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For thousands of years, architects have used models to invent, experiment and communicate. A world in miniature, such models are even more varied in their purposes and materials than their full-scale counterparts. This elegant book explores the fascinating nature of the architectural model through 26 illustrated essays, one for each letter of the alphabet. Unbound by the(...)
An alphabet of architectural models
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For thousands of years, architects have used models to invent, experiment and communicate. A world in miniature, such models are even more varied in their purposes and materials than their full-scale counterparts. This elegant book explores the fascinating nature of the architectural model through 26 illustrated essays, one for each letter of the alphabet. Unbound by the practicalities of life-size construction, models allow architects the flexibility and freedom to think in three dimensions. Whether made for purely speculative exercises or to solve a specific problem, they are aids to the imagination. Equally, they can be used as detailed representations of particular places, either built or as yet unrealized, in order to convey information to patrons or the public. Models also have a vibrant life outside the architect’s office, including as souvenirs, architectural fragments displayed in museums, and toys for children and adults alike. Written by architects, model-makers, curators, conservators and scholars, the texts in this absorbing ''Alphabet'' explore such fundamental issues as modelling materials and techniques, scale, and the role of the model in the design process. They also go beyond conventional accounts to look at models under the X-ray machine, their use in film, and edible models. The result is a wide-ranging, original account of the multiple lives of the architectural model.
Maquettes
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Depuis 1993, le Centre national des arts plastiques a constitué un fonds d'esquisses, de maquettes et de travaux préparatoires liés aux commandes publiques d'oeuvres d'art. Riche de près de 4 600 objets réalisés par des plasticiens, architectes, designers, vidéastes ou photographes, il retrace quatre décennies de dialogue entre créateurs, pouvoirs publics et citoyens.(...)
Maquettes
mars 2021
Préliminaires : Études et maquettes
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Depuis 1993, le Centre national des arts plastiques a constitué un fonds d'esquisses, de maquettes et de travaux préparatoires liés aux commandes publiques d'oeuvres d'art. Riche de près de 4 600 objets réalisés par des plasticiens, architectes, designers, vidéastes ou photographes, il retrace quatre décennies de dialogue entre créateurs, pouvoirs publics et citoyens. Avec une sélection de projets représentatifs de la diversité de cet ensemble, parfois restés au stade de l'étude, cet ouvrage propose de plonger au coeur du processus créatif et d'observer, en suivant l'histoire de cette collection singulière, l'art en train de se faire.
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Modelling for the camera
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This publication pays tribute to two important systems of architectural representation: the model and the photograph. Rescuing over 100 original photographs of outstanding models - some eventually realized, and some that would remain unbuilt - from 20th-century Spain, this volume offers a modern, visual, critical and historiographical discourse on Spanish architecture(...)
Modelling for the camera
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This publication pays tribute to two important systems of architectural representation: the model and the photograph. Rescuing over 100 original photographs of outstanding models - some eventually realized, and some that would remain unbuilt - from 20th-century Spain, this volume offers a modern, visual, critical and historiographical discourse on Spanish architecture from this rich period after the First World War. Beyond the analysis of the models’ technical and compositional structure, the book includes sample pictures by photographers such as Francesc Català-Roca, Joaquín del Palacio (Kindel), Juan Pando, Martin Lladó, Oriol Maspons Ubiña Gomez and Ramón Massats, and architects such as José Manuel Aizpurúa, Alejandro de la Sota and Fernando Higueras.
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
Modelling time: the permanent collection 1925-2014
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and(...)
Japanese architectural models: photography by Takashi Homma
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and 70s to the bubble economys collapse and the 21st century. Included are many notable works, among them Tadao Andos Church of the Light, Kisho Kurokawas Nakagin Capsule Tower, Toyo Itos Serpentine Gallery Pavilion, houses by Itsuko Hasegawa, and Ryue Nishizawas Teshima Art Museum.
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Today, the physical scale model is a centrepiece for design education, celebrated practices and architecture’s public relations. The development of digital fabrication devices has made model manufacture even more pervasive. The physical model is the most accessible form of architectural communication. Clients and the general public seem to immediately respond to and(...)
Architecture and the miniature : models
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Today, the physical scale model is a centrepiece for design education, celebrated practices and architecture’s public relations. The development of digital fabrication devices has made model manufacture even more pervasive. The physical model is the most accessible form of architectural communication. Clients and the general public seem to immediately respond to and understand the model, over blueprints and computer simulations. Many architects use finished models for presentations, competitions and exhibitions. Others also embrace sketch models as quick, economic and flexible generative tools. It is only with the rise of the virtual that the advantages and disadvantages of more traditional models can be fully evaluated. As attested by this book, we are now at an important watershed for the model in architecture. Practitioners and educators alike are seeking to fully understand the multiplicity of model types and how they might be strategically deployed at appropriate stages in the design process. The historic role that the model has played is outlined with attention paid to Alberti, John Soane, the Bauhaus and education reforms. A cultural history is offered by examining models in the guise of toys, food, cinema, product design, souvenirs, narrative and art. Model theories are considered and tied to specific examples in the field. New technologies and creative combinations of traditional model-making techniques are evaluated. Kinetic, multi-media, nightscape and interdisciplinary models reveal the broad scope and exceptional versatility offered by this important tool. Models: Architecture and the Miniature focuses on current model use and experimentation by architects across the globe including David Chipperfield, Peter Eisenman, Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Daniel Libeskind, Greg Lynn and UN Studio.
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livres
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Since the early 1990s, the American artist Frank Stella (b. 1936) has designed various architectural structures, including a band shell, pavilions, and museums. This book demonstrates how Stella’s formal concerns have evolved from paintings to wall reliefs to freestanding sculptures that extend into architecture. Included are illustrations of the 25 works in the(...)
Frank Stella : painting into archtiecture
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Since the early 1990s, the American artist Frank Stella (b. 1936) has designed various architectural structures, including a band shell, pavilions, and museums. This book demonstrates how Stella’s formal concerns have evolved from paintings to wall reliefs to freestanding sculptures that extend into architecture. Included are illustrations of the 25 works in the accompanying exhibition that range from small models to a portion of a building at full scale. Photographs of works by architects who have influenced Stella are also featured.
livres
août 2007, New York, New Haven, London
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Frank Lloyd Wright (1867-1959) is the most renowned and popular architect and designer in America. His buildings, including Fallingwater and New York's Guggenheim Museum, are iconic landmarks. Now you can create 14 of his best loved buildings using the art of kirigami (cutting and folding). Each project features step-by-step instructions and a template that you remove(...)
Frank Lloyd Wright paper models: 14 Kirigami buildings to cut and fold
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Frank Lloyd Wright (1867-1959) is the most renowned and popular architect and designer in America. His buildings, including Fallingwater and New York's Guggenheim Museum, are iconic landmarks. Now you can create 14 of his best loved buildings using the art of kirigami (cutting and folding). Each project features step-by-step instructions and a template that you remove from the book. You follow the lines on the template, cutting and folding to make your own model. All you need is a craft knife, a cutting mat, and a ruler. Clear cutting tips help you with the tricky stages, while photos of the finished model show you the final design. To make things easier, the most intricate parts of the templates are pre-die-cut. Then simply display your finished model and admire your handiwork. Suitable for folding experts and beginners alike, Frank Lloyd Wright Paper Models is a must for Wright fans and architectural model enthusiasts.
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
juin 2017
Modeling history. The case for the tectonic. Stagecraft: models and photos
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
Model making
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Model making presents the nuts and bolts of model making. In thirty-three "concept blocks," the author explores a wide range of possible types including laser-scored acrylic models, basswood topography models, acid etched metal blocks, peeled paper blocks, D-print models, cement pour blocks, and more. This publication includes appendices on materials, tools, and tips and(...)
Model making
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Model making presents the nuts and bolts of model making. In thirty-three "concept blocks," the author explores a wide range of possible types including laser-scored acrylic models, basswood topography models, acid etched metal blocks, peeled paper blocks, D-print models, cement pour blocks, and more. This publication includes appendices on materials, tools, and tips and techniques, as well as a glossary of design concepts.
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