Vigil
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Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death.(...)
Vigil
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Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? "Vigil" transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.
Littérature et poésie
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From the fungus-webbed "House of Usher" to the maddening, fungus-like wallpaper of Charlotte Perkins Gilman's classic tale of madness, and Ray Bradbury's account of insidious mushroom dispersal via the US postal system, weird fiction has harboured a thriving culture of fungal horrors throughout the past two centuries. With stories of mycological possession alongside dark,(...)
Spores of doom: Dank tales of the fungal weird
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From the fungus-webbed "House of Usher" to the maddening, fungus-like wallpaper of Charlotte Perkins Gilman's classic tale of madness, and Ray Bradbury's account of insidious mushroom dispersal via the US postal system, weird fiction has harboured a thriving culture of fungal horrors throughout the past two centuries. With stories of mycological possession alongside dark, pulpy science fiction monstrous fruiting bodies run amok, this new anthology collects the classic with the lost and obscure to trace our fascination with a spore-infested branch of British and American fiction.
Littérature et poésie
Trente perspectives
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Ce livre est composé de vingt-cinq photographies argentiques de Diane Givry, et d’un texte en cinq parties de Yoann Givry. Il s'agit aussi du premier livre de cette photographe. Tout y est sobre et pur: des paysages, des nus; un regard poétique sans la prétention d'une artiste à l'ego démesuré : Diane Givry en est l'inverse, elle nous propose ici son regard honnête et(...)
Trente perspectives
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Ce livre est composé de vingt-cinq photographies argentiques de Diane Givry, et d’un texte en cinq parties de Yoann Givry. Il s'agit aussi du premier livre de cette photographe. Tout y est sobre et pur: des paysages, des nus; un regard poétique sans la prétention d'une artiste à l'ego démesuré : Diane Givry en est l'inverse, elle nous propose ici son regard honnête et techniquement irréprochable. Les textes de Yoann Givry qui accompagnent ce choix d'images sont également d'une grande sobriété et modestie. Inutile de lui demander de présenter son travail, ce que l'éditeur a essayé de faire, en obtenant le texte suivant, pour la quatrième de couverture. « J’aurais pu écrire quelques lignes ici (notamment pour faire plaisir à mon éditeur). Avec des extraits ou peut-être un résumé, voire mieux : une phrase oraculaire et accrocheuse. Mais mirez et soupesez; c’est un ouvrage bien menu. Attaquez-le donc derechef. Les photographies sont très belles (à mon humble avis), et il n’est pas tout à fait décidé que quelques passages ne puissent vous plaire. (Au pire, il ne vous embêtera pas longtemps). ».
Littérature et poésie
We were promised flying cars
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The debut poetry collection from Arab-American poet Kareem Rahma - formerly of VICE and The New York Times - shows us the future in haiku. Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and(...)
We were promised flying cars
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The debut poetry collection from Arab-American poet Kareem Rahma - formerly of VICE and The New York Times - shows us the future in haiku. Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and humans turned into zombies, glued to their screens. The future that awaits us is not the one we’ve hoped for or what we were promised, but a terrible culmination of what we’ve done to ourselves. Elegant but caustically humorous, this prophetic vision can be returned to again and again, because even in the darkness, Rahma remains hopeful that we can still keep the promises we made in the past. Paired with Jean-Marc Côté’s nineteenth-century illustrations of an imagined year 2000, ''We Were Promised Flying Cars'' is not just for poetry and science fiction fans, but anyone interested in what tomorrow might look like.
Littérature et poésie
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D'Arkham à Gotham, de l'Atlantide au Groland, de l'île au trésor à l'île de Lost, de la Syldavie à Twin Peaks, ce petit guide vous emmène à la découverte de destinations imaginaires. Imaginaires et néanmoins situées : ici, nulle contrée fabuleuse, fantasmatique ou farfelue, mais des « géofictions », autrement dit des lieux qui se glissent dans les interstices du réel pour(...)
Petit guide des villes et des pays imaginaires
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D'Arkham à Gotham, de l'Atlantide au Groland, de l'île au trésor à l'île de Lost, de la Syldavie à Twin Peaks, ce petit guide vous emmène à la découverte de destinations imaginaires. Imaginaires et néanmoins situées : ici, nulle contrée fabuleuse, fantasmatique ou farfelue, mais des « géofictions », autrement dit des lieux qui se glissent dans les interstices du réel pour rendre la narration plus crédible. Dans ce livre stimulant, riche en anecdotes et en histoires insolites, David Glomot nous montre que ces créations sont autant de reflets de notre réalité : Twin Peaks n'est-il pas l'archétype de la petite ville américaine ? la Syldavie et la Bordurie, l'image de l'imbroglio géopolitique des Balkans ? l'Atlantide de Platon, la métaphore du destin politique des cités grecques ?. Ou quand tous les chemins qui mènent à Pétaouchnok sont les meilleurs raccourcis vers le monde réel....
Littérature et poésie
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"Tendrils" threads through grief, joy and solidarity toward futures shaped by collaboration and care. Reaching through ecological crises, these poems seek new ways of living kinship in the more-than-human world. This anthology gathers international voices that entangle, illuminate and resist: a collective turn to the future with renewal and possibility.
Tendrils: Ecopoetics of community and justice
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"Tendrils" threads through grief, joy and solidarity toward futures shaped by collaboration and care. Reaching through ecological crises, these poems seek new ways of living kinship in the more-than-human world. This anthology gathers international voices that entangle, illuminate and resist: a collective turn to the future with renewal and possibility.
Littérature et poésie
Riverwork
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Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared(...)
Riverwork
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Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries. She finds resonances of her own labour in the history of the river’s laundresses. On stolen time at work, and in her insomniac hours of nightwriting, she fills notebooks with these woven stories and descriptions of obsolete sites, textiles, cosmologies, and voices, constructing her own forms of relation with the lost. ''Riverwork'' unearths not just an urban river but also a philosophy of research and the archive, a politics of hydrology, an ontology of ageing and belatedness, and a consideration of the unrepresented labour of women, past and present. Along the way it brings to life, in pyrotechnic prose, a long-gone Paris and both its domestic workers and its writers.
Littérature et poésie
Your name here
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A book of unparalleled scope and vision, Your Name Here is a spectacular honeycomb of books-within-books. In this death-defying feat of ambition, collaborators Helen DeWitt and Ilya Gridneff weave together America’s "War on Terror," countless years of literary history, authorial sleight of hand, Scientology, dream analysis, multiple languages, emails, images, graphs, into(...)
Your name here
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A book of unparalleled scope and vision, Your Name Here is a spectacular honeycomb of books-within-books. In this death-defying feat of ambition, collaborators Helen DeWitt and Ilya Gridneff weave together America’s "War on Terror," countless years of literary history, authorial sleight of hand, Scientology, dream analysis, multiple languages, emails, images, graphs, into something wondrous and unique. A metafictional Pygmalion story reminiscent of Charlie Kaufman‘s Oscar-nominated Adaptation, or Italo Calvino’s "If on a winter’s night a traveler"; "Your name here" is a rare work of art that captures the process of becoming itself. A reminder that a masterpiece and a doomed voyage look the same at the start.
Littérature et poésie
Arbre pleure
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C’est une colère qui monte de tout un pays. Une insurrection des choses, des êtres, des plantes, de la terre. C’est la sève des hévéas de la plantation. C’est l’esprit-araignée du roi-chaman qui envahit les pensées des colons. En entremêlant les perspectives des travailleuses et travailleurs indigènes, des colons, des animaux, des végétaux, Thi Colas nous invite à une(...)
Arbre pleure
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C’est une colère qui monte de tout un pays. Une insurrection des choses, des êtres, des plantes, de la terre. C’est la sève des hévéas de la plantation. C’est l’esprit-araignée du roi-chaman qui envahit les pensées des colons. En entremêlant les perspectives des travailleuses et travailleurs indigènes, des colons, des animaux, des végétaux, Thi Colas nous invite à une expérience sensorielle et spirituelle singulière, entre prose et poésie, mêlant la douceur et la rage.
Littérature et poésie
Housekeeping
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''Housekeeping'' is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother. The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake(...)
Housekeeping
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''Housekeeping'' is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother. The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.
Littérature et poésie