Liberté n.346 : Non
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Peut-être que le « non » ouvre un espace, une brèche dans laquelle certaines choses peuvent enfin se mettre à naître. Dans ce dossier, nous avons rassemblé des exercices de refus. Des « non » appliqués, des « non » qui se découvrent et s’affirment. Nous avons eu envie de lancer ce défi d’écriture parce que nous vivons dans une société de consommation et de docilité.(...)
Liberté n.346 : Non
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Peut-être que le « non » ouvre un espace, une brèche dans laquelle certaines choses peuvent enfin se mettre à naître. Dans ce dossier, nous avons rassemblé des exercices de refus. Des « non » appliqués, des « non » qui se découvrent et s’affirment. Nous avons eu envie de lancer ce défi d’écriture parce que nous vivons dans une société de consommation et de docilité. Notre souhait était de dévier notre attention des espaces où la parole n’est pas respectée, de laisser résonner le non-désir, l’écœurement, pour voir ce que ça faisait bouger en nous et dans le monde. Et en demandant aux gens de poser par l’écriture des gestes de refus ou de nous raconter ceux qu’iels ont posés, nous avons vu poindre cette intuition: dire non, refuser, ce n’est pas abdiquer, c’est demeurer rétif·ves et en action. Qu’arriverait-il si nous les laissions surgir, ces « non » qui font si mal? Si nous les poursuivions dans la joie? Pouvons-nous prendre le risque total de vivre avec eux?
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Real Review 16 Autumn 2024
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There is no snow on Mount Fuji. Any hack will tell you the phase change is here, the restructuring of the world is underway. That would be a relief, like a broken fever. But they are wrong. We are still waiting. This period is merely the static on the skin, the rising pressure and building tension before the impending climax of a deluge. We live under a lavender sky,(...)
Real Review 16 Autumn 2024
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There is no snow on Mount Fuji. Any hack will tell you the phase change is here, the restructuring of the world is underway. That would be a relief, like a broken fever. But they are wrong. We are still waiting. This period is merely the static on the skin, the rising pressure and building tension before the impending climax of a deluge. We live under a lavender sky, silver and green; this is the time of unsettled air, heavy with that metallic smell of the earth. Soon the wind will awake, driving the rain forward like a cloud of smoke. The tremendous powers by which our lives are encompassed are stirring. How can we prepare for this transformation? We interview professor Jonathan White on the future as a political idea. Artist Dozie Kanu presents a flyer for higher education, while Opioid Crisis Lookbook speculates on semiotics. Peter Saville reviews the mood with Jack Self, who reviews voice notes, moral killing, and the Star Trek universe. Isabelle Bucklow binge-watches tech demos. Satoshi Fujiwara captures law enforcement hardware. Ruba Al-Sweel reviews the non-commercial image, while Martina Rocca and Izzy Farmiloe review the production of culture. Carmen Winant documents the last safe abortion, Felix Mcnamara writes notes on minutiae, John Sunyer attends a run club, plus much more.
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périodiques
Exposé no 4 : la maison
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Ce numéro retrace une archéologie des multiples approches de la maison dans l'art contemporain des avant-gardes à nos jours. Il présente les travaux des architectes les plus avant-gardistes tout en retraçant de façon conceptuelle et ludique l’histoire et l'évolution du concept "d’habiter".
Exposé no 4 : la maison
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Ce numéro retrace une archéologie des multiples approches de la maison dans l'art contemporain des avant-gardes à nos jours. Il présente les travaux des architectes les plus avant-gardistes tout en retraçant de façon conceptuelle et ludique l’histoire et l'évolution du concept "d’habiter".
périodiques
octobre 2004, Orléans
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Public 29 : localities
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This issue of "Public" approaches the concept of locality in a dialectical fashion - seeing in it new possibilities for translocalism, diverse coalitions, and critical engagements as well as new reactionary articulations of market fundamentalism and commodified difference.
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janvier 1900, Toronto
Public 29 : localities
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This issue of "Public" approaches the concept of locality in a dialectical fashion - seeing in it new possibilities for translocalism, diverse coalitions, and critical engagements as well as new reactionary articulations of market fundamentalism and commodified difference.
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the(...)
Open 7 (no)memory : storing and recalling in contemporary art and culture
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the information that is stored in modern-day 'places of memory'? What role does art play in this? Is collective memory even a possibility these days? How can cultural heritage be made accessible without transforming city and countryside into one big open-air museum? And what are the implications of new media and digital storage technologies for the social and historical processes of preserving and remembering? Rudi Laermans analyses the modern-day 'heritage regime'. Frank van Vree examines the role of the contemporary monument. Cor Wagenaar advocates the introduction of time as an instrument for the Belvedere Policy. Wolfgang Ernst considers how the archive becomes a literal metaphor in a digital culture. Nico Bick photographed various archives. Jorinde Seijdel takes a closer look at the visual archive of Bill Gates. Sven Lütticken writes about the conspiracy of openness that is apparently at work in the mass media. Geert Lovink interviews artist and archivist Tjebbe van Tijen. Artists' contributions from Joke Robaard, Nico Dockx, Hans Aarsman, Arnoud Holleman and Barbara Visser. Other contributions by Henk Oosterling, Brigitte van der Sande, Stef Scagliola, Jordan Crandall and Paul Meurs.
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Dossier vitrail
Monumental, semestriel 1 : dossier vitrail
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Dossier vitrail
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périodiques
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This issue of The Plan takes a kaleidoscopic tour around the world investigating the theme 'sustainable architecture'. Apartment buildings in Manhattan (Winka Dubbeldam), the Tamsa offices in Veracruz (Caruso & Torricella Architects), the Galway Institute of Technology (Murray O'Laoire Architects), the Shinkansen Station at Minamata (Makoto Sei Watanabe Architects) and(...)
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juillet 2004, Bologna
The plan 006 : architecture and technologies in detail
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This issue of The Plan takes a kaleidoscopic tour around the world investigating the theme 'sustainable architecture'. Apartment buildings in Manhattan (Winka Dubbeldam), the Tamsa offices in Veracruz (Caruso & Torricella Architects), the Galway Institute of Technology (Murray O'Laoire Architects), the Shinkansen Station at Minamata (Makoto Sei Watanabe Architects) and many more. A frosted plastic cutting mat with ruler printed onto it is a free gift neatly tucked inside the front cover.
périodiques
juillet 2004, Bologna
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LOG is a new journal of writing about contemporary architecture, cities, and the built environment, published by the Anyone Project. A forum for observations, speculations and ideas about all things current, LOG examines the present with an architectural bent, an historical perspective, and a critical eye. It embodies its name; a log of events, a series of mono-logs(...)
Log 2, spring 2004 (observations on architecture and the contemporary city)
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LOG is a new journal of writing about contemporary architecture, cities, and the built environment, published by the Anyone Project. A forum for observations, speculations and ideas about all things current, LOG examines the present with an architectural bent, an historical perspective, and a critical eye. It embodies its name; a log of events, a series of mono-logs becoming a kind of dia-log; LOG is a reading of our spaces in and for our time.
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périodiques
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The relationship between architecture and tourism has been the subject of ample research from the urban point of view, resulting in various theories about the "tourist gaze." Themes like identity and city branding are familiar to us all these days, but the relationship between architecture and the touristic landscape has thus far received much less consideration. Now that(...)
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novembre 2004, Rotterdam
Oase 64 : landscape and mass tourism
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The relationship between architecture and tourism has been the subject of ample research from the urban point of view, resulting in various theories about the "tourist gaze." Themes like identity and city branding are familiar to us all these days, but the relationship between architecture and the touristic landscape has thus far received much less consideration. Now that tourism is occupying the natural landscape en masse, it is no longer possible to safeguard the ideal of pure, untouched nature. By its very definition, the touristic landscape is a construct in which cultural and functional aspects have a role. As far back as the 18th century, the experience of a touristic landscape was become a physical one; an irreversible transformation of the landscape has been the result. This edition of "OASE" focuses on architecture's contribution to the structuring of mass tourism in the context of landscape, on how architecture frames the landscape and regiments the flow of tourists. A variety of interventions and strategies are reviewed, from mega-structures and infrastructure in ski resorts and Mediterranean holiday villages to nostalgic settlements in man-made miniature landscapes.
périodiques
novembre 2004, Rotterdam
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Perspecta 36
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The Yale architectural journal.
Perspecta 36
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The Yale architectural journal.
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