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Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along(...)
Kister Scheithauer Gross. Working title : BRICK
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Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along with current projects and buildings. Building in brick implies an ability to adapt to a location and its atmosphere as well as social structures. The regional identity and character of cities are often associated with a specific type of brick. At a time of digital production, brick factories today are almost anachronistic places, where elementary work processes with lots of manual work take place and the brick is given its specific sand-coloured, reddish-orange, or sometimes greenish shade through the firing of the minerals in the clay soil. Each stone is thus a unique specimen and as a haptically rich product also helps the architectural project tell its own story. On the basis of filigree paper models set on brick bases, the exhibition presents eight projects by kister scheithauer gross, which has been designing and working with the sustainable and sensual material for a quarter of a century.
Matériaux et éclairage
$49.95
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Since the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. Steel offered the opportunity to significantly expand buildings vertically and thus emerged as a symbol of the conflict between technological progress and(...)
novembre 2019
At home in steel: residential construction in steel, thoughts on space and structure
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Since the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. Steel offered the opportunity to significantly expand buildings vertically and thus emerged as a symbol of the conflict between technological progress and the architectural ideal. More recently, the use of exposed steel elements in modern architecture ushered in a rediscovery of buildings’ metamorphoses. From the Eames House in Los Angeles to the Hôtel Tassel in Brussels and the Maison de Verre in Paris, "At Home in Steel" celebrates the use of steel in residential architecture.
$49.95
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Since the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. Steel offered the opportunity to significantly expand buildings vertically and thus emerged as a symbol of the conflict between technological progress and(...)
Matériaux et éclairage
novembre 2019
Building additions in steel: the architecture of vertical extensions
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Since the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. Steel offered the opportunity to significantly expand buildings vertically and thus emerged as a symbol of the conflict between technological progress and the architectural ideal. More recently, the use of exposed steel elements in modern architecture ushered in a rediscovery of buildings’ metamorphoses. "Building Additions in Steel" looks at the largely ignored topic of steel additions in architecture and engineering, documenting an ambitious, interdisciplinary research project by architects, engineers, teachers, and students at the Zurich University of Applied Sciences, Institute of Constructive Design.
Matériaux et éclairage
Entrance, for free space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite entrance you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the entrance from the perspectives of design, region, renovation, culture, and more.
Entrance, for free space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite entrance you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the entrance from the perspectives of design, region, renovation, culture, and more.
Matériaux et éclairage
Stairs for public space
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The fifth volume in this series is all about stairs. Eight questions are posed to fifteen architectural offices from around the world, beginning with “What is the favourite stairs you’ve designed and why?” From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of stairs from the perspectives of design, region,(...)
Stairs for public space
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The fifth volume in this series is all about stairs. Eight questions are posed to fifteen architectural offices from around the world, beginning with “What is the favourite stairs you’ve designed and why?” From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of stairs from the perspectives of design, region, renovation, culture, and more. Featured architects include Stefano Corbo Studio, Moussafir Architectes, OPARCH, Katsuhiro Miyamoto & Associates, Miha Volgemut, NL Architects, LGSMA_, object-e architecture, and more. A case study portfolio of stairs, old and new, rounds out the volume.
Matériaux et éclairage
Roof: protected open space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite roof you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the roof from the perspectives of design, region, renovation, culture, and more.
Roof: protected open space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite roof you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the roof from the perspectives of design, region, renovation, culture, and more.
Matériaux et éclairage
Pierre
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'Pierre' explore la fascination qu’exerce ce matériau incontournable en présentant 170 structures créées au cours des cinq derniers millénaires. Cette collection est organisée en thèmes – la texture, la juxtaposition et la lumière – et valorise la diversité et les qualités uniques de la pierre grâce à des photographies de sépultures anciennes, d’églises, d’espaces(...)
Pierre
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'Pierre' explore la fascination qu’exerce ce matériau incontournable en présentant 170 structures créées au cours des cinq derniers millénaires. Cette collection est organisée en thèmes – la texture, la juxtaposition et la lumière – et valorise la diversité et les qualités uniques de la pierre grâce à des photographies de sépultures anciennes, d’églises, d’espaces culturels ou de maisons, entre autres.
Matériaux et éclairage
Thinking through material
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When does the idea for the materiality of an architecture arise? What role does the context and its character play? Does the typology have an effect on the material formulation of buildings? What relevance does the function have for the choice of a material? Is the aging ability of materials taken into account in the design? And can light be understood as material? These(...)
Thinking through material
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When does the idea for the materiality of an architecture arise? What role does the context and its character play? Does the typology have an effect on the material formulation of buildings? What relevance does the function have for the choice of a material? Is the aging ability of materials taken into account in the design? And can light be understood as material? These and other questions characterize the process of designing buildings for craftmans. The models and drawings of the designs alternate with the contributions by the architects Andreas Bründler, Piero Bruno and Thomas Kröger and are as readable in connection with them as they are independent of what is written.
Matériaux et éclairage
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A scholarly history of the technology of Guastavino vaulting accompanies archival images and colour photography showcasing the most incredible Guastavino vaulted spaces. Versatile, strong and fireproof, thin-tile vaults were built by Guastavino in more than two hundred major buildings in Manhattan and in over six hundred buildings across America.
Guastavino vaulting: the art of structural tile
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A scholarly history of the technology of Guastavino vaulting accompanies archival images and colour photography showcasing the most incredible Guastavino vaulted spaces. Versatile, strong and fireproof, thin-tile vaults were built by Guastavino in more than two hundred major buildings in Manhattan and in over six hundred buildings across America.
Matériaux et éclairage
The breeze block book
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The recent resurgence of interest in the breeze block seems to be more than a nostalgic yearning for modernism. Designers today are rediscovering the forgotten qualities that made it such an appealing material for mid-century architects, which also means finding new ways to enhance and exploit them. By deploying the techniques of 21st-century design, from digital tools to(...)
The breeze block book
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The recent resurgence of interest in the breeze block seems to be more than a nostalgic yearning for modernism. Designers today are rediscovering the forgotten qualities that made it such an appealing material for mid-century architects, which also means finding new ways to enhance and exploit them. By deploying the techniques of 21st-century design, from digital tools to robotic fabrication, complex new forms and patterns are now possible. Not just visually appealing, these also temper internal and external environments in increasingly sensitive and climate-responsive ways. With editorial direction from architect Sam Marshall, the volume is both a survey and a celebration.
Matériaux et éclairage