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Modernism at the Barricades features chapters on expressionism, futurism, surrealism, and revolutionary art and includes fresh perspectives on the work of Arnold Schoenberg, Wassily Kandinsky, and Emil Nolde, among others. The volume illuminates an international avant garde intent on resisting bureaucracy, standardization, scientific rationality, and the increasing(...)
Modernism at the barricades: aesthetics, politics, utopia
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Modernism at the Barricades features chapters on expressionism, futurism, surrealism, and revolutionary art and includes fresh perspectives on the work of Arnold Schoenberg, Wassily Kandinsky, and Emil Nolde, among others. The volume illuminates an international avant garde intent on resisting bureaucracy, standardization, scientific rationality, and the increasing commodification of mass culture. Modernists sought new ways of feeling, new forms of expression, and new possibilities of experience while seeking to refashion society. Liberation was their aim, along with the invigoration of daily life -- yet their process entangled political resistance with the cultural.
Modernisme
Bauhaus 1919-1933
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Le musée du design Bauhaus Archiv de Berlin abrite la plus importante collection actuelle consacrée au Bauhaus. Cette collection très complète comprend aussi bien des documents ou des productions de l'atelier dans tous les domaines du design, que des dessins d'études faits en classe ou des plans et maquettes d'architecture. Le Bauhaus Archiv est dédié à la présentation et(...)
Bauhaus 1919-1933
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Le musée du design Bauhaus Archiv de Berlin abrite la plus importante collection actuelle consacrée au Bauhaus. Cette collection très complète comprend aussi bien des documents ou des productions de l'atelier dans tous les domaines du design, que des dessins d'études faits en classe ou des plans et maquettes d'architecture. Le Bauhaus Archiv est dédié à la présentation et à l'étude de l'histoire du Bauhaus qui comprend également le nouveau Bauhaus de Chicago et la Hochschule für Gestatltung (Institut de design) d'Ulm. Ce livre, élaboré à partir de l'immense collection du musée, retrace l'histoire de ce mouvement incontournable dans les domaines de l'art et de l'architecture à travers les réalisations de ses plus grands représentants, dont Walter Gropius, Marcel Breuer, Wassily Kandinsky et Paul Klee.
Modernisme
Vhutemas: Moscou 1920-1930
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Créées en 1920 au lendemain de la Révolution d’Octobre, les Vhutemas – Ateliers Supérieurs d’Art et de Technique - étaient composés de huit facultés : trois dites des beaux-arts (peinture, sculpture et architecture) et cinq dites industrielles ou de production (travail du bois, du métal, textile, céramique et arts graphiques). Souvent citée par les historiens du Mouvement(...)
Vhutemas: Moscou 1920-1930
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Créées en 1920 au lendemain de la Révolution d’Octobre, les Vhutemas – Ateliers Supérieurs d’Art et de Technique - étaient composés de huit facultés : trois dites des beaux-arts (peinture, sculpture et architecture) et cinq dites industrielles ou de production (travail du bois, du métal, textile, céramique et arts graphiques). Souvent citée par les historiens du Mouvement Moderne et comparée à juste titre à celle du Bauhaus allemand, l’histoire des Vhutemas reste malgré tout mal connue. L’enseignement qui y fut dispensé, la personnalité vitalité du patrimoine artistique légué par les Vhutemas, en font un des fleurons de l’histoire de l’art mondial.
Modernisme
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Part of an accessibly written and generously illustrated series on architecture through the ages, this book features modern architecture's most important architects and buildings, interior and exterior photographs, detailed images, drawings and plans. A style driven by huge technological advances, modernism is architecture's most diverse period. It encompasses buildings(...)
The story of modern architecture
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Part of an accessibly written and generously illustrated series on architecture through the ages, this book features modern architecture's most important architects and buildings, interior and exterior photographs, detailed images, drawings and plans. A style driven by huge technological advances, modernism is architecture's most diverse period. It encompasses buildings as varied as the Sydney Opera House and the Empire State skyscraper. This volume helps readers sort through the numerous movements, schools of design, and architectural styles of Modernism. Chronologically arranged, it includes some of twentieth century's most exciting buildings.
Modernisme
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
Long Island Modernism, 1930-1980
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Modernisme
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde(...)
Avant-garde as method: Vkhutemas and the pedagogy of space 1920-1930
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde as method,'' architect and historian Anna Bokov explores the nature of art and technology education in the Soviet Union. The pedagogical program at Vkhutemas, she shows, combined longstanding academic ideas and practices with more nascent industrial era ones to initiate a new type of pedagogy that took an explorative approach and drew its strength from continuous feedback and exchange between students and educators. Elaborating on the ways the Vkhutemas curriculum challenged established canons of academic tradition by replacing it with open-ended inquiry, Bokov then shows how this came to be articulated in architectural and urban projects within the school’s advanced studios.
Modernisme
Bauhaus gals
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À travers plus de 400 photographies prises entre 1919 et 1933, 'Bauhausmädels' forme une galerie de 87 portraits en images de ces femmes artistes qui, appartenant à l’école d’art la plus progressive du XXe siècle, s’en sont écartées pour changer le milieu de l’art, de l’architecture, du design et même de la politique. Des biographies détaillées mettent en lumière le(...)
Bauhaus gals
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À travers plus de 400 photographies prises entre 1919 et 1933, 'Bauhausmädels' forme une galerie de 87 portraits en images de ces femmes artistes qui, appartenant à l’école d’art la plus progressive du XXe siècle, s’en sont écartées pour changer le milieu de l’art, de l’architecture, du design et même de la politique. Des biographies détaillées mettent en lumière le combat individuel, la détermination face à l’adversité et l’incroyable réussite de chaque artiste. Cet album de famille nous fait alors découvrir un groupe d’avant-gardistes unique, dont l’héritage a ouvert la voie aux femmes artistes des générations suivantes.
Modernisme
Bauhaus Journal 1926-1931
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One hundred years after the founding of the Bauhaus, it’s time to revisit Bauhaus, the school’s journal, as a crucial testimony of this iconic moment in the history of modern art.
Bauhaus Journal 1926-1931
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One hundred years after the founding of the Bauhaus, it’s time to revisit Bauhaus, the school’s journal, as a crucial testimony of this iconic moment in the history of modern art.
Modernisme
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When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the ''Bauhausbücher'' that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects(...)
Walter Gropius: international architecture, Bauhausbücher 1
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When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the ''Bauhausbücher'' that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects of an ever-more-modern world.
Modernisme
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing(...)
Paul Klee: Pedagogical sketchbook. Bauhausbücher 2
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies.
Modernisme