais au cœur des tendances actuelles. Tous les genres s'y expriment (paysage miniature, jardin narratif, minimalisme, nouveau pittoresque, jardin-sculpture, jardin-paysage, /and art...), révélant un autre jardin provençal, à la fois contemporain et fortement lié au terroir, loin du modèle galvaudé. Des "petits jardins secrets" aux vastes "projets partagés", ces nouveaux jardins sont de véritables objets d'art, paysages dans le paysage en accord avec l'esprit des lieux et porteurs de la mémoire du site. Louisa Jones examine en détail trente des plus beaux de ces "paysages jardinés" réalisés par les meilleurs paysagistes.
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novembre 2004, Paris
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Room 4.1.3, an Australian landscape architecture firm, is renowned for producing some of the world's most finely tuned design work, striking a balance between theory and praxis, design and planning. The firm's projects engage visitors in a way that few public spaces have before. Founded in the 1990s by Richard Weller and Vladimir Sitta, Room 4.1.3 has received awards in(...)
Room 4.1.3 : innovations in landscape architecture
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Room 4.1.3, an Australian landscape architecture firm, is renowned for producing some of the world's most finely tuned design work, striking a balance between theory and praxis, design and planning. The firm's projects engage visitors in a way that few public spaces have before. Founded in the 1990s by Richard Weller and Vladimir Sitta, Room 4.1.3 has received awards in more than forty open design competitions and is currently at work on a new city in Singapore, "fusion-polis." Adopting a new proscriptive approach, the designs exhibit a strong theoretical base that extends into cultural studies, art, geography, anthropology, and psychology. For example, the controversial Garden of Australian Dreams at the National Museum of Australia in Canberra is a veritable playground of meanings, invoking events of such varying cultural significance as the birth of Australia as a nation and the work of Jackson Pollock. This lavishly illustrated volume features many other award-winning Room 4.1.3 designs, including Namesti Miru in Prague, Potsdamer Platz in Berlin, and Gallipoli Peace Park in Turkey. Internationally renowned scholars and critics provide essays that contextualize each project and ultimately argue for the primacy and efficacy of poetic and subversive imagination in the formation of our environment. The works collected here, both built and unbuilt, will introduce Room 4.1.3's iconic style to an ever-widening audience in North America and open up an international discourse on new meanings of landscape architecture.
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janvier 2005, Philadelphia
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Transformer sa cour arrière ou son jardin en un écosystème productif et nourricier, voilà l’objectif de ce guide incontournable! Que vous soyez en zone urbaine, en banlieue ou à la campagne, ce nouveau guide saura vous accompagner pas à pas pour aménager votre espace extérieur en îlots de verdure écologiques et comestibles. Plantation d’arbres, d’arbustes fruitiers,(...)
De la cour au jardin : Transformer son terrain en aménagement écologique et comestible
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Transformer sa cour arrière ou son jardin en un écosystème productif et nourricier, voilà l’objectif de ce guide incontournable! Que vous soyez en zone urbaine, en banlieue ou à la campagne, ce nouveau guide saura vous accompagner pas à pas pour aménager votre espace extérieur en îlots de verdure écologiques et comestibles. Plantation d’arbres, d’arbustes fruitiers, variétés de plantes, équipement et matières premières, conception d’un aménagement, travaux à effectuer, installation d’un système d’irrigation, entretien de votre terrain : au bout de quelques années, vous verrez que vos efforts seront largement récompensés!
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art(...)
Noguchi's gardens: landscape as sculpture
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need. Although his gardens include several of the twentieth century’s most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition—bolstered by focused study where required—than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places.
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Within this easy to understand book, you’ll learn how to; root cuttings and leaves in soil and water, germinate pips, pits and seeds along with other propagation techniques. From decorative house plants, to herbs and vegetables, this book will multiply your botanical abundance. Propagation projects include: popular herbs and edibles including rosemary, mint, thyme and(...)
Seeds and cuttings: A guide to germinating, cutting and multiplying 60 plants
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Within this easy to understand book, you’ll learn how to; root cuttings and leaves in soil and water, germinate pips, pits and seeds along with other propagation techniques. From decorative house plants, to herbs and vegetables, this book will multiply your botanical abundance. Propagation projects include: popular herbs and edibles including rosemary, mint, thyme and pineapple, fruit trees such as orange, olive and apple, popular decorative and indoor plants like monstera, pilea, marantha, and hoya.
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This authoritative reference on native and non-native trees of North America, by Smithsonian veteran W. John Kress, provides an unprecedented appraisal of more than 325 common species. More than a field guide, it includes over 300 range maps and 3,000 photographs of leaves, flowers, fruits, seeds, and bark; an in-depth introduction to the biology of trees, their value,(...)
Smithsonian trees of North America
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This authoritative reference on native and non-native trees of North America, by Smithsonian veteran W. John Kress, provides an unprecedented appraisal of more than 325 common species. More than a field guide, it includes over 300 range maps and 3,000 photographs of leaves, flowers, fruits, seeds, and bark; an in-depth introduction to the biology of trees, their value, structure, evolution, classification, ecology, and conservation; descriptions of each species, organized by genus and family; a reflection on the consequences of environmental change on the health of trees, now and in the future; a presentation, based on the latest technologies, of North American trees in a planetary and evolutionary perspective. "Smithsonian trees of North America", ten years in the making, marries science and art to provide an insightful and compassionate exploration of the diversity, structure, form, and beauty of trees.
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