213 Résultats
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Guide d’architecture de l'Algérie et ses grandes villes - Alger, Oran, Annaba. Pour chacune des villes, une cartographie légendée avec un renvoi au texte illustré par immeuble en facilite la compréhension. Une introduction historique par ville la situe dans son contexte et amène le lecteur à la période qui nous concerne. De plus, quelques encarts sur la carrière des(...)
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Guide d’architecture de l'Algérie et ses grandes villes - Alger, Oran, Annaba. Pour chacune des villes, une cartographie légendée avec un renvoi au texte illustré par immeuble en facilite la compréhension. Une introduction historique par ville la situe dans son contexte et amène le lecteur à la période qui nous concerne. De plus, quelques encarts sur la carrière des(...)
Sujet:
Modernisme
Modernisme
Publication:
octobre 2006, Bruxelles
octobre 2006, Bruxelles
Titre:
Sur les traces de la modernité, 50 ans d'architecture : Alger, Oran, Annaba
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Guide d’architecture de l'Algérie et ses grandes villes - Alger, Oran, Annaba. Pour chacune des villes, une cartographie légendée avec un renvoi au texte illustré par immeuble en facilite la compréhension. Une introduction historique par ville la situe dans son contexte et amène le lecteur à la période qui nous concerne. De plus, quelques encarts sur la carrière des principaux architectes cités donnent un éclairage qu'il était temps de saisir car les archives sont bien souvent difficiles à retrouver et pour certaines, encore aujourd'hui, elles sont en perdition malgré la prise de conscience de l'intérêt culturel et historique qu'elles représentent. Les bâtiments sélectionnés dans le présent ouvrage ont été regroupés sous forme de promenades ; le visiteur garde néanmoins la possibilité d'organiser lui-même le cheminement de son parcours en utilisant la cartographie, les photos et les commentaires. Texte en français et en arabe.
Sur les traces de la modernité, 50 ans d'architecture : Alger, Oran, Annaba
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Guide d’architecture de l'Algérie et ses grandes villes - Alger, Oran, Annaba. Pour chacune des villes, une cartographie légendée avec un renvoi au texte illustré par immeuble en facilite la compréhension. Une introduction historique par ville la situe dans son contexte et amène le lecteur à la période qui nous concerne. De plus, quelques encarts sur la carrière des principaux architectes cités donnent un éclairage qu'il était temps de saisir car les archives sont bien souvent difficiles à retrouver et pour certaines, encore aujourd'hui, elles sont en perdition malgré la prise de conscience de l'intérêt culturel et historique qu'elles représentent. Les bâtiments sélectionnés dans le présent ouvrage ont été regroupés sous forme de promenades ; le visiteur garde néanmoins la possibilité d'organiser lui-même le cheminement de son parcours en utilisant la cartographie, les photos et les commentaires. Texte en français et en arabe.
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livres
livres
Publication:
octobre 2006, Bruxelles
octobre 2006, Bruxelles
Sujet:
Modernisme
Modernisme
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in(...)
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in(...)
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novembre 2005, New Haven
novembre 2005, New Haven
Titre:
Designing modern America : Broadway to Main Street
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.
Designing modern America : Broadway to Main Street
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.
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livres
livres
Publication:
novembre 2005, New Haven
novembre 2005, New Haven
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livres
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$55.95
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Text in Flemish and English.
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Text in Flemish and English.
Titre:
Lessons in modern living : source book on housing exhibitions in Belgium, 1945-1958
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Text in Flemish and English.
Lessons in modern living : source book on housing exhibitions in Belgium, 1945-1958
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Text in Flemish and English.
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livres
livres
Publication:
janvier 2004, Ghent
janvier 2004, Ghent
Sujet:
Modernisme
Modernisme
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livres
livres
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$38.95
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Should the Director’s House Gropius in Dessau, a masterpiece of modernism, be rebuilt? Is there any reason from a cultural-historical viewpoint for such a conservative approach? Should an attempt be made to continue the traditions of Bauhaus, or should we be discussing whether contemporary tasks and aims are commensurate to those of the past? What role do modern(...)
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Should the Director’s House Gropius in Dessau, a masterpiece of modernism, be rebuilt? Is there any reason from a cultural-historical viewpoint for such a conservative approach? Should an attempt be made to continue the traditions of Bauhaus, or should we be discussing whether contemporary tasks and aims are commensurate to those of the past? What role do modern(...)
Titre:
UmBauhaus : updating modernism
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Should the Director’s House Gropius in Dessau, a masterpiece of modernism, be rebuilt? Is there any reason from a cultural-historical viewpoint for such a conservative approach? Should an attempt be made to continue the traditions of Bauhaus, or should we be discussing whether contemporary tasks and aims are commensurate to those of the past? What role do modern principles play in today’s architecture? What is our attitude towards reconstruction? What can be expected from alternative approaches such as manipulation, collage, neutralization, redefinition, reinterpretation or entirely new design? The book „UmBauhaus – Aktualisierung der Moderne“ examines these and other questions, seeking to introduce and continue the debate concerning the Director’s House that was destroyed during the Second World War. At the peak of the debate on the reconstruction of the Gropius Director's House, the Bauhaus pulled out and decided to take a trip to record interviews. This became a lengthy, inspirational journey through current affairs, and a search for the future of modernism. With contribution from Rem Koolhaas, Dan Wieden, Oscar Niemeyer, Jonathan Park, Hans Kollhoff, Walter de'Silva, colleagues of the Bauhaus Dessau Foundation and many others.
UmBauhaus : updating modernism
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Should the Director’s House Gropius in Dessau, a masterpiece of modernism, be rebuilt? Is there any reason from a cultural-historical viewpoint for such a conservative approach? Should an attempt be made to continue the traditions of Bauhaus, or should we be discussing whether contemporary tasks and aims are commensurate to those of the past? What role do modern principles play in today’s architecture? What is our attitude towards reconstruction? What can be expected from alternative approaches such as manipulation, collage, neutralization, redefinition, reinterpretation or entirely new design? The book „UmBauhaus – Aktualisierung der Moderne“ examines these and other questions, seeking to introduce and continue the debate concerning the Director’s House that was destroyed during the Second World War. At the peak of the debate on the reconstruction of the Gropius Director's House, the Bauhaus pulled out and decided to take a trip to record interviews. This became a lengthy, inspirational journey through current affairs, and a search for the future of modernism. With contribution from Rem Koolhaas, Dan Wieden, Oscar Niemeyer, Jonathan Park, Hans Kollhoff, Walter de'Silva, colleagues of the Bauhaus Dessau Foundation and many others.
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livres
livres
Publication:
mars 2005, Berlin
mars 2005, Berlin
Sujet:
Modernisme
Modernisme
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livres
livres
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$50.00
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
Titre:
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Classification:
livres
livres
Publication:
octobre 2003, Cambridge, Mass.
octobre 2003, Cambridge, Mass.
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
Modern architecture
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun(...)
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun(...)
Titre:
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
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livres
livres
Publication:
juin 2002, Oxford
juin 2002, Oxford
Sujet:
Modernisme
Modernisme
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livres
livres
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Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from(...)
$47.95
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Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from(...)
Sujet:
Modernisme
Modernisme
Publication:
décembre 2002, Cambridge, Mass.
décembre 2002, Cambridge, Mass.
Titre:
Primary documents : a sourcebook for Eastern and Central European art since the 1950s
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Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from the artistic archives of Eastern and Central Europe during the second half of the twentieth century. Because the practice of criticism in this region was for many years almost completely suppressed, the writings of the artists themselves often fulfill a critical as well as an aesthetic and ideological function. The manifestoes, photo essays, proposals, scripts, and other writings assembled here comprise the first anthology of this material in any language. The source materials presented--almost all of them previously untranslated into English--are from Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Latvia, Macedonia, Poland, Romania, Russia, Serbia, Slovakia, and Slovenia. The book is introduced by Ilya Kabakov. Each chapter is preceded by a brief introduction and is followed by a case study that chronicles an event or the creation or reception of an artwork, illustrating the issues raised in that chapter.
Primary documents : a sourcebook for Eastern and Central European art since the 1950s
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$47.95
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Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from the artistic archives of Eastern and Central Europe during the second half of the twentieth century. Because the practice of criticism in this region was for many years almost completely suppressed, the writings of the artists themselves often fulfill a critical as well as an aesthetic and ideological function. The manifestoes, photo essays, proposals, scripts, and other writings assembled here comprise the first anthology of this material in any language. The source materials presented--almost all of them previously untranslated into English--are from Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Latvia, Macedonia, Poland, Romania, Russia, Serbia, Slovakia, and Slovenia. The book is introduced by Ilya Kabakov. Each chapter is preceded by a brief introduction and is followed by a case study that chronicles an event or the creation or reception of an artwork, illustrating the issues raised in that chapter.
Classification:
livres
livres
Publication:
décembre 2002, Cambridge, Mass.
décembre 2002, Cambridge, Mass.
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$80.00
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Peter Blundell Jones details the inadequacy of the first histories of the Modern Movement by revealing the existence of suppressed alternative traditions within the movement and shows their great diversity through the use of case studies. Each case is analysed in detail then used as a springboard to explore different theoretical approaches.
$80.00
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Résumé:
Peter Blundell Jones details the inadequacy of the first histories of the Modern Movement by revealing the existence of suppressed alternative traditions within the movement and shows their great diversity through the use of case studies. Each case is analysed in detail then used as a springboard to explore different theoretical approaches.
Titre:
Modern architecture through case studies
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$80.00
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Peter Blundell Jones details the inadequacy of the first histories of the Modern Movement by revealing the existence of suppressed alternative traditions within the movement and shows their great diversity through the use of case studies. Each case is analysed in detail then used as a springboard to explore different theoretical approaches.
Modern architecture through case studies
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$80.00
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Résumé:
Peter Blundell Jones details the inadequacy of the first histories of the Modern Movement by revealing the existence of suppressed alternative traditions within the movement and shows their great diversity through the use of case studies. Each case is analysed in detail then used as a springboard to explore different theoretical approaches.
Classification:
livres
livres
Publication:
septembre 2002, Oxford
septembre 2002, Oxford
Sujet:
Modernisme
Modernisme
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livres
livres
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$95.95
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"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity(...)
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"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity(...)
Titre:
Central European avant-gardes : exchange and transformation, 1910-1930
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"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity literally to construct a new world through their work. The borders between the visual arts, photography, film, architecture, poetry, and typography were obliterated, as artists sought to transcend the forces of traditionalism to forge an elemental visual language that would overcome national and linguistic boundaries. Yet at the same time that these artists advocated pluralism and unity, their work engaged issues such as nationalism and tradition that still resonate in artistic circles today. The book, which accompanies a major exhibition organized by the Los Angeles County Museum of Art and curated by Timothy Benson, assisted by Monika Krol, is arranged around events and situations rather than by linear, art historical categories. It features hundreds of color plates and reproductions of documents; discussions of movements from Artificialism to Zenitism; essays on figures, publications, and exhibitions; and shorter "city views" of Belgrade, Berlin, Bucharest, Budapest, Cracow, Dessau, Ljubljana, £ódz, Poznañ, Prague, Vienna, Warsaw, Weimar, and Zagreb.
Central European avant-gardes : exchange and transformation, 1910-1930
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"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity literally to construct a new world through their work. The borders between the visual arts, photography, film, architecture, poetry, and typography were obliterated, as artists sought to transcend the forces of traditionalism to forge an elemental visual language that would overcome national and linguistic boundaries. Yet at the same time that these artists advocated pluralism and unity, their work engaged issues such as nationalism and tradition that still resonate in artistic circles today. The book, which accompanies a major exhibition organized by the Los Angeles County Museum of Art and curated by Timothy Benson, assisted by Monika Krol, is arranged around events and situations rather than by linear, art historical categories. It features hundreds of color plates and reproductions of documents; discussions of movements from Artificialism to Zenitism; essays on figures, publications, and exhibitions; and shorter "city views" of Belgrade, Berlin, Bucharest, Budapest, Cracow, Dessau, Ljubljana, £ódz, Poznañ, Prague, Vienna, Warsaw, Weimar, and Zagreb.
Classification:
livres
livres
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Prix:
$49.95
(disponible sur commande)
Résumé:
Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe(...)
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Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe(...)
Titre:
Sotsgorod : le problème de la construction des villes socialistes
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Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe théorique élaboré par Milioutine, dans le cadre d'un intense débat sur la structure des villes soviétiques, est appliqué à des plans pour Nijni Novgorod, Stalingrad et Magnitogorsk, accompagné par les propositions architecturales dans l'esprit de l'avant-garde russe. Les propositions radicales de "Sotsgorod" auront un impact considérable sur la réflexion des architectes modernes allemands et conduiront Le COrbusier à imaginer sa «cité linéaire industrielle». Le format original longitudinal et la mise en pages constructiviste de l'édition originale sont rigoureusement reproduits. Présenté par Jean-Louis Cohen. Traduit du russe par Elisabeth Essaïan.
Sotsgorod : le problème de la construction des villes socialistes
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Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe théorique élaboré par Milioutine, dans le cadre d'un intense débat sur la structure des villes soviétiques, est appliqué à des plans pour Nijni Novgorod, Stalingrad et Magnitogorsk, accompagné par les propositions architecturales dans l'esprit de l'avant-garde russe. Les propositions radicales de "Sotsgorod" auront un impact considérable sur la réflexion des architectes modernes allemands et conduiront Le COrbusier à imaginer sa «cité linéaire industrielle». Le format original longitudinal et la mise en pages constructiviste de l'édition originale sont rigoureusement reproduits. Présenté par Jean-Louis Cohen. Traduit du russe par Elisabeth Essaïan.
Classification:
livres
livres
Publication:
mai 2002, Besançon
mai 2002, Besançon
Sujet:
Modernisme
Modernisme
