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Titre:
The ethics of earth art

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Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this book, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works’ relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work—film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows—earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.

Titre:
Christo and Jean-Claude: Remembering the running fence

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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the process of planning it consumed nearly four years, and the installation required helicopters, barges, lawyers, and more than 300 Bay Area students and workers. Illustrated throughout with graphic representations and photographs, Christo and Jeanne-Claude recounts how two artists who were complete strangers to the area gradually enlisted the support of entire communities in order to make their vision a reality.

Titre:
Field studies: the new aesthetics of urban agriculture

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$60.00
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Agricultural areas in industrial and urban regions will in the future no longer be seen merely as functional space but rather as islands of the beautiful and the useful. This publication presents exemplary concepts for the cooperation of landscape architecture, agriculture and Land Art.

Titre:
Spiral Jetta: a road trip through the land art of the American west

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Résumé:
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. Spiral Jetta is a chronicle of this journey. A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.

Titre:
Land/Art New Mexico

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$54.00
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Résumé:
Land/Art documents a series of events presented by 18 New Mexico arts organizations which explore the relationship between land, art and community through exhibitions, site-specific works and lectures. Featuring works by more than 40 artists, including the Center for Land Use Interpretation, Laurie Anderson, Erika Blumenfeld, Basia Irland, Patrick Dougherty, Catalina Delgado Trunk and Shelley Niro, this volume includes an introduction by critic Lucy Lippard, one of Land Art's best-known exponents.

Titre:
Noah Purifoy: high desert

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$70.00
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Résumé:
This book is divided into three separate parts: The photographs, the photographic chronology and the text. The advantages of this format is to give the viewer at least three options. You can proceed chronologically from the beginning of the book to the end, thereby grasping the artist's full intent to inform, entertain and intrigue. Or you may casually thumb through the book spotting only those details that give meaning to each piece. Or you may flip the pages rapidly just to get a bird's eye view of the content. Or perhaps, you may discover some aspects of the book that we overlooked altogether. Nevertheless no matter what option a viewer chooses to take, it is our desire that each of you get so close to the piece that you see the smoke from its breath as it comes alive.

Titre:
Robert Smithson in Texas

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Résumé:
Robert Smithson (1938-73), the internationally renowned pioneer of the earthworks movement who is best known for his earthwork Spiral Jetty (1970), is considered one of the most iconoclastic artists of the 20th century. Published on the occasion of the exhibition Robert Smithson in Texas at the Dallas Museum of Art, this book contains essays and illustrations that examine Smithson's engagement with the Texas landscape. Smithson's involvement with Texas began in July 1966, when he was hired as an artist consultant to the New York-based architecture and engineering firm Tippetts, Abbett, McCarthy, Stratton (TAMS) to develop plans for the Dallas-Fort Worth Regional Airport. Though his plans never came to fruition, Smithson credited the project as a major catalyst in his development toward the concept of large-scale earthworks.

Titre:
Andy Goldsworthy: ephemeral works (2004-2014)

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$105.00
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On an almost daily basis, Andy Goldsworthy makes art using the materials and conditions he encounters wherever he is, be it the land around his Scottish home, the mountain regions of France or Spain, or the sidewalks of New York City, Glasgow, or Rio de Janeiro. Out of earth, rocks, leaves, ice, snow, rain, sunlight, and shadow he creates works that exist briefly before they are altered and erased by natural processes. They are documented in his photographs, and their larger meanings are bound up with the forces that they embody: materiality, temporality, growth, vitality, permanence, decay, chance, labor, and memory.

Titre:
New energies: land art generator initiative, Copenhagen

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$65.00
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Résumé:
The top entries from the 2014 Land Art Generator Initiative competition are profiled in this volume that brings together innovative work from architects, scientists, landscape architects, artists, and engineers engaged in the innovation of art and clean energy. Founded in 2009, the Land Art Generator Initiative, or LAGI, was created to encourage the design and construction of public art installations that have the added benefit of utility scale clean energy generation. The biennial competition, which receives submissions from around the world, is this year being held in Copenhagen, Denmark--a city that is moving towards carbon neutral status by 2025.

Titre:
Outdoor art : extraordinary sculpture parks and art in nature

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$65.00
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Résumé:
This book offers a glimpse beyond the garden walls of some of today's most innovative art spaces around the world-sculpture parks and art situated in nature. From Edward James's surreal sculpture garden Las Pozas in Mexico to Anselm Kiefer's sprawling studio complex in the French countryside, artists and art collectors are creating outdoor spaces in order to display sculpture and art that is both transformative and powerful.